Morris Dancing Sides
English folk dance teams in bells, white kit, and distinctive sashes. Cotswold, Border, Molly, North-West and Long Sword traditions. Weekly winter practice, summer tours of village greens, pubs and festivals.
A weekly evening, a kit, a side's name, and a beer afterwards. The umbrella associations (Morris Federation, Open Morris, the Morris Ring) provide insurance and structure. Mixed and single-gender sides both exist.
How this one actually works
A side runs on a small cast of named roles: a foreman who teaches the figures, a squire who leads the set and picks the program, a bagman who keeps the money and the diary, at least one musician on melodeon or fiddle, and often a Fool or an animal character (a hobby horse or Beast) who works the crowd. Winter is the workshop: weekly evenings in a hall or upstairs pub room drilling stepping, sticking and the handkerchief figures until they are muscle memory. Come May the side goes public, dancing out on village greens, outside pubs and at folk festivals, usually in a "stand" of several dances with the musician setting the pace and the Fool covering the gaps. The season builds toward a Day of Dance, where one side hosts several others for a shared tour of pub stops, and toward the big set-piece mornings some sides own outright, like a dawn dance on May morning. New dances get learned over winter, retired or polished over summer, and the whole cycle resets when the clocks go back.
The earliest surviving English record of Morris dancing is a 1448 payment: the Goldsmiths' Company in London gave seven shillings to Morris dancers. It began as courtly and civic entertainment in the fifteenth century, spread into parish and village life, then thinned badly through the eighteenth and nineteenth centuries as the old occasions for it faded. The revival that saved it is usually dated to Boxing Day 1899, when the folk-song collector Cecil Sharp watched the Headington Quarry side dance near Oxford and began writing the tradition down. That collecting work, side by side with living village teams that never fully stopped, seeded the hundreds of sides dancing today.
Your first practice is mostly watching, then joining the back of a set where a wrong turn costs nothing, because the whole point of winter is that everyone was a beginner in the same hall not long ago. Expect to learn the stepping before the figures and to be handed a spare set of sticks or a borrowed hankie rather than a full kit; the bells, the whites and the side's own sash come once you are actually dancing out. Nobody expects grace on night one, and the evening almost always ends the way the tradition intends, at the bar.
Real groups you could walk into
Each is a specific, verified community currently active in this archetype. Use the search and country filter to narrow down.
Headington Quarry Morris Men
Cotswold tradition side from the village where Cecil Sharp first saw morris on Boxing Day 1899. The spark of the entire 20th-century English folk revival. One of only four villages with an unbroken Cotswold lineage.
Bampton Traditional Morris Dancers
Cotswold tradition; one of England's oldest continuously dancing sides, only suspended in 1917-18. Bampton actually has three coexisting sides representing the village tradition.
Abingdon Traditional Morris Dancers
Cotswold tradition kept alive by the Hemmings family of Ock Street. Linked to the election of the Mock Mayor of Ock Street, a satirical civic tradition dating to the 1700s.
Adderbury Village Morris Men
Revival side carrying on the distinctive Adderbury tradition collected by Janet Blunt from Wm 'Binx' Walton. One of the canonical Cotswold village traditions.
Chipping Campden Morris Men
Cotswold tradition side dancing the unique Campden repertoire. No other side dances Campden by convention. Perform at the Robert Dover's Cotswold Olimpicks and Scuttlebrook Wake.
Westminster Morris Men
Cotswold tradition. London's flagship Morris Ring side; first public dance on Coronation Day 1953. Hosts the biggest annual morris gathering in London on the 2nd Saturday of May at Trafalgar Square.
Hammersmith Morris Men
Cotswold tradition west London side; alumni include accordion legend John Kirkpatrick, who began dancing with the team aged 12 in 1959. Self-styled 'World Famous Hammersmith Morris Men'.
Chingford Morris Men
North-West tradition side from the Essex/London border, also dancing Cotswold and their own 'Chingford' dances. Based at the Friday Hall community centre.
Bedford Morris Men
Cotswold tradition; one of the longest continuously-running revival sides in England and a founding pillar of the Morris Ring era. Predates the Morris Ring (1934) itself.
Thaxted Morris Men
Cotswold tradition. Co-founder of the Morris Ring in 1934 and host of the famous Thaxted Morris Ring Meeting every Spring Bank Holiday. The largest gathering of Morris Ring sides in the calendar.
Ravensbourne Morris Men
Cotswold tradition; reformed from pre-war Morley College and Balgowan Old Boys sides after WWII. First practice 13 January 1947. A key post-war south London side.
Whitchurch Morris Men
Cotswold tradition; grew out of the Whitchurch & Princes Risborough country dance group. Joined the Morris Ring at the Thaxted meeting May 1949.
Cambridge Morris Men
Cotswold tradition; one of the six founder sides of the Morris Ring in 1934 (with Greensleeves, East Surrey, Letchworth, Oxford and Thaxted). Long associated with EFDSS scholarship.
Manchester Morris
North-West / Cotswold side that grew out of 1920s EFDS classes; joined the Morris Ring in 1936. Admitted women dancers in 2019 and dropped 'Men' from the name.
Saddleworth Morris Men
North-West (clog) tradition. Revived the Saddleworth Rushcart in 1975. Now a defining event of the North-West morris calendar, with sides processing from across the country to pull a 10-foot rushcart through the villages.
Britannia Coco-nut Dancers
Singular Lancastrian clog troupe. Eight dancers and a 'whipper-in'. Who dance 7 miles across Bacup every Easter Saturday with concertina and the Stacksteads Silver Band. Unique 'coconut' shells worn on hands, knees and belt.
Silurian Morris Men
Border Morris. Founded by the late Dave Jones; emerged at Bromyard Folk Festival 1979 in a costume based on the historical Upton Morris Men. The first Border revival side and the visual template for almost every Border side since.
Shropshire Bedlams
Border Morris founded by John Kirkpatrick and Sue Harris. With Silurian, they pioneered the Border revival and turned a near-extinct tradition into the most-imitated style of modern English morris.
Boggart's Breakfast
Mixed-gender Border side known for striking blue-patterned face paint, top hats and rag jackets. Formed to bring Border morris back to Sheffield after the earlier Wicked Stix side disbanded.
Wild Hunt Bedlam Morris
Mixed Border / Bedlam side blending North-European mythology with their own interpretation of Bedlam Morris. A long-running South London Border fixture.
Beltane Border Morris
Border Morris from the edge of Dartmoor. Famous for dramatic torch-lit performances and dances drawn from Dartmoor myths, fire/earth/water/air elements and 'rebellious women'. Tradfolk award winners.
Pecsaetan Morris
Women's Cotswold side based in Sheffield, named after the Anglo-Saxon 'Pec-saete' people of the Peak District. Tours UK festivals and dances regularly with Boggart's Breakfast in the city.
Seven Champions Molly Dancers
Molly tradition. The seminal modern Molly side, founded by members of Headcorn Morris after Russell Wortley's workshops; reshaped Comberton/Girton material into a uniformed, energetic style that defined the Molly revival.
Pig Dyke Molly
Mixed Molly side from the Fens known for stark black-and-white facepaint, quirky original dances and a deliberately non-historical, theatrical approach to the East Anglian Molly tradition.
Old Glory Molly
Solemn, agriculturally-rooted Molly side dancing in hobnailed boots with one-row C-melodeons. Strongly tied to Plough Monday rituals in the Waveney Valley.
Mepal Molly Men
Molly tradition. Reconstructed their dances from the recollections of two Little Downham dancers from the 1930s. Perform only three times a year: Plough Monday, Whittlesea Straw Bear and the Ouse Washes Day of Dance.
Grenoside Sword Dancers
Long Sword tradition. One of the very few teams still dancing their own village dance in unbroken tradition, performed every Boxing Day at the Old Harrow in Grenoside. The Captain's hat is decapitated as the locked sword 'rose' is raised.
Handsworth Traditional Sword Dancers
Long Sword tradition with a distinctive military-style kit derived from mid-19th-century miners' uniforms. Unbroken lineage since the 1880s when the Siddle brothers brought the dance from Woodhouse.
Goathland Plough Stots
Long Sword tradition. Probably the oldest village team still dancing its own dance, performed each Plough Monday weekend in Goathland on the North York Moors, accompanied by a plough hauled by 'Stots' (bullocks).
Flamborough Sword Dancers
Long Sword tradition unique to the fishing village of Flamborough. Dance their own village dance on Boxing Day with wooden swords representing the local fishermen's blades.
How to start morris dancing sides in your city
a weekly rehearsal · 5-15 people · regional tradition anchor
- A consistent core of 5-15 people after six months
- Public visibility through belonging
- Cross-generational membership (or at least mixed ages by year two)
- Newcomers absorbed without losing the founding crew
- Find 3-5 co-founders who can commit to a weekly rehearsal for at least a year.
- Pick a recurring time and place. Calendar discipline matters more than perfect timing.
- Design a clear visible identity early: name, simple kit or symbol, a short manifesto.
- Make the activity itself the recruitment tool. Show up in public; people will join.
- Build an explicit beginners path. The first session should feel welcoming, not intimidating.
- Decide your contribution to the wider neighbourhood now, not later: a performance, a service, a cleanup, a meal.
- · Expect moderate physical involvement; calibrate expectations honestly.
- · Don't let founders become irreplaceable. Plan for handover from year one.
- · Open entry means churn. Build rituals that turn drop-ins into regulars.
Morris Dancing Sides near you?
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