Real communities you could walk into.
El Beso
Intimate central Buenos Aires milonga at Riobamba 416, open every day of the year for classes and social dancing. Strong regulars culture and close-embrace nights; themed milongas through the week attract advanced dancers and dedicated newcomers who take the house classes.
Joining link available on profile →La Catedral Club
Iconic Almagro milonga and cultural club in a former neighborhood warehouse. Hosts daily and nightly tango dancing, classes, and a long-table social atmosphere that draws locals and visiting dancers into one of Buenos Aires's most recognizable community rooms for tango.
Joining link available on profile →Salon Canning (Parakultural)
Legendary Palermo milonga home of the Parakultural night, a bridge between traditional codes and a younger tango crowd. Weekly dancing, classes and live orquesta nights make the room a social institution for porteño and visiting dancers.
Joining link available on profile →Argentine/Chilean/Peruvian Folk Dance & Music Groups
24Agrupación Tradicionalista Argentina El Lazo
San Isidro gaucho/traditionalist club; member of the Federación de Centros Tradicionalistas de la Provincia de Buenos Aires. Traditionalist centers and folk ensembles keep regional dances, instruments and social meals at the heart of club life.
Joining link available on profile →Asociación Folklórica Waca Waca Santa Rosa
Waca Waca ensemble (mock-bullfight dance) from the Santa Rosa neighborhood; long-running participant of the Trajes de Luces concourse.
Joining link available on profile →Centro Expresión Cultural Milenario de Sikuris Los Rosales de Rosaspata
Sikuri ensemble from Rosaspata in the Huancané province, one of the oldest organized panpipe troupes from the Aymara-Quechua highlands that participates in the Candelaria's Originarias category.
Joining link available on profile →Centro Qosqo de Arte Nativo
Peru's first organization for the conservation of Cusco folk music and dance, founded in Nov 1924 at the home of Horacio Fortón. Holds a repertoire of 50 traditional dances and 70 artists, performing nightly in Cusco.
Joining link available on profile →Centro Tradicionalista Fortín Pergamino
Pampean traditionalist center in Pergamino preserving gaucho customs through doma, asados, and folk dance encounters. Traditionalist centers and folk ensembles keep regional dances, instruments and social meals at the heart of club life.
Joining link available on profile →Círculo Criollo El Rodeo
Historically one of the two most influential traditionalist gaucho centers in Buenos Aires province (Greater BA suburb of Santos Lugares); preserves doma, jineteada, payada and folk dance.
Joining link available on profile →Círculo Tradicional Leales y Pampeanos
Avellaneda traditionalist center, historically a peer of El Rodeo de Santos Lugares; backbone of the gauchesco circuit on the south side of Greater Buenos Aires.
Joining link available on profile →Conjunto de Arte Folklórico Sicuris Juventud Obrera
Sikuri ensemble born from workers of the Peruvian Corporation steamships that connected Puno and Guaqui on Lake Titicaca; originally called Vaporinos, then Obreros Pampeños.
Joining link available on profile →Conjunto de Danzas y Música Autóctonas Qhantati Ururi de Conima
Historic Aymara sikuri-and-dance ensemble from the Conima district on the north shore of Lake Titicaca; one of the foundational autochthonous groups of the Candelaria.
Joining link available on profile →Conjunto Folclórico Cuncumén
First Chilean folk ensemble of national projection, directed initially by Rolando Alarcón. Name means 'murmur of water' in Mapudungun. Field-collected and projected central-Chile traditions; recorded extensively for Odeón.
Joining link available on profile →Conjunto Folklórico Confraternidad Morenada Orkapata
Founded Dec 7, 1955 at Jr. Ilave 779 by ex-Sicuris Mañazo dancers wanting to perform Morenada. Won the 1966 Feria Nacional del Folklore in Huancayo, earning Puno the title 'Capital del Folklore Peruano'.
Joining link available on profile →Conjunto Millaray
Influential folk-projection ensemble founded by folklorist Gabriela Pizarro under the mentorship of Margot Loyola and Violeta Parra. Name means 'golden flower' in Mapudungun. Original members: Pizarro, Clemente Izurieta, Héctor Pavez, Nelly Pavez.
Joining link available on profile →Conjunto Sicuris del Barrio Mañazo
Oldest active sikuri (pan-flute) ensemble in Puno, founded by butchers and arrieros of the Mañazo neighborhood (named for the mañazo lazo skill). Performs every Feb 2 for the Virgen de la Candelaria.
Joining link available on profile →Diablada Confraternidad Victoria
Diablada fraternity from the historic Victoria neighborhood, one of the two oldest barrios participating since the founding of the Regional Federation of Folklore and Culture of Puno (FRFCP).
Joining link available on profile →Espectacular Diablada Bellavista
Diablada fraternity founded Sept 15, 1963 at the house of Juan Gordillo by neighbors of Bellavista. One of the most-decorated Trajes de Luces groups in the Virgen de la Candelaria.
Joining link available on profile →La Peña del Colorado
Iconic Buenos Aires peña founded by Esteban 'El Colorado' López to welcome agronomy and veterinary students from interior provinces. Hosted nightly folklore, locro, empanadas and the 'Lugar de Decir' poetry series. Reopened in San Antonio de Areco after the Palermo house was demolished in 2019.
Joining link available on profile →Los Chalchaleros
Quartet of Salta-province folkloristas named after the local chalchalero songbird; performed zamba, cueca, chacarera, gato and chamamé. Active 1948-2003 with ~50 records.
Joining link available on profile →Los Cuatro Huasos
Foundational Chilean folk quartet (Jorge Bernales, Fernando Donoso, Raúl Velasco, Eugenio Vidal) formed in April 1927 by Pontificia Universidad Católica students. Originally Cuarteto Criollo Chileno; debuted at Teatro Victoria, July 12, 1927.
Joining link available on profile →Los Fronterizos
Salteño folk quartet from the Bolivian-border province (hence 'Fronterizos'). Blended Andean instruments like the quena with criollo songforms. Recorded 30+ records.
Joining link available on profile →Los Huasos Quincheros
Chilean huaso quartet formed April 1937 by Carlos Morgan, Pedro and Ernesto Amenábar, and Mario Besoaín, all PUC students. Eight decades of continuous activity; toured America, Asia, Europe, Oceania.
Joining link available on profile →Los Manseros Santiagueños
Chacarera quartet from La Banda founded by Leocadio Torres and Onofre Paz. Longest-running active Argentine folk group; debuted at Festival de Cosquín in 1967.
Joining link available on profile →Poderosa y Espectacular Morenada Bellavista
Morenada fraternity of the Bellavista barrio, sister-troupe of the Diablada Bellavista; one of the largest Trajes de Luces ensembles in the Candelaria.
Joining link available on profile →Rey Moreno Laykakota
Traditional Rey Moreno ensemble rooted in the Laykakota neighborhood, one of the original urban barrios competing in the Candelaria since the 1960s.
Joining link available on profile →Tradicional Diablada Porteño
First independent diablada ensemble in Puno organized as its own conjunto. Performs in the Trajes de Luces concourse of the Candelaria festival.
Joining link available on profile →AGB - Alti Glaibasler 1923
Glaibasel-rooted Stammverein with a strong Alti Garde, representing the Kleinbasel/right-bank Fasnacht identity in the Cortege. Stammverein life includes year-round rehearsals for piccolo and drum, sujet themes, Larven and the Cortege on Fasnacht Monday.
Joining link available on profile →Alti Stainlemer 1912
Named after the Steinenvorstadt nightlife district ('Stainlemer'), the Alti Stainlemer are a long-standing Stammverein with an Alti Garde that has marched the Cortege for more than a century.
Joining link available on profile →Barbara-Club 1902
Founded by members of the Basel artillery (Saint Barbara is the patron saint of artillerymen), the Barbara-Club has a military-rooted Stammverein with Alti Garde and is one of the very early 20th-century cliques shaping the Cortege.
Joining link available on profile →Basler Bebbi Basel 1930
Spalenberg-based Stammverein ('Bebbi' is the affectionate nickname for native Baslers). Operates Stamm and Alte Garde and is a familiar fixture in the Cortege.
Joining link available on profile →BMG - Basler Mittwoch-Gesellschaft 1907
Stammverein historically meeting Wednesdays (hence Mittwoch-Gesellschaft) at Löwenzorn and later Gemsberg from 1922; one of the senior Grossbasel cliques.
Joining link available on profile →Breo-Clique 1896
Second-oldest Basler Fasnachtsclique, originating in Kleinbasel. A classic Pfyffer-und-Tambouren (piccolo and drum) Stammverein still active in the Cortege and Morgenstreich.
Joining link available on profile →CCB - Central Club Basel 1911
Historic Stammverein with Stamm, Alti Garde and Jungi Garde; among the senior pre-WWI Grossbasel cliques in the Cortege. Stammverein life includes year-round rehearsals for piccolo and drum, sujet themes, Larven and the Cortege on Fasnacht Monday.
Joining link available on profile →Dupf-Club 1932
Founded 1932 on the Allschwilerstrasse; maintains Stamm, Alte Garde and Junge Garde sections actively marching in the Cortege. Stammverein life includes year-round rehearsals for piccolo and drum, sujet themes, Larven and the Cortege on Fasnacht Monday.
Joining link available on profile →Fasnachtsgesellschaft Seibi 1933
Founded 1933 around the Barfuesserplatz milieu; today operates as a Fasnachtsgesellschaft with Stamm and Alti Garde formations. Stammverein life includes year-round rehearsals for piccolo and drum, sujet themes, Larven and the Cortege on Fasnacht Monday.
Joining link available on profile →Lälli-Clique 1902
Historic Stammverein with clubhouse in St. Alban-Vorstadt 15; runs Stamm, Alte Garde and Jungi Garde (Binggis) sections of pfeifer and tambouren, with strong fife-and-drum schooling tradition.
Joining link available on profile →Maertplatz-Clique Basel 1923
Named for the Marktplatz at Basel's town-hall (Rathaus) square. Long-standing Cortege participant with 'Die Alte' (Alte Garde) section.
Joining link available on profile →Muggedaetscher-Clique
Named after the iconic Basel 'Muggedaetscher' specialty pastry; runs Stamm and Alte Garde formations and appears in the official cliques directory.
Joining link available on profile →Naarebaschi-Clique
Founded 1978 by a group of active Fasnaechtler in Kleinbasel; still-active 'modern' Stammverein based at Rebgasse 35. Demonstrates the post-1970 wave of new cliques that complement the historic core.
Joining link available on profile →Olympia 1908
Pioneering Grossbasel clique credited with launching the modern Basel Larve tradition: their 1920s 'Modern Art' Sujet drove the commissioning of papier-mache masks, which became the prototype for the now-standard Basler Kuenstlerlarve.
Joining link available on profile →Pfluderi-Clique 1929
Founded in 1929 by members of a Basel cycling club (Veloclub); today operates Stamm, Alti Garde and Jungi Garde sections. Stammverein life includes year-round rehearsals for piccolo and drum, sujet themes, Larven and the Cortege on Fasnacht Monday.
Joining link available on profile →Raetz-Clique 1923
Founded in 1923 with roots in the Basel labour movement; today a Stammverein with an active Alte Garde. Stammverein life includes year-round rehearsals for piccolo and drum, sujet themes, Larven and the Cortege on Fasnacht Monday.
Joining link available on profile →Rhygwaeggi
Active Stammverein with Stamm, Alte Garde and Jungi Garde, listed in the official Fraufasnacht clique directory. Stammverein life includes year-round rehearsals for piccolo and drum, sujet themes, Larven and the Cortege on Fasnacht Monday.
Joining link available on profile →Rhyschnoogge 1930
Founded 1930 with Catholic roots; today runs a Stammverein plus an 'Rhyserva' (reserve/Alte Garde) section in the Cortege. Stammverein life includes year-round rehearsals for piccolo and drum, sujet themes, Larven and the Cortege on Fasnacht Monday.
Joining link available on profile →Sans-Gene Clique 1923
Founded 1922/23 in Grossbasel; influential Stammverein whose 1926 breakaway group went on to found the Schnurebegge. Maintains Stamm and Alti Garde sections.
Joining link available on profile →Schnurebegge 1926
Founded 13 August 1926 by 14 ex-members of Sans-Gene at Restaurant Turnhalle in Kleinbasel; an explicitly male clique with Stamm, Junge Garde and 'Schlurbbi' old guard. Nearing 100-year jubilee.
Joining link available on profile →Spale-Clique 1927
Major Stammverein from the Spalen quarter (Schuetzenmattstrasse 16a), originally registered around 1926 under the name Valencia-Clique and re-formed as Spale-Clique tied to the Spalenvorstadt. Runs Stamm, Alti Garde and Jungi Garde.
Joining link available on profile →Spezi-Clique 1905
One of the oldest Grossbasel Stammvereine, rooted in the Breite quarter. Maintains Stamm and Alti Garde formations marching with Sujet (annual theme), Larven and Laternen.
Joining link available on profile →VKB - Vereinigte Kleinbasler 1884
Oldest still-existing Fasnacht clique in Basel, founded on the Kleinbasel (right-bank) side. The VKB are widely cited as the seed organization of the modern organized clique movement and remain a Stammverein with Alti Garde and Jungi Garde sections.
Joining link available on profile →Wettstai-Clique
Stammverein named for the Wettstein quarter on the Kleinbasel side near the Wettsteinbruecke. Active Stammverein listed in the official Fasnachtsvereine directory.
Joining link available on profile →Confrérie de Saint-Georges (Doudou)
Ancient Mons brotherhood that has supplied Saint George and his retinue in the Lumeçon combat of the Ducasse de Mons (the 'Doudou') since the late 14th century. Members process on Trinity Sunday in the UNESCO-listed Doudou alongside the Chinchins (dogs), Hommes Sauvages (white men) and Diables (devils).
Joining link available on profile →Confrérie Folklorique des Blancs Moussis
Iconic carnival brotherhood of Stavelot in Belgian Wallonia. Members dress as long-red-nosed white monks - originally a mockery of a 1499 edict by Prince-Abbot Guillaume de Manderscheidt that forbade the monks of Stavelot Abbey from participating in the carnival. First appearance dated to 1502; today ~350 members parade at Laetare Sunday.
Joining link available on profile →Gilles & Paysannes Les Incas
Mixed Charleroi Gilles-and-Paysannes society named for the Inca legend popularized in 19th-century Belgian carnival writing. One of the five Charleroi Gilles sociétés in the annual Carnaval de Charleroi.
Joining link available on profile →Gilles du Pays Noir
Charleroi Gilles society named for the 'Pays Noir' coal-mining region, one of the five active sociétés de Gilles of the Carnaval de Charleroi.
Joining link available on profile →La Mesnie dol Haguète
One of Malmedy's five official folkloric societies and the keeper of the Haguète mask - the symbolic figure of the Cwarmê carnival with its long hooked 'happe-chair'. Active during the four days of the Cwarmê.
Joining link available on profile →Les Amis de la Drève
Société de Gilles of Binche named for the Drève neighborhood; takes part in the ramassage (door-to-door pickup of members) and the Mardi Gras procession of the UNESCO Carnaval de Binche.
Joining link available on profile →Les Artisans Réunis
Stavelot artisans' folklore society founded in 1885; one of the oldest groups still marching in the Laetare de Stavelot carnival each year.
Joining link available on profile →Les Djoyeûs Pign'teûs
Stavelot Walloon-named carnival group founded in 1970 (the 'cheerful comb-makers'), an annual participant in the Laetare de Stavelot parade.
Joining link available on profile →Les Gais Lurons
Société de Gilles in Binche listed by the city among the 11 official Gilles sociétés that parade on Mardi Gras during the UNESCO-listed Carnaval de Binche.
Joining link available on profile →Les Gilles de Bouvy
Historic Gilles society of the Bouvy area of La Louvière, named in early city records alongside the Gilles du Hocquet as among the first 'modern' Gilles sociétés of La Louvière. Member of the Amicale des Sociétés du Carnaval Louviérois.
Joining link available on profile →Les Gilles de la Ville de Charleroi
Charleroi's namesake Gilles society - one of the city's five sociétés de Gilles, alongside Les Récalcitrants, Jeunesse Commerçante, Gilles du Pays Noir and Gilles & Paysannes Les Incas. Marches at the annual Carnaval de Charleroi.
Joining link available on profile →Les Gilles La Relève
Société de Gilles in Binche listed by the city among the official carnival societies; one of the younger Gilles troupes feeding new generations into the UNESCO carnival.
Joining link available on profile →Les Grosses Tièsses
Stavelot 'big-heads' carnival group founded in 1951; marches with oversized papier-mâché heads each Laetare Sunday alongside the Blancs Moussis.
Joining link available on profile →Les Maugrétout
Gilles society of La Louvière, listed among the active member sociétés of the Amicale des Sociétés du Carnaval Louviérois. Parades during La Louvière's Laetare carnival.
Joining link available on profile →Les Paysans Bernardin (Bernardines)
Female 'Paysannes' society of Fleurus founded in 1994 - one of the rare all-women carnival sociétés in the Walloon Gille tradition. Represented the 144th Cavalcade de Fleurus in 2026.
Joining link available on profile →Les Zygomars
Carnival society of Stavelot founded in 1977, member of the Laetare parade circuit. One of the popular newer folklore groups in Stavelot's official cortège.
Joining link available on profile →Royale Fanfare d'Orphée
Royal Stavelot brass-and-folklore society founded in 1846 that marches with the Blancs Moussis in the Laetare carnival procession; one of the historic musical pillars of the Stavelot carnival.
Joining link available on profile →Royale Fanfare L'Écho de la Warche
Royal fanfare and one of Malmedy's five official musical/folkloric societies playing in the Cwarmê carnival; accompanies the masked traditional figures (Haguètes, Sotês, Longs-Nés, Hârlikins, etc.).
Joining link available on profile →Royale Harmonie La Fraternité
Royal harmonie and one of Malmedy's five official Cwarmê folkloric societies; plays during the four days of carnival and the Dimanche des Masques procession.
Joining link available on profile →Royale Union Wallonne
Royal Walloon society of Malmedy, one of the five official folkloric societies of the Cwarmê carnival; plays Walloon repertoire and marches with masked groups through the city center.
Joining link available on profile →Société de Gilles Les Boute-en-Train
Largest and historic Gilles society of La Louvière's Laetare carnival, founded in 1891 by Jean-Hubert Jongen (president) and Camille Adam (secretary). Long the dominant société, it later spawned Les Commerçants when members split off in 1961.
Joining link available on profile →Société de Gilles Les Commerçants
Gilles society of La Louvière founded in 1961 by members who split from Les Boute-en-Train over internal disagreements and an over-large membership. Marches at the Laetare carnival each year.
Joining link available on profile →Société L'Émulation
Historic Stavelot folklore and music society founded in 1874, registered participant in the Laetare de Stavelot carnival parade alongside the Blancs Moussis.
Joining link available on profile →Société Royale de Gilles Les Vrais Amis
Royal Gilles society of Fleurus, re-founded after World War II (parent society 'Les Intimes' dated to 1920) at Place Albert 1er. One of three remaining Gilles sociétés in Fleurus that together field ~450 gilles for the annual Cavalcade de Fleurus.
Joining link available on profile →Société Royale des Gilles Les Amis Réunis
One of the oldest Gilles societies of La Louvière, founded in 1878 in the café 'riritte dé l'manique' in the Mitant des Camps neighborhood after a group returned from the Carnaval de Binche. Their signature tune 'L'air du Mitant des Camps' was born in 1885.
Joining link available on profile →Société Royale Les Récalcitrants
Royal Société of Gilles in Binche, founded 1899; one of the oldest still-active sociétés of the UNESCO-recognized Carnaval de Binche. Named when their landlord called them 'récalcitrants' for refusing to leave his café. Granted 'Royal' title by the Prince Regent in 1949.
Joining link available on profile →Société Royale Les Réguénaires
Société of Gilles in Binche, founded in 1948 as a spin-off of Les Récalcitrants when that group grew too large after WWII. Marches every Mardi Gras of the Carnaval de Binche.
Joining link available on profile →NYC Audubon
New York City chapter of the National Audubon Society. Field trips, Christmas Bird Counts, advocacy and volunteer habitat work give urban birders a standing community across the five boroughs.
Joining link available on profile →RSPB Rainham Marshes local group activity
East London RSPB reserve with guided walks, volunteer work parties and a visitor centre culture that acts as a naturalist clubhouse for the Thames estuary. Local members' group activity turns birding into a recurring social team.
Joining link available on profile →Brazilian Samba Schools
50Academia de Samba Praiana
Academia de Samba Praiana, traditional Porto Alegre samba school competing in the city's main divisions, with deep roots in the working-class neighborhoods of central Porto Alegre.
Joining link available on profile →Academia Samba Puro
Academia Samba Puro, samba school based in the Partenon neighborhood of Porto Alegre. Long-standing competitor in the city's Carnival across multiple divisions.
Joining link available on profile →Acadêmicos de Niterói
Young school founded in 2018 in Niteroi. Won the 2025 Serie Ouro championship with the enredo 'Vixe Maria', celebrating quadrilha and Festa Junina traditions, earning promotion to Grupo Especial 2026 for the first time in its history.
Joining link available on profile →Acadêmicos do Grande Rio
Formed September 22, 1988 from the merger of Academicos de Caxias and Grande Rio. Symbol features the REDUC oil refinery and a tambourine. Paraded 2025 Grupo Especial; finally won its first title in 2022 with 'Fala, Majeste! Fala Exu!'.
Joining link available on profile →Acadêmicos do Grande Rio
GRES Acadêmicos do Grande Rio, headquartered in Duque de Caxias, Baixada Fluminense. Won its first Grupo Especial title in 2022 after decades of competition.
Joining link available on profile →Acadêmicos do Salgueiro
Founded March 5, 1953 by the merger of Morro do Salgueiro schools Depois Eu Digo and Azul e Branco. Quadra on Rua Silva Telles, Andarai. Famed for the motto 'Nem melhor, nem pior, apenas uma escola diferente' and never having been relegated from the Grupo Especial. Paraded 2025 Grupo Especial.
Joining link available on profile →Acadêmicos do Tatuapé
Founded in 1952 originally as Unidos de Vila Santa Isabel, renamed Acadêmicos do Tatuapé in 1964. East Zone Grupo Especial school that won the 2017 championship.
Joining link available on profile →Águia de Ouro
Águia de Ouro samba school, headquartered in Pompeia neighborhood, representing São Paulo's West Zone. Won its first Grupo Especial title in 2020.
Joining link available on profile →Arranco
Founded 1957 in Marechal Hermes. Traditional working-class school; paraded 2025 Serie Ouro on Friday February 28. Quadra life, bateria rehearsals and carnival parade prep make the school a year-round neighborhood club, not only a February spectacle.
Joining link available on profile →Bambas da Orgia
Sociedade Beneficente e Cultural Bambas da Orgia, founded May 6, 1940 in the Santana neighborhood by 13 friends including former Turunas members. Oldest active samba school in Porto Alegre.
Joining link available on profile →Beija-Flor de Nilópolis
Founded December 25, 1948 in Nilopolis, on the outskirts of Rio. One of the wealthiest and most decorated schools, 14-time Rio Carnival champion. Paraded 2025 Grupo Especial; symbol is the hummingbird (beija-flor).
Joining link available on profile →Beija-Flor de Nilópolis
GRES Beija-Flor de Nilópolis, founded December 25, 1948 in the Baixada Fluminense outside Rio. One of the dominant forces of modern Rio Carnival.
Joining link available on profile →Botafogo Samba Clube
Founded July 20, 2018 in association with the historic Botafogo football and regatas club. Carries the football team's preto-e-branco colors and lone-star symbol. Opened Serie Ouro 2025 in its Sapucai debut.
Joining link available on profile →Camisa Verde e Branco
Sociedade Rosas de Ouro.. [actually] traditional Barra Funda school, heir to the Grupo Carnavalesco da Barra Funda lineage of 1914. Nine-time champion of São Paulo Carnival.
Joining link available on profile →Diplomatas de Amaralina
Escola de Samba Diplomatas de Amaralina, founded in 1966 in the Amaralina neighborhood. Completed the 'three greats' rivalry that dominated Bahian Carnival from 1966 to 1976.
Joining link available on profile →Em Cima da Hora
Founded December 7, 1959 in Cavalcanti, North Zone of Rio. A traditional mid-tier school that paraded in Serie Ouro 2025 on Friday February 28.
Joining link available on profile →Estação Primeira de Mangueira
One of the most iconic and traditional samba schools in Brazil, founded April 28, 1928 by Carlos Cachaca, Cartola and Ze Espinguela on the Morro da Mangueira. Member of the 2025 Grupo Especial; the green-and-pink came from the Rancho do Arrepiado of Laranjeiras. 20-time Rio Carnival champion.
Joining link available on profile →Estácio de Sá
Founded February 27, 1955 as Unidos de Sao Carlos from a merger of blocks on Morro de Sao Carlos in the Estacio neighborhood, cradle of samba carioca. Renamed Estacio de Sa in 1983. Colors switched from blue/white to red/white in 1965 honoring Deixa Falar. Paraded 2025 Serie Ouro.
Joining link available on profile →Estado Maior da Restinga
GRES Estado Maior da Restinga, based in the Restinga neighborhood (Zona Sul) of Porto Alegre. Multi-time Grupo Ouro champion known for socially engaged enredos.
Joining link available on profile →Filhos do Tororó
Escola de Samba Filhos do Tororó, founded in 1963 in the Tororó neighborhood of Salvador. Part of the 'three greats' of Bahian samba schools alongside Juventude do Garcia and Diplomatas de Amaralina.
Joining link available on profile →Gaviões da Fiel
Gaviões da Fiel Torcida is uniquely both the largest organized supporters group of Sport Club Corinthians Paulista and a Grupo Especial samba school. Founded July 1, 1969 with over 140,000 members.
Joining link available on profile →GRES Portela
The oldest active samba school in Rio, founded April 11, 1923 in Oswaldo Cruz. Known as 'A Majestade do Samba'. Symbol is the eagle; colors reference the mantle of Nossa Senhora da Conceicao. Rio Carnival's all-time greatest champion with 22 titles; paraded Grupo Especial 2025.
Joining link available on profile →GRES Unidos da Tijuca
Founded December 31, 1931 by the merger of four blocos from Casa Branca, Formiga, Borel and Ilha dos Velhacos at the foot of Morro do Borel. Symbol is the peacock, inspired by the Borel & Cia cigarette factory logo. Paraded 2025 Grupo Especial.
Joining link available on profile →Imperadores do Samba
Imperadores do Samba, founded January 19, 1959 on Joaquim Nabuco street in Cidade Baixa. Tied with Bambas da Orgia as the most-titled school of Porto Alegre's Grupo Especial.
Joining link available on profile →Imperatriz Leopoldinense
Founded March 6, 1959 by pharmacist Amaury Jorio in Ramos. Named in homage to Empress Leopoldina. Paraded 2025 Grupo Especial; took the 2023 championship with the Lula-themed 'Lampiao do Sertao'.
Joining link available on profile →Império de Casa Verde
Grupo Especial school based in Casa Verde, North Zone of São Paulo, neighbor and rival of Mocidade Alegre. Known for rapid rise to elite status and elaborate allegories.
Joining link available on profile →Império Serrano
Founded March 23, 1947 from a split of the Prazer da Serrinha samba school in the Serrinha favela, Madureira. Headquartered next to the Mercadao de Madureira train station. A foundational school of the partido alto tradition.
Joining link available on profile →Inocentes de Belford Roxo
Founded July 11, 1993 in Belford Roxo on the Baixada Fluminense. One of the strongest Baixada schools, paraded 2025 Serie Ouro on Friday, February 28.
Joining link available on profile →Juventude do Garcia
Escola de Samba Juventude do Garcia, founded in 1959 in the Garcia neighborhood. Central rival in the historic Salvador samba scene before the rise of trio elétricos and axé music.
Joining link available on profile →Mancha Verde
Originated from the Mancha Alviverde Palmeiras organized supporters group, became a samba school in 1995 and first paraded as one in 2000. Linked to Palmeiras football club.
Joining link available on profile →Mocidade Alegre
GRCES Mocidade Alegre, known as 'A Morada do Samba,' founded September 24, 1967. The Casa Verde school has accumulated multiple Grupo Especial titles including the 2026 carnival championship.
Joining link available on profile →Mocidade Independente de Padre Miguel
Founded November 10, 1955, originating from the Independente Futebol Clube amateur soccer team. Symbol is a five-pointed star; nicknamed 'estrela-guia da Zona Oeste'. Paraded 2025 Grupo Especial.
Joining link available on profile →Nenê de Vila Matilde
GRCES Nenê de Vila Matilde, founded January 1, 1949 in Vila Matilde, East Zone. Eleven-time champion and one of the most traditional Paulistano schools.
Joining link available on profile →Paraíso do Tuiuti
Born on the Morro do Tuiuti in Sao Cristovao from the merger of Unidos do Tuiuti (1933, blue/white) and Paraiso das Baianas (1940, yellow). The school adopts April 5, 1952 as its official founding date. Paraded 2025 Grupo Especial.
Joining link available on profile →Pérola Negra
Pérola Negra (escola de samba), founded August 7, 1973 from the merger of GRES Acadêmicos de Vila Madalena and the Bloco Boca das Bruxas. Iconic Vila Madalena institution.
Joining link available on profile →Portela
GRES Portela, oldest samba school in Rio, born from the 'Vai Como Pode' carnival block in Madureira. Most decorated of all Rio schools with 22 Carnival titles.
Joining link available on profile →Ritmistas do Samba
Ritmistas do Samba, founded in 1957 from dissidents of the Nega Maluca batucada in the Preguiça region. Considered the first samba school of Salvador.
Joining link available on profile →Rosas de Ouro
Sociedade Rosas de Ouro, founded October 18, 1971 in Freguesia do Ó in São Paulo's North Zone. Two-time Grupo Especial champion known for elaborate allegories.
Joining link available on profile →São Clemente
Founded October 25, 1961 by Ivo da Rocha Gomes, Joao Marinho and Ailton Teixeira in Vila Ganhy, Botafogo. The only Grupo Especial-class school in the South Zone. Logo is a yellow tamborine with Sugarloaf in black; famous for irreverent, satirical themes. Relegated from Grupo Especial after 2025.
Joining link available on profile →Tom Maior
GRCES Tom Maior, traditional Barra Funda samba school of the Grupo Especial. Known for percussion-driven baterias and intricate enredos.
Joining link available on profile →União da Ilha do Governador
Founded March 7, 1953 in the warehouse of Mauricio Gazelle in Cacuia on Ilha do Governador, with colors inspired by Uniao Futebol Clube. Famous for joyful, beach-and-island-themed sambas. Paraded 2025 Serie Ouro.
Joining link available on profile →União de Maricá
Founded 2015 in the coastal city of Marica, east of Rio. Backed by Marica's oil-royalty wealth, became a rising powerhouse, finishing 5th in 2025 Serie Ouro and winning Serie Ouro 2026 (promotion to Grupo Especial).
Joining link available on profile →Unidos da Ponte
Founded August 16, 1958 in Sao Joao de Meriti, in the Baixada Fluminense. Paraded 2025 Serie Ouro on Friday February 28. Briefly a Grupo Especial regular in the 1980s-90s.
Joining link available on profile →Unidos da Tijuca
GRES Unidos da Tijuca, founded December 31, 1931 in Tijuca. Known for theatrical, special-effects-driven parades and multiple Grupo Especial titles.
Joining link available on profile →Unidos de Padre Miguel
Born from a street bloco in mid-1954 and officially registered November 12, 1957 in Padre Miguel by Genesio da Cruz Nunes. As 2024 Serie Ouro champion, the school opened the Grupo Especial 2025 parades on Sunday March 2.
Joining link available on profile →Unidos de Vila Isabel
Founded April 4, 1946 by 'Seu' China and friends on Rua Senador Nabuco, after watching the Bloco Academicos da Vila in Praca Barao de Drummond. Symbol is a crown honoring Princess Isabel. Paraded 2025 Grupo Especial; champion 1988, 2006, 2013.
Joining link available on profile →Unidos do Porto da Pedra
Founded 1978 in the Porto da Pedra neighborhood of Sao Goncalo, across Guanabara Bay. Symbol is a tiger. Paraded 2025 Serie Ouro. Quadra life, bateria rehearsals and carnival parade prep make the school a year-round neighborhood club, not only a February spectacle.
Joining link available on profile →Unidos do Viradouro
Founded June 24, 1946 in the Barreto/Santa Rosa area of Niteroi by Nelson 'Jangada' dos Santos. Colors were originally rose and blue (after patroness Nossa Senhora Auxiliadora); changed to red and white after 1970. Paraded 2025 Grupo Especial; 2024 champion.
Joining link available on profile →Vai-Vai
GRCSES Vai-Vai, the 'Escola do Povo' (School of the People), born from a 1920s soccer/cordão tradition in the Bixiga neighborhood. Greatest title-holder of the São Paulo Carnival with 15 Special Group championships.
Joining link available on profile →X-9 Paulistana
GRCES X-9 Paulistana, founded February 12, 1975 in the Parada Inglesa neighborhood of São Paulo's North Zone. Traditional carnival school competing in the Acesso 1 division.
Joining link available on profile →Bumba Meu Boi Brilho da Ilha
Sotaque de orquestra group active in São Luís; named among the principal orquestra battalions in SECMA and Imirante inventories. Boi battalions rehearse toadas and characters across the June cycle, each sotaque carrying its own percussion and costume language.
Joining link available on profile →Bumba Meu Boi Brilho de São João
Sotaque de Zabumba group named among the canonical zabumba battalions of Maranhão, named after São João, the patron saint of the festival cycle.
Joining link available on profile →Bumba Meu Boi da Fé em Deus
Sotaque de Zabumba group recognized for elaborate toadas that comment on national reality; named among the main zabumba battalions by SECMA.
Joining link available on profile →Bumba Meu Boi da Floresta de Apolônio
Founded by Mestre Apolônio Melônio (originally from São João Batista) in the Liberdade quilombo; sotaque da Baixada with cazumbá characters and emu-feather hats. Today directed by Nadir Cruz.
Joining link available on profile →Bumba Meu Boi da Madre Deus (Batalhão Centenário)
Historic 'Batalhão Centenário' rooted in the Madre Deus neighborhood; sotaque de matraca; central to the dawn São Pedro gathering at the Madre Deus chapel each June 29.
Joining link available on profile →Bumba Meu Boi da Maioba
Oldest documented sotaque de matraca group; founded by residents of Bom Negócio in the rural Maioba district of São Luís island. Considered the most popular boi de matraca in the state.
Joining link available on profile →Bumba Meu Boi da Pindoba
Sotaque de matraca group from the Pindoba community; named among the main matraca bois of São Luís island. Boi battalions rehearse toadas and characters across the June cycle, each sotaque carrying its own percussion and costume language.
Joining link available on profile →Bumba Meu Boi de Axixá
Founded 1959 by Francisco Naiva out of love for the festival; the oldest sotaque de orquestra group, anchor of the Munin region tradition (Rosário-Axixá).
Joining link available on profile →Bumba Meu Boi de Guimarães (Quilombo de Damásio)
Founded May 1971 by Mestre Marcelino Azevedo in the Quilombo de Damásio; the canonical zabumba sotaque group, retaining velvet costumes, hats with ribbons and traditional comedies.
Joining link available on profile →Bumba Meu Boi de Iguaíba
Traditional sotaque de matraca group from Iguaíba in Paço do Lumiar; ritual elements recall indigenous heritage on São Luís island.
Joining link available on profile →Bumba Meu Boi de Leonardo (Boi da Liberdade)
Founded 1956 by Leonardo Martins dos Santos (1921-2004) as payment of a promise to São João; sotaque de Zabumba (Guimarães style). Now directed by his daughter Cláudia Regina Avelar.
Joining link available on profile →Bumba Meu Boi de Maracanã
Centenarian sotaque de matraca group from the Maracanã community; gathers around 300 brincantes. Associated with Mestre Humberto de Maracanã (1939-).
Joining link available on profile →Bumba Meu Boi de Morros
Founded out of a community dream led by José Hugo Lobato 'Zuza' after the 1976-79 Escola Normal de Morros boi; now one of the most respected sotaque de orquestra groups in Maranhão.
Joining link available on profile →Bumba Meu Boi de Nina Rodrigues
Sotaque de orquestra reference group from the city of Nina Rodrigues; pioneered new instrument arrangements while preserving regional character; thematic identity draws on the Balaiada war.
Joining link available on profile →Bumba Meu Boi de Pindaré
Founded May 15, 1960 by Mestre João Câncio dos Santos on Praia da Ponta d'Areia; honors his birthplace Pindaré-Mirim. Created the distinctive 'sotaque do Pindaré', a variant of the sotaque da Baixada.
Joining link available on profile →Bumba Meu Boi de Ribamar
Sotaque de matraca group of São José de Ribamar, organized under the Associação Folclórica Ribamarense de Bumba-meu-boi de Matraca.
Joining link available on profile →Bumba Meu Boi de Rosário
Sotaque de orquestra group from Rosário (Munin region); the orquestra style itself traces back to a Rosário street orchestra of the 1920s-30s.
Joining link available on profile →Bumba Meu Boi de São José dos Índios
One of the historical matraca battalions; participated in the founding gathering at João Paulo on June 29, 1928 under brincante Zé Camões.
Joining link available on profile →Bumba Meu Boi de Vila Passos
Urban São Luís battalion of sotaque de Zabumba; listed among the principal zabumba groups by SECMA and Wikipedia. Boi battalions rehearse toadas and characters across the June cycle, each sotaque carrying its own percussion and costume language.
Joining link available on profile →Bumba Meu Boi do Sítio do Apicum
Traditional matraca battalion from the Sítio do Apicum community; one of the original three bois at the first 1928 São Marçal gathering, then led by Lucas do Apicum.
Joining link available on profile →Bumba Meu Boi do Una
Sotaque de orquestra group from the Una community in Morros; named among the main orquestra battalions in Wikipedia and SECMA inventories.
Joining link available on profile →Bumba Meu Boi Mocidade Axixaense
Sotaque de orquestra group from Axixá, named among the main orquestra battalions of the Munin region alongside the senior Boi de Axixá.
Joining link available on profile →Bumba Meu Boi Novilho Branco
Sotaque de orquestra group cited among the main orquestra battalions of the state by SECMA and the Imparcial sotaques guide. Boi battalions rehearse toadas and characters across the June cycle, each sotaque carrying its own percussion and costume language.
Joining link available on profile →Bumba Meu Boi Unidos Venceremos
Sotaque de Zabumba group active in São Luís; listed among the main zabumba bois alongside Leonardo, Vila Passos and Fé em Deus. Boi battalions rehearse toadas and characters across the June cycle, each sotaque carrying its own percussion and costume language.
Joining link available on profile →Cadiz Carnival Chirigotas
21Chirigota 'Los de Capuchinos'
Chirigota by Manuel Santander Cahue, named for the Capuchinos area of La Vina, the spiritual heart of Cadiz Carnival. Competes in the Concurso Oficial de Agrupaciones Carnavalescas (COAC) at the Gran Teatro Falla, the annual competitive heart of Cadiz Carnival where chirigotas, comparsas, coros and cuartetos are judged before packed local crowds.
Joining link available on profile →Chirigota 'Los Puretas del Caribe'
Chirigota by Manuel Alvarez Seda and Jose Luis Ballesteros Castro, a beloved set-piece about old folks shipping out as Caribbean retirees. Competes in the Concurso Oficial de Agrupaciones Carnavalescas (COAC) at the Gran Teatro Falla, the annual competitive heart of Cadiz Carnival where chirigotas, comparsas, coros and cuartetos are judged before packed local crowds.
Joining link available on profile →Chirigota 'Salon de belleza El Tijerita'
Chirigota by Manuel Alvarez Seda and Manuel Enrique Garcia Rosado, parodying a hairdresser's salon. Competes in the Concurso Oficial de Agrupaciones Carnavalescas (COAC) at the Gran Teatro Falla, the annual competitive heart of Cadiz Carnival where chirigotas, comparsas, coros and cuartetos are judged before packed local crowds.
Joining link available on profile →Chirigota del Canijo de Carmona
Chirigota authored by Antonio Pedro Serrano Alvarez 'el Canijo de Carmona' (Sevillian-born), celebrated for absurd disguises and tight humor.
Joining link available on profile →Chirigota del Love
Chirigota of Jose Luis Ballesteros Castro 'el Love', a defining figure of 1990s/2000s COAC chirigota. Competes in the Concurso Oficial de Agrupaciones Carnavalescas (COAC) at the Gran Teatro Falla, the annual competitive heart of Cadiz Carnival where chirigotas, comparsas, coros and cuartetos are judged before packed local crowds.
Joining link available on profile →Chirigota del Selu
Long-running chirigota led by author Jose Luis Garcia Cossio (el Selu), one of the most decorated comic groups at the Gran Teatro Falla COAC.
Joining link available on profile →Chirigota del Sheriff
Chirigota led by Juan Manuel Braza Benitez 'el Sheriff', known for sharp comedic premises. Competes in the Concurso Oficial de Agrupaciones Carnavalescas (COAC) at the Gran Teatro Falla, the annual competitive heart of Cadiz Carnival where chirigotas, comparsas, coros and cuartetos are judged before packed local crowds.
Joining link available on profile →Chirigota del Vera (Vera Luque)
Chirigota of Jose Antonio Vera Luque, dominant author of the 2010s with multiple consecutive Falla wins. Competes in the Concurso Oficial de Agrupaciones Carnavalescas (COAC) at the Gran Teatro Falla, the annual competitive heart of Cadiz Carnival where chirigotas, comparsas, coros and cuartetos are judged before packed local crowds.
Joining link available on profile →Chirigota del Yuyu
Chirigota of Jose Guerrero Roldan 'el Yuyu', known as the surrealist chirigota; music and direction long led by Toté. Competes in the Concurso Oficial de Agrupaciones Carnavalescas (COAC) at the Gran Teatro Falla, the annual competitive heart of Cadiz Carnival where chirigotas, comparsas, coros and cuartetos are judged before packed local crowds.
Joining link available on profile →Comparsa 'La caldera'
Comparsa authored by Joaquin Quinones Madera, Manuel Sanchez Alba and Jose Antonio Cheza Martinez. Competes in the Concurso Oficial de Agrupaciones Carnavalescas (COAC) at the Gran Teatro Falla, the annual competitive heart of Cadiz Carnival where chirigotas, comparsas, coros and cuartetos are judged before packed local crowds.
Joining link available on profile →Comparsa 'La comparsa de Momo'
Comparsa by brothers Francisco Javier and David Marquez Mateo (Los Marquez). Competes in the Concurso Oficial de Agrupaciones Carnavalescas (COAC) at the Gran Teatro Falla, the annual competitive heart of Cadiz Carnival where chirigotas, comparsas, coros and cuartetos are judged before packed local crowds.
Joining link available on profile →Comparsa 'La Comparsa del Genio'
Comparsa by Antonio Martin Garcia and Manuel Jesus Morera Rioja. Competes in the Concurso Oficial de Agrupaciones Carnavalescas (COAC) at the Gran Teatro Falla, the annual competitive heart of Cadiz Carnival where chirigotas, comparsas, coros and cuartetos are judged before packed local crowds.
Joining link available on profile →Comparsa 'Los Duendes Coloraos' (Los Carapapas)
Comparsa fielded by the 'Los Carapapas' authors collective. Competes in the Concurso Oficial de Agrupaciones Carnavalescas (COAC) at the Gran Teatro Falla, the annual competitive heart of Cadiz Carnival where chirigotas, comparsas, coros and cuartetos are judged before packed local crowds.
Joining link available on profile →Comparsa de Antonio Martinez Ares
Comparsa led by Antonio Martinez Ares (b. 1967, Cadiz), widely voted greatest comparsa author in COAC history. Competes in the Concurso Oficial de Agrupaciones Carnavalescas (COAC) at the Gran Teatro Falla, the annual competitive heart of Cadiz Carnival where chirigotas, comparsas, coros and cuartetos are judged before packed local crowds.
Joining link available on profile →Comparsa de Jesus Bienvenido
Comparsa led by Jesus Bienvenido Saucedo, a leading contemporary comparsa author. Competes in the Concurso Oficial de Agrupaciones Carnavalescas (COAC) at the Gran Teatro Falla, the annual competitive heart of Cadiz Carnival where chirigotas, comparsas, coros and cuartetos are judged before packed local crowds.
Joining link available on profile →Comparsa de Juan Carlos Aragon
Comparsa of the late Juan Carlos Aragon Becerra (d. May 2019), legendary lyricist; his group went on hiatus after his death. Competes in the Concurso Oficial de Agrupaciones Carnavalescas (COAC) at the Gran Teatro Falla, the annual competitive heart of Cadiz Carnival where chirigotas, comparsas, coros and cuartetos are judged before packed local crowds.
Joining link available on profile →Comparsa de Tino Tovar
Comparsa of Constantino Tovar Verdejo 'Tino Tovar', lyricist and guitarist. Competes in the Concurso Oficial de Agrupaciones Carnavalescas (COAC) at the Gran Teatro Falla, the annual competitive heart of Cadiz Carnival where chirigotas, comparsas, coros and cuartetos are judged before packed local crowds.
Joining link available on profile →Coro de Faly Pastrana
Coro directed by Rafael 'Faly' Pastrana Guillen, debuting in 1980 with 'Los signos del zodiaco'. Awarded Baluarte del Carnaval in 2016. Competes in the Concurso Oficial de Agrupaciones Carnavalescas (COAC) at the Gran Teatro Falla, the annual competitive heart of Cadiz Carnival where chirigotas, comparsas, coros and cuartetos are judged before packed local crowds.
Joining link available on profile →Coro de Julio Pardo
Coro directed by Julio Pardo 'el Gordo' (often with Antonio Rivas / Kiko Zamora). The dominant carnival choir of the modern era, performing on the traditional carroza float.
Joining link available on profile →Coro de Nandi Migueles
Coro directed by Nandi Migueles, often co-authored with Pepe Marchena, key rival to Julio Pardo's coro. Competes in the Concurso Oficial de Agrupaciones Carnavalescas (COAC) at the Gran Teatro Falla, the annual competitive heart of Cadiz Carnival where chirigotas, comparsas, coros and cuartetos are judged before packed local crowds.
Joining link available on profile →Coro del Grupo de la Salle Vina
Coro from the La Salle Vina school group, a foundational 1980s/early-90s coro from the La Vina neighborhood. Competes in the Concurso Oficial de Agrupaciones Carnavalescas (COAC) at the Gran Teatro Falla, the annual competitive heart of Cadiz Carnival where chirigotas, comparsas, coros and cuartetos are judged before packed local crowds.
Joining link available on profile →Batea de Tacuarí
Founded 28 May 2012 by Palermo neighbors. Named after the instrumental theme 'Batea de Tacuarí' by Ricardo 'Tucuta' Soto; Tacuarí was the old name of the street that now borders the Palermo Rambla. Red and black honor amateur football club Tacuarí; yellow and orange evoke sunsets on the Rambla. Supports popular soup kitchens.
Joining link available on profile →Candonga Africana
Founded 1998 in Las Piedras, Canelones (Santos Lugares / Bolivia street). Directed by Carlos Montiel and Gustavo Rodríguez. Multi-time winner of Llamadas del Interior (Canelones, Ciudad de la Costa, Flores, Durazno).
Joining link available on profile →Cenceribó
Founded in 2005 by director Federico Duarte; name from a Los Van Van song meaning 'love and joy' and from an Afro-Cuban saint. Rehearses at Centro Cultural Vid Plan. Red and yellow are the colors of Progreso (neighborhood football club); black honors the Afro origin of candombe.
Joining link available on profile →Cuareim 1080 (C 1080)
Cultural association and comparsa founded by Margarita Barrios and Waldemar 'Cachila' Silva, named after the address of the historic Mediomundo conventillo (Cuareim 1080) where the Cuareim toque was born. Heir to the legendary Morenada; most-winning comparsa of the 21st century at the Desfile de Llamadas with seven titles, including the 2025 championship. Runs a children's snack program and solidarity kitchen.
Joining link available on profile →Elegguá
Plays the Cordón toque. Named for the Yoruba orisha Elegguá, 'the child who opens and closes the doors of happiness,' chosen by director Javier Ramos. In 2024 incorporated white and grey for a special presentation about Isla de Flores. One of seven comparsas in the historic 300-drummers event marking 300 years of Montevideo.
Joining link available on profile →Integración
Formed in 2006 as a candombe school and civil association. Member of the Mesa de Comparsas del Municipio B (umbrella for Barrio Sur, Palermo, Cordón groups). Topped the 2024 Admisión rankings with 1290 points; awarded Best Drum Section at Las Llamadas 2025.
Joining link available on profile →La Dominguera
Founded in 1997, parades every Sunday from its mural at Carlos Gardel and Julio Herrera y Obes. About ninety members; uses only natural leather drum heads as a statement of authenticity to the Cuareim toque madre. Linked to drum-maker Fernando 'Lobo' Núñez and was historically integrated by singer Rubén Rada.
Joining link available on profile →La Fabini
Malvín-based comparsa named for its home neighborhood. Participant in the historic 300-drummers event marking 300 years of Montevideo alongside Cuareim 1080, Lonjas de Cuareim, Batea de Tacuarí, Elegguá, La Malunga and Senegal.
Joining link available on profile →La Facala
Heart-of-Palermo comparsa with 150+ members; name honors the historic La Facala conventillo (1900s) on Isla de Flores between Lorenzo Carnelli and Salto, from which the precursor comparsa 'Los Esclavos de Nyanza' emerged dressed in red, blue and white. Departs Saturdays 4pm from Ejido and La Cumparsita. Members travel from Minas (Lavalleja) to participate.
Joining link available on profile →La Figari
Comparsa affiliated with AUDECA (Uruguayan Candombe Association) named in homage to painter Pedro Figari (1861-1938), the Uruguayan artist whose canvases of patios, conventillos and drummers shaped the global visual identity of candombe.
Joining link available on profile →La Gozadera
Founded in 2001 in Malvín by 'Pepe' Infantozzi and others; name expresses 'everyone enjoys what we do.' Colors taken from a diversity flag brought back from Key West. Operates a cultural center at Teatro Alfredo Moreno, rehearses Sundays on Orinoco street, parades each February on Isla de Flores.
Joining link available on profile →La Jacinta
Neighborhood comparsa rooted in Jacinto Vera; runs year-round cultural activities and parades the candombe winter Llamadas in the barrio. Competes at the main February Desfile de Llamadas in Sur/Palermo, finishing 5th in 2025.
Joining link available on profile →La Melaza
All-women's drum line and comparsa founded in 2005 to perform at the 8-March International Women's Day march; its first call drew 80 drummers and 50 dancers including the Afrogama collective. Organized as a cooperative active in feminist causes including the fight against gender violence. Name from Tite Curet Alonso's song 'Caras lindas.'
Joining link available on profile →La Rodó
Founded 2016 by a group of friends with strong neighborhood-coexistence values; symbol is a lantern. Colors carry meanings: violet (wisdom), green (prosperity), blue (communication, loyalty) and white (purity, renewal). Runs Olla La Rodó, a solidarity soup kitchen that began during the pandemic.
Joining link available on profile →La Tangó
Contemporary Montevidean comparsa; the name 'Tangó' references the original Afro-Bantu word for the candombe drum. Among the top-five in Llamadas 2025.
Joining link available on profile →La Unicandó
Active competing comparsa in Montevideo's Desfile de Llamadas; podium finisher in 2025. Part of the new generation of comparsas keeping the candombe scene multiplying across Montevideo's barrios.
Joining link available on profile →Lonjas de Cuareim
Historic comparsa whose Cuareim toque was born at the Medio Mundo conventillo (Cuareim 1080). Created in 1943 by the Silva brothers, codifying the Barrio Sur mother rhythm. Renamed Morenada in 1953 at the suggestion of painter Carlos Páez Vilaró. Cuareim 1080 is its modern heir.
Joining link available on profile →Más que Lonja
Multi-ethnic comparsa founded in 2005 by Daniel Cerrini in Buceo; rehearses at Santiago Rivas and José Batlle y Ordóñez. Represents the geographic expansion of candombe beyond the Sur/Palermo/Cordón cradle.
Joining link available on profile →Mi Morena
Founded in 1998 at the intersection that divides Tres Cruces, Cordón and La Comercial; name pays homage to Afro-descendant women. First official Llamadas appearance 1998. Introduced the 'Corte' percussion arrangement, debuted at Teatro de Verano in 2001 with director Jorge Schellemberg, recorded the album 'Al palo' with Sondor that year.
Joining link available on profile →Sarabanda / La Sara del Cordón
Founded in 1988 (registered 1987) following the Cordón toque madre tradition of Zumbaé and Lonjas de Gaboto. Originally to be called 'Los Hijos del Cordón'. Renamed La Sara del Cordón in 2023 after a family dispute among heirs of founder César Pintos; the new name continues the multi-champion legacy.
Joining link available on profile →Sinfonía de Ansina
Historic Palermo comparsa from the Complejo Reus al Sur tenement (a.k.a. Barrio Ansina), one of the standard-bearers of the aggressive Ansina toque madre alongside Fantasía Negra and Concierto Lubolo. Direct ancestor of today's Valores de Ansina.
Joining link available on profile →Triniboa
Comparsa born in Pocitos in the heart of the old La Mondiola neighborhood; named after the triniboa tree native to several African countries whose wood is used to build drums and percussion. Active for over 10 years promoting candombe culture in eastern Montevideo.
Joining link available on profile →Tronar de Tambores
Comparsa based at Club Barracas, created and led for decades by candombe legend Julio 'Kanela' Sosa; now directed by José Luis 'Colo' Brun. Famous for its African-themed staging including drummers costumed as lions. Plays the three drums (piano, chico, repique) and is one of the most decorated comparsas of recent decades.
Joining link available on profile →Valores de Ansina
Heir of the Ansina toque madre and of the Palermo tradition that Sinfonía de Ansina embodied. Made up of candombe families raised in Concierto Lubolo, Sinfonía de Ansina and De Isla de Flores. Directed by Diego Paredes with Chabela Ramírez leading the choir and Afro section; convenes around 500 people each Sunday.
Joining link available on profile →Yambo Kenia
Society of Negros and Lubolos founded in 1992 under the direction of Carlos Larraura. Name evokes African reminiscences. One of the most emblematic and decorated comparsas of the last decades with multiple Llamadas titles; known for spectacles blending joy, ritual and Afro-descendant identity politics.
Joining link available on profile →Chinese Artists Association of Hong Kong (Barwo Wui Goon, 八和會館)
The pre-eminent professional Cantonese opera guild, descended from the Guangzhou Ba-he Association established under Emperor Tongzhi; promotes career welfare and preservation of yueju in Hong Kong.
Joining link available on profile →Chinese Musical and Theatrical Association (CMTA, 紐約中華音樂戲劇研究社)
One of New York City's oldest amateur Cantonese opera clubs, founded in 1931. For laundry and restaurant workers who could not afford professional entertainment, the association became a sanctuary to learn arias, stage full operas, and support one another through mutual aid.
Joining link available on profile →Chinese Theatre Circle (敦煌劇坊)
Singapore's flagship Cantonese opera company, founded by Leslie Wong, Joanna Wong and Lou Mee Wah. Has staged over 2,000 performances and tours internationally while training a new generation of Singaporean yueju artists.
Joining link available on profile →Chinese United Dramatic Society of Toronto (僑聲劇社)
One of the longest-standing Chinese theatrical groups in Toronto, performing Cantonese opera continuously through the twentieth century. Founded in 1933 as Chinatown's population and mutual-aid institutions expanded.
Joining link available on profile →Ching Won Musical Society (清韻音樂社)
One of Vancouver Chinatown's two longest-running Cantonese music societies, founded in 1935 alongside Jin Wah Sing. Members gather Saturday nights in a second-floor clubroom on Pender Street (across from the Chinese Cultural Centre) to rehearse yueju arias, play traditional instruments, and keep a living stage tradition that has defined Chinese Canadian social life since the 1930s.
Joining link available on profile →CYL Cantonese Opera Group (澳華青年聯會粵劇組)
Cantonese opera troupe of the Chinese Youth League of Australia, long associated with Madam Dao Ping Wu. Member of the Australian Federation of Traditional Chinese Performing Arts networks and a mainstay of Sydney's Chinese community stage calendar.
Joining link available on profile →Evergreen Opera Troupe (長青粵劇團)
Veteran Hong Kong Cantonese opera troupe active in Cantonese Opera Advancement Association programmes, known for traditional repertoire revivals and multi-generational casts.
Joining link available on profile →Fai Lok San Chinese Music Society (輝樂神)
Vancouver Cantonese music society founded in 1982 that meets Wednesday afternoons at Mount Pleasant Community Centre. It deliberately expanded the city's yueju club map beyond historic Chinatown, making weekly rehearsal accessible to families living south of False Creek.
Joining link available on profile →Forever Excellence Opera Troupe (永光輝粵劇團)
Participating troupe of Hong Kong's Cantonese Opera Advancement Association, staging full-length yueju productions on the amateur-professional circuit of community halls and mid-size theatres.
Joining link available on profile →Great Star Theater (Cantonese Opera Home)
Historic 500-seat Chinatown theatre opened in 1925 and still the home of Cantonese opera in San Francisco. Now a nonprofit venue, it hosts yueju festivals, training programmes such as Jing Ying, and community seasons that keep the last remaining Chinese theatre in any U.S. Chinatown alive as a performing home rather than a museum.
Joining link available on profile →Guangzhou Cantonese Opera Theatre Company (廣州粵劇院)
Flagship Guangzhou yueju company formed by merging the Guangzhou Cantonese Opera Troupe and the Hongdou (Red Bean) Troupe; runs four venues including the Hung Sin-nui Theatre and Hongdou Theatre.
Joining link available on profile →Gum Sing Musical Society
Amateur Cantonese opera society in Victoria, British Columbia, that learns and performs traditional operas of South China. Part of the living revival of Chinese opera practice in one of Canada's oldest Chinatowns, alongside the denser Vancouver club scene across the Strait of Georgia.
Joining link available on profile →Hong Kong Cantonese Opera Troupe (HKCOT, 香港粵劇團)
Founded by Dr. Ina Ho Chan Un-chan to bring together dedicated Cantonese opera artists for new productions and cross-cultural touring. A young professional company adding original programming to Hong Kong's dense yueju calendar.
Joining link available on profile →Hong Kong Society for the Promotions of Cantonese Opera
Hong Kong production society staging large-scale Cantonese opera works in concert halls and theatres. Member of the Cantonese Opera Advancement Association network that links professional and amateur troupes across the city.
Joining link available on profile →Hongdou (Red Bean) Cantonese Opera Troupe of Guangzhou (紅豆粵劇團)
Long-standing Guangzhou yueju troupe, historically one of the city's flagship ensembles and now operating within the Guangzhou Cantonese Opera Theatre Company. Namesake of the Hongdou (Red Bean) Theatre.
Joining link available on profile →Jin Wah Sing Musical Association (振華聲)
Vancouver's first continuously active Cantonese music society, established in 1934. Jin Wah Sing began as a broker that invited professional opera troupes from southern China and later became a resident amateur association rehearsing and performing yueju in Chinatown.
Joining link available on profile →Kong Chow Wui Koon Cantonese Opera Troupe (岡州會館粵劇部)
Cantonese opera section of the Kong Chow (Xinhui) clan association in Singapore. Long-running amateur troupe that performs for charity, clan festivals, and has toured to Berlin, Guangdong, and other diaspora cities.
Joining link available on profile →Ming Chee Sing Chinese Opera Troupe (鳴芝聲劇團)
One of the top professional Cantonese opera troupes in Hong Kong, founded by Lau Kam Yiu to showcase young opera talent Joyce Koi Ming Fai; performs ~100 shows a year.
Joining link available on profile →Ngai Lum Musical Society (藝林)
Post-war Vancouver Cantonese music club that meets Sunday afternoons near the Dr. Sun Yat-Sen Classical Chinese Garden. Ngai Lum is one of the three most prominent Chinatown music societies (with Jin Wah Sing and Ching Won), focused on singing Cantonese opera songs and strengthening cultural ties among Chinese Canadians.
Joining link available on profile →OperaWorks (新艺剧坊)
Amateur Cantonese opera theatre company founded by sisters Chee Kin Foon and Chee Siew Fun to nurture local yueju enthusiasts in Singapore. Focuses on training, staged works, and keeping younger practitioners inside the tradition.
Joining link available on profile →Pat Wo Wui Kun (八和會館 Singapore)
The world's oldest continuously existing Cantonese opera association, originally a guild for performers and tradespeople of the eight harmonious professions. Founded as Lei Yun Tong in 1857 and renamed Pat Wo (Bahe) in 1890 after the Guangzhou parent guild.
Joining link available on profile →Shijie Jing Cantonese Dramatic Society (世界鏡)
Toronto's earliest documented Cantonese opera society, known as The World's Mirror. From 1918 it staged shows for the early Chinese Canadian community when professional touring troupes from southern China still defined North American Chinatown theatre seasons.
Joining link available on profile →Ship Toy Yeun Dramatic Society (Gee Gung Tong Chinese Freemasons opera club)
Cantonese opera club affiliated with the Chinese Freemasons (Gee Gung Tong) of Toronto. Formalized as a dramatic society in 1932, it was a fixture of pre-war Chinatown stage life and a social arm of the freemason lodge.
Joining link available on profile →Vancouver Cantonese Opera (VCO, 溫哥華粵劇社)
Registered non-profit and charity leading the development and public staging of Cantonese opera in British Columbia. Stages full-length classics such as The Legend of the Purple Hairpin, trains musicians and actors, and runs outreach that bridges heritage clubs with new audiences.
Joining link available on profile →Yat Po Singers (一鋪清唱)
Hong Kong's first professional a cappella choral-theatre company, founded by Patrick Chiu, Ng Cheuk-yin and Yuri Ng. Fuses Cantonese vocal traditions with contemporary theatre and full-evening staged works.
Joining link available on profile →Yat Sing Music Club (一聲音樂社)
One of Portland's longest-running Chinatown community groups. Founded in 1942 by Chinese immigrants to raise wartime relief funds for China, the club still rehearses Cantonese opera twice a week in Old Town and performs for the Portland Chinatown Museum and civic festivals.
Joining link available on profile →Yingwa Cantonese Opera (影華粵劇藝術中心)
Cantonese opera arts centre founded by Law Wai-Wah and Zu Suzy, two former Guangzhou City Cantonese Opera Troupe professionals now based in New York. Offers training, staged excerpts, and full productions for diaspora students and audiences.
Joining link available on profile →ABADÁ-Capoeira Rio de Janeiro (headquarters lineage)
Headquarters culture of ABADÁ-Capoeira, founded by Mestre Camisa. Local Rio training feeds international chapters; students share a cord system, rodas and large encounters that keep a Brazilian home linked to diaspora schools.
Joining link available on profile →Grupo Capoeira Brasil Los Angeles
Los Angeles academies of Grupo Capoeira Brasil, the lineage founded by Mestres Boneco, Paulinho Sabiá and Paulão Malonês. Weekly rodas, belt progressions and batizado festivals mix martial training with berimbau music and a tight student-mestre social life.
Joining link available on profile →Grupo Senzala (Rio academy lineage)
Historic Rio capoeira group from the mid-century academy generation that helped move capoeira from street roda into structured teaching. Mestres of the Senzala lineage seeded schools across Brazil and Europe that still share repertoire and etiquette.
Joining link available on profile →Carnival Mas Bands
21Bliss Carnival
All-inclusive sister band to Tribe, led by Danielle Boucaud-Henrique; established as one of Trinidad's top premium bands. Mas bands design costumes, section themes and road music for carnival day, recruiting players months ahead for a single intense public performance.
Joining link available on profile →Chocolate Nation Mas
Official Notting Hill Carnival frontline mas band known for the 'Dawn of the New Empire' presentation and big feathered costumes. Costume design, section practice and road-march logistics run for months before carnival day itself.
Joining link available on profile →Ebony Steelband
One of the UK's earliest steel orchestras, founded by Cape James and Winston 'P' Joseph in Acton; based today at the Yaa Centre. Mas bands design costumes, section themes and road music for carnival day, recruiting players months ahead for a single intense public performance.
Joining link available on profile →Flamboyan Carnival Arts
Community mas band formed when Larry Forde of Sukuya merged forces with Gloria Cummins of Elimu; one of Notting Hill Carnival's longstanding designer bands.
Joining link available on profile →Funatik Mas
All-ages mas band fanatical about soca, costume tradition and the road-march experience at Notting Hill Carnival. Costume design, section practice and road-march logistics run for months before carnival day itself.
Joining link available on profile →Genesis Mas Band
Founded by Vernon 'Fellows' Williams and Allyson Williams MBE, known for historical-civilisation themes like the Mongol Khan dynasty and Ancient Egypt.
Joining link available on profile →Harts Carnival
Family-run mas band founded by Lil and Edmond Hart; Lil Hart was one of the first women to design commercial mas in Trinidad. Costume design, section practice and road-march logistics run for months before carnival day itself.
Joining link available on profile →K2K Alliance & Partners
Couture mas band founded by twin sisters Karen and Kathy Norman, blending haute couture and runway aesthetics with traditional Trinidad mas.
Joining link available on profile →London All Stars Steel Orchestra
Steelband founded by Frank Rollock, who also organised Brixton's first carnival and co-founded the Steelband Association of Great Britain.
Joining link available on profile →London School of Samba
The UK's first samba school, performing samba de enredo at Notting Hill Carnival every year since the mid-1980s. Mas bands design costumes, section themes and road music for carnival day, recruiting players months ahead for a single intense public performance.
Joining link available on profile →Mahogany Carnival Arts
Mas band and design studio founded by Clary Salandy and Michael Ramdeen, renowned for large-scale kinetic costumes at Notting Hill Carnival and Trinidad Carnival.
Joining link available on profile →Mangrove Steelband
Steelpan orchestra founded by Trinidadian migrants on All Saints Road, born out of the Mangrove community association made famous by the Mangrove Nine.
Joining link available on profile →Metronomes Steel Orchestra
North Kensington community steelband formed by Phil Dubique and Irvin Corridan, panyard in Meanwhile Gardens since 1989. Mas bands design costumes, section themes and road music for carnival day, recruiting players months ahead for a single intense public performance.
Joining link available on profile →Misty Carnival Club
Mas band founded by carnival photographer-turned-wire-bender Carl Gabriel, known for soft-focus traditional mas aesthetics. Costume design, section practice and road-march logistics run for months before carnival day itself.
Joining link available on profile →Pan Nation Steel Orchestra
Steel orchestra founded by arranger and manager Chris Storey BEM, known for dance-music mixes alongside calypso roots. Mas bands design costumes, section themes and road music for carnival day, recruiting players months ahead for a single intense public performance.
Joining link available on profile →Paraiso School of Samba
Brazilian samba school founded by Henrique da Silva that brings Rio-style escola de samba parades to Notting Hill Carnival. Mas bands design costumes, section themes and road music for carnival day, recruiting players months ahead for a single intense public performance.
Joining link available on profile →RASPO Steel Orchestra
Reading All Steel Percussion Orchestra, named in homage to TASPO (the 1951 Festival of Britain band), funded by Arts Council with instruments from Mangrove.
Joining link available on profile →The Lost Tribe
Designer-led mas band launched by Tribe's parent company with Valmiki Maharaj as Creative Director; known for fashion-forward, conceptual costumes.
Joining link available on profile →Tribe Carnival
Premium all-inclusive mas band co-founded by Dean Ackin; pioneered the modern all-inclusive carnival experience. Costume design, section practice and road-march logistics run for months before carnival day itself.
Joining link available on profile →Yaa Asantewaa Arts & Carnival Band
Black arts and community centre that fields one of Notting Hill Carnival's foundational mas bands, named after the Ashanti Queen Mother.
Joining link available on profile →Yuma Vibe
Young Upwardly Mobile Adults: a fashion-forward all-inclusive band that quickly became one of Trinidad's largest carnival bands. Mas bands design costumes, section themes and road music for carnival day, recruiting players months ahead for a single intense public performance.
Joining link available on profile →Desperadoes Steel Orchestra
One of Trinidad's most storied steel orchestras, rooted in Laventille. Year-round pan practice builds toward Panorama competition and carnival, with a community yard culture that has produced decades of arrangers and players.
Joining link available on profile →Phase II Pan Groove
Innovative Trinidad steel orchestra associated with arranger Len 'Boogsie' Sharpe, formed in 1972 out of Starlift. Known for musical ambition inside the competitive Panorama system while remaining a community band with a standing Woodbrook yard and player base.
Joining link available on profile →Ancient Society of College Youths
A long-running society of change ringers associated with London's great rings of bells. Its members preserve centuries of peal records and ringing knowledge while continuing the collective practice of complex full-circle and handbell methods.
Joining link available on profile →Society of Royal Cumberland Youths
A historic change-ringing society with members in Britain and overseas who meet for weekly London tower practices, regional sessions, peals and social events. Experienced ringers coordinate complex methods in which every bell depends on the timing and attention of the full band.
Joining link available on profile →Washington Ringing Society
A multigenerational society devoted to English change ringing at Washington National Cathedral and the Old Post Office Tower. Members practice in the towers each week, ring for services and civic occasions, and train newcomers through an intensive class followed by regular band practice.
Joining link available on profile →Chinese Lion Dance Troupes
23Calvin Chin's Martial Arts Academy Lion Dance Team
Grandmaster Calvin Chin opened the first publicly teaching kung fu school in Boston Chinatown in 1971; the troupe has anchored Boston Chinatown's Lunar New Year street celebrations for over five decades.
Joining link available on profile →Chau Luen Athletics Vancouver Lion Dance
Choy Lee Fut kung fu school and lion dance team that has performed in Vancouver since WWII; one of the most-booked troupes for Lunar New Year and wedding circuits in the Lower Mainland.
Joining link available on profile →Chinese Youth League Lion and Dragon Dance Australia (CYLLADDA)
Lion dance arm of the Chinese Youth League of Australia; performs at the City of Sydney Lunar New Year Festival and across NSW for nearly five decades.
Joining link available on profile →CMS Lion Dance Team (Chinese Masonic Society)
Melbourne's oldest and most trusted lion and dragon dance team, run out of the Chinese Masonic Society's historic Chinatown hall; performs the city's flagship Lunar New Year street ceremonies.
Joining link available on profile →Dalongdong Golden Lion Dance Troupe
First documented lion dance troupe in Taiwan, with more than 200 years of history; attached to the Daoist-Buddhist Bao'an Temple in Dalongdong and a cornerstone of Taipei temple-festival lion culture.
Joining link available on profile →Heshan Yuetang Lion Dance Troupe
Home village troupe of Feng Gengchang, the cat-inspired inventor of the Heshan style of Southern lion dance; Heshan is officially designated 'Famous Town of Chinese Dragon and Lion Dance'.
Joining link available on profile →Hon Hsing Athletic Club
British Columbia's oldest and premier Chinese dragon and lion dance troupe, founded by Hoy Ping county Chinese-Canadians; central to Vancouver Chinatown's Lunar New Year parade since WWII era.
Joining link available on profile →Hsinchu Hakka Lion Dance Cultural Association
Custodians of Taiwan's endangered Hakka box-mouth lion dance tradition; revived in 2006 by Chang Chien-an and now a designated cultural heritage preserver of Taiwan's Ministry of Culture.
Joining link available on profile →Jin Wu Koon Lion Dance Troupe
Australia's most decorated lion dance team, born in Sydney's Chinatown; first Australian troupe crowned Western Lion King at Genting World Lion Dance Championships (2016).
Joining link available on profile →Kong Ha Hong Lion Dance Troupe
Indonesia's preeminent Barongsai troupe, founded just after the lifting of the Suharto-era ban on Chinese cultural expression; five-time world champion and the face of post-Reformasi Chinese-Indonesian identity.
Joining link available on profile →Kun Seng Keng Lion & Dragon Dance Association
World's most decorated lion dance troupe, holder of roughly 12 of 13 World Lion Dance Championships at Genting; pioneer of acrobatic high-pole (jong) style and considered 'king of lions' globally.
Joining link available on profile →Kwok's Kung Fu and Dragon Lion Dance Team
Hong Kong's most storied lion dance lineage, founded by Kwok Ka Kui; central to Tin Hau, Cheung Chau Bun Festival and Yuen Long parades and a regular fixture at HKSAR civic ceremonies.
Joining link available on profile →Leung's White Crane Dragon and Lion Dance Association
Founded by the Leung Brothers; closes the San Francisco Chinatown Lunar New Year Parade and is the only US troupe to have repeatedly won Western Lion category at the Genting World Championship.
Joining link available on profile →Lion Dance Franco-Asiatique (LDFA)
France's largest competitive lion dance association, based in Paris's 13th-arrondissement Chinatown; reigning European Lion Dance Champion and headline act of the Paris Nouvel An Chinois parade.
Joining link available on profile →Malaysia Khuan Loke Dragon & Lion Dance Association (Qun Le)
Seven-time World Lion Dance Champion based in Petaling Jaya; major rival to Kun Seng Keng on the Genting high-pole circuit and one of Malaysia's most exported brands of southern lion dance.
Joining link available on profile →Philadelphia Suns Lion Dance
Youth-led community sports and culture organisation whose lion dance troupe parades through Philly Chinatown every Lunar New Year, bringing fortune to local businesses with drum, cymbals and firecrackers.
Joining link available on profile →Shaolin Fists Lion Dance Troupe (Yap Leong)
Led by Grandmaster Yap Leong, one of the most experienced UK lion dance troupes; regular headliners of London Chinatown's Lunar New Year and Mid-Autumn parades and frequent BBC/ITV broadcast guests.
Joining link available on profile →Singapore Chin Woo Athletic Association Lion Dance Troupe
Oldest continuously running lion dance troupe in Singapore, an offshoot of the historic Chin Woo (Jingwu) martial arts movement; performs both Northern and Southern styles.
Joining link available on profile →UK Pak Mei Kung Fu & Lion Dance
Pak Mei (White Eyebrow) kung fu lineage school under Master Jimmy Lee whose lion troupe performs the rarer White Eyebrow-style lion at London Chinatown New Year events.
Joining link available on profile →Wan Chi Ming Hung Gar Institute Dragon and Lion Dance Team
Founded by Master Wan Chi Ming (grand-disciple lineage of Wong Fei Hung); the defining lion dance team of NYC Chinatown's Lunar New Year and a regular at Pearl River Mart and Confucius Plaza events.
Joining link available on profile →Wei Yong Athletic Association
Second-tier-but-major Singapore competitive troupe regularly podiuming at the National Lion Dance Championship and exporting performers across Southeast Asia.
Joining link available on profile →Yau Kung Moon USA
Storied southern Shaolin kung fu school whose lion dance team has anchored the SF Chinatown Lunar New Year Parade for over 50 years; one of the West Coast's most photographed troupes.
Joining link available on profile →Yi Wei Athletic Association
Singapore's flagship competitive troupe and reigning Genting World Lion Dance champions (2023, defended 2025); over 100 active members and 100+ international titles.
Joining link available on profile →Movement Boulder (Boulder Rock Club lineage)
Boulder's flagship climbing gym community in the Movement network, with deep roots in local outdoor climbing culture. Leagues, yoga, member crews and outdoor transition programmes turn a day pass into a social training home.
Joining link available on profile →The Castle Climbing Centre
Worker-cooperative climbing centre in a converted Victorian water pumping station in North London. Beyond the walls it runs courses, youth programmes, and a strong regulars culture that makes the café and terraces as social as the routes.
Joining link available on profile →Cologne Karneval Societies
28Altstädter Köln 1922 e.V.
The 'Old-Towners'. Kurkölnisches Traditionskorps in green-and-red, evoking the Electoral Cologne militia rather than the city's red-and-white. By tradition they ceremonially open the Straßenkarneval on Weiberfastnacht.
Joining link available on profile →Bürgergarde "blau-gold" von 1904 e.V. Köln
Founded in 1904 as the Bürger-Sappeur-Corps, the 'Blue-Gold Civic Guard' takes its identity from the historic civic militia tradition and is unmistakable in its blue-and-gold uniforms with sapper aprons.
Joining link available on profile →Colombina Colonia e.V. von 1999
Cologne's first women-only carnival society admitted as an ordentliche Gesellschaft of the Festkomitee. A milestone in opening the once strictly male Traditionskorps culture, with its own Damen-Sitzung and dance corps.
Joining link available on profile →Deutzer K.G. "Schäl Sick" vun 1952 e.V.
The Deutz carnival society proudly named after the 'wrong side' of the Rhine. A defining society of the right-bank Karneval scene anchored in Deutz.
Joining link available on profile →Die Grosse von 1823 Karnevalsgesellschaft e.V.
Cologne's very first carnival society and the 'mother of all Karnevalsgesellschaften'. Founded the same year as the first Rosenmontagszug, it organized the early carnival reforms; members wear elegant black-and-white tails rather than a military uniform.
Joining link available on profile →EhrenGarde der Stadt Köln 1902 e.V.
The 'Honour Guard of the City of Cologne'. Official escort to the Lord Mayor during carnival. Their distinctive green-and-yellow uniforms have earned them the affectionate nickname 'Spinat mit Ei' (spinach with egg).
Joining link available on profile →Große K.G. "Frohsinn" Köln vun 1919 e.V.
'Cheerfulness'. A post-WWI-founded Kölsch carnival society and ordentliches Mitglied of the Festkomitee, with traditional Sitzung program and Kölsch-music focus.
Joining link available on profile →Große K.G. Greesberger e.V. Köln von 1852
Founded 1852, the Greesberger are among the most venerable Cologne carnival societies and a regular ordentliche Gesellschaft of the Festkomitee.
Joining link available on profile →Große Kölner K.G. e.V. 1882
One of Cologne's oldest carnival societies still active. The 'Greater Cologne K.G.'. Long-standing pillar of the Festkomitee and host of one of the city's classic Herrensitzungen.
Joining link available on profile →Große Mülheimer K.G. e.V. 1903 (GMKG)
The major carnival society of right-bank Mülheim, founded in the then-independent town in 1903 (out of the earlier 'Ulk' society from 1894). Its in-house dance corps, the Rheinmatrosen (formerly Müllemer Schefferjunge), is one of the most respected in the city.
Joining link available on profile →Große Sülz-Klettenberger K.G. e.V. von 1928
The main carnival society of the linksrheinisch Sülz and Klettenberg neighborhoods, a long-standing ordentliche Gesellschaft of the Festkomitee.
Joining link available on profile →K.G. Alt-Köllen vun 1883 e.V.
'Old Cologne'. A 19th-century-rooted carnival society dedicated to traditional Kölsch carnival culture and a regular member of the Festkomitee.
Joining link available on profile →K.G. Fidele Burggrafen e.V. 1927
A classic interwar-era Kölsch carnival society. The 'Cheerful Burgraves'. And a long-standing ordentliche Gesellschaft of the Festkomitee.
Joining link available on profile →K.G. Kölsche Grielächer vun 1927 e.V.
Founded in 1927 at the Weinstube Rubens as the corps society 'Kölsche Grenadeere blau-grön', refounded after WWII as the Grielächer. Its mascot is the rotating, grinning 'Grielächer' comic figure.
Joining link available on profile →KG Treuer Husar Blau-Gelb von 1925 e.V. Köln
The 'Loyal Hussar'. A hussar-themed Traditionskorps in striking blue-and-yellow, famous for its hussar shakos and cavalry-style ceremonial. One of the nine officially recognized Traditionskorps of the Kölner Karneval.
Joining link available on profile →Kölner Funken Artillerie blau-weiß von 1870 e.V. (Blaue Funken)
The 'Blue Sparks'. Cologne's traditional carnival artillery corps, evoking the Prussian-era artillery uniforms. One of the four original Traditionskorps and a perennial fixture of the Rosenmontagszug with its own cannon.
Joining link available on profile →Kölner Husaren-Korps von 1972 e.V.
A hussar-themed corps society and ordentliches Festkomitee-Mitglied, contributing cavalry-styled uniformed presence and dance corps to the Rosenmontag parade.
Joining link available on profile →Kölner K.G. Blomekörfge 1867 e.V.
The 'Little Flower Basket' society. One of Cologne's oldest still-active Karnevalsgesellschaften, with a long tradition of literary, song-based Sitzungen.
Joining link available on profile →Kölner K.G. Nippeser Bürgerwehr 1903 e.V.
The 'Nippes Citizens' Militia'. Instantly recognizable by their luminous orange uniforms, which earned them the nickname 'Apfelsinenfunken' (orange-Funken). Rooted in the working-class northern district of Nippes.
Joining link available on profile →Kölner Karnevalsgesellschaft "Mer Blieve Zesamme" e.V. von 1937
'We Stay Together'. A mid-20th-century Kölsch carnival society and ordentliches member of the Festkomitee, whose name became something of a Karneval slogan.
Joining link available on profile →Kölner Narren-Zunft von 1880 e.V.
The 'Cologne Fools' Guild'. A literary-style carnival society founded in 1880, focused on Kölsch language, song and Büttenrede tradition.
Joining link available on profile →Kölner Rosen-Montags-Divertissementchen von 1861 e.V.
The society behind the famed 'Divertissementchen'. The all-male Kölsch carnival operetta staged annually by the Cölner Männer-Gesang-Verein, one of the city's most cherished and oldest carnival traditions.
Joining link available on profile →Kölnische Karnevalsgesellschaft 1945 e.V.
Founded in the immediate aftermath of WWII as a symbol of carnival's return, the KKG 1945 is a long-standing regular member of the Festkomitee.
Joining link available on profile →Lyskircher Junge. Gesellschaft zur Pflege Kölner Mund- und Eigenart 1930
The 'Lyskircher Boys'. Society of the south-side Severinsviertel dedicated to preserving Kölsch language and customs, deeply tied to St. Maria Lyskirchen and the Veedel's Karneval culture.
Joining link available on profile →Prinzen-Garde Köln 1906 e.V.
The 'Prince's Guard'. The personal escort corps of the Kölner Prinz Karneval. Their white-coats-with-red-cuffs uniform recalls the 'Mählsäck' (flour-sack) nickname of the historic Deutz garrison troops.
Joining link available on profile →Reiter-Korps "Jan von Werth" von 1925 e.V.
Cologne's mounted carnival corps, named after the Thirty Years' War cavalry general Jan von Werth. Their Wallenstein-style uniforms and over-the-knee riding boots make them one of the most theatrical Traditionskorps; they re-enact the Jan-und-Griet legend each year at Severinstor.
Joining link available on profile →Rote Funken - Kölsche Funke rut-wieß vun 1823 e.V.
The 'Red Sparks'. Cologne's oldest and most iconic Traditionskorps, modeled on the historic red-coated city soldiers (Kölner Stadtsoldaten) disbanded by the French in 1794. They marched in the very first Rosenmontag parade in 1823 and remain a defining symbol of Kölsche Fastelovend.
Joining link available on profile →Willi-Ostermann-Gesellschaft Köln e.V. 1967
Dedicated to honoring the legacy of Cologne's beloved carnival poet and songwriter Willi Ostermann, this society fosters Kölsch song tradition and runs the annual Willi-Ostermann-Gedenkfeier in the Altstadt.
Joining link available on profile →Comparsa Selva Africana
Founded in 1970 in Galapa by mask-maker José Francisco Llanos Ojeda, debuting with 49 unusual masks of elephants, hippos, zebras and African tribal figures. Today led by his sons Luis and Hernando Llanos at the family workshop that supplies masks to many other Carnival groups. Has earned over 25 Congos de Oro since 1980.
Joining link available on profile →Comparsa Son Africano
Born in 1991 in a cramped front room of the El Pueblito neighbourhood when Misael Gómez and José Pablo Alandete Peñate gathered 30-40 youngsters to dance Afro-Caribbean rhythms. Now 80 dancers and 60 active parents strong, the troupe has won eight Congos de Oro and turned the south of Barranquilla into 'territorio de baile'.
Joining link available on profile →Congo Campesino de Galapa
Rural variant of the Congo dance from Galapa that emphasises peasant farmworker iconography (straw hats, machetes) alongside the classic Congo turbans. Recognised as Líder de la Tradición of the Barranquilla Carnival.
Joining link available on profile →Congo Grande de Galapa
Sister Congo dance to Barranquilla's, kept alive in the town of Galapa where the Congo tradition is deeply rooted. Galapa is also famous for being the main workshop town for the Carnival's masks. Recognised as Líder de la Tradición.
Joining link available on profile →Cumbiamba El Cañonazo
Founded by spouses Luis and Natividad Altamar with children from their neighborhood (originally Las Zardas del Barrio Boston), renamed Cumbiamba El Cañonazo in 1964 after the 'Los 14 Cañonazos' album. One of three cumbiambas designated 'Líder de la Tradición', it no longer competes for the Congo de Oro and is celebrated for guarding the purest forms of cumbia.
Joining link available on profile →Cumbiamba La Arenosa
Founded on 16 July 1947 by Pedro Leandro Zambrano and Olga Morelo Ferrer in the corregimiento of Caracolí (Malambo, Atlántico) during the Virgen del Carmen feast. The name comes from a midnight cumbia wheel where dancers' shoes filled with sand from the unpaved streets. Now seated in Barranquilla's Olaya neighborhood and directed by Armando and Lucy Zambrano Morelo.
Joining link available on profile →Cumbiamba La Currambera
Founded in December 1976 by Félix Albadán Gómez in the Simón Bolívar neighborhood as a cultural and community project devoted to researching and faithfully reproducing traditional cumbia. Now run across three generations of the Albadán family.
Joining link available on profile →Cumbiamba La Pollera Colorá
Folkloric cumbiamba founded and led by Max Visbal (with Lirio Visbal directing), named in tribute to Wilson Choperena's globally famous cumbia 'La Pollera Colorá'. Defines itself as a fight for the preservation of Barranquillera identity and is one of the most visually iconic groups of the Gran Parada de Tradición.
Joining link available on profile →Cumbiamba La Revoltosa
Born in December 1956 on Calle 16 between Carreras 21 and 22, in the heart of Rebolo, out of the friendly rivalry with neighboring San Roque. Footballers Gabriel Silvino Ramírez and 'El Marrano' Comas gathered young people at Mrs. Enma Cabrera's house to debut with 105 couples. Recognized as a Líder de la Tradición.
Joining link available on profile →Danza Congo Tigre de Galapa
Traditional Congo dance from the municipality of Galapa, in the metropolitan area of Barranquilla, that brings into the Carnival the figure of the tiger as totemic adversary of the Congo warrior. Recognised as Líder de la Tradición by the Carnival of Barranquilla.
Joining link available on profile →Danza del Cipote Garabato
Founded in 1990 by 60 couples to democratize the Garabato, which until then had been the exclusive heritage of a single social club. Takes its name from the 1985 cumbiamba 'Cipote Vaina' and traditionally opens the Carnival on the eve with a massive street parade.
Joining link available on profile →Danza del Congo Grande de Barranquilla
Founded 22 December 1875 by the Italian-Barranquillero merchant Joaquín Brachi at the Callejón de Providencia (today carrera 25 with calle 34), inspired by the black cabildos he had seen in Cartagena's Candelaria celebrations. The oldest Congo group of the Carnival, with a written style manual fixing command line, characters, choreography, costume and music.
Joining link available on profile →Danza del Garabato de Emiliano Vengoechea
The Garabato dramatizes the eternal struggle between Life and Death. Brought from Ciénaga, it took root in Barrio Rebolo in the 19th century and was rescued from disappearance by Emiliano Vengoechea, whose family-led club version is today directed by his sons Enrique and Luis Fernando Vengoechea.
Joining link available on profile →Danza El Imperio de las Aves
Bird-themed special dance in which performers personify diverse Caribbean birds with elaborate feathered headdresses. Recognised as Líder de la Tradición by Carnaval de Barranquilla S.A.S.
Joining link available on profile →Danza El Perro Negro
Traditional comic-relación dance in which a dog character (perro negro) chases and bites onlookers, satirising authority. Long-running family-led troupe recognised as Líder de la Tradición of the Barranquilla Carnival.
Joining link available on profile →Danza El Torito Ribeño
Founded on 20 January 1878 by Elías Fontalvo with Pedro Zamora, José Trinidad Barrios, Anselmo Ríos and 'El indio Pedaña' after the youngsters were rejected by the senior El Toro Grande dance for being too young. Headquartered today in San Roque and presided by Alfonso Fontalvo, fifth generation of the founding family.
Joining link available on profile →Danza Paloteo Barranquilla
The original all-male branch of the Paloteo introduced to the Barranquilla Carnival in 1917 after travelling from Gaira through the Magdalena department. Settled in Rebolo on calle Esperanza, Callejón de Buen Retiro, where Ángel Custodio Pedroza Torres joined as a long-time member.
Joining link available on profile →Danza Paloteo Mixto de Barranquilla
Stick-fighting warrior dance brought from Gaira (Santa Marta) to the Barranquilla Carnival in 1917 by Luis Miguel Rivas and companions. In 1936 Ángel Custodio Pedroza Torres broke tradition by including women, creating the Paloteo Mixto whose original base was calle Caridad in Rebolo.
Joining link available on profile →Disfraces de Enrique Salcedo
Family-led 'disfraz' troupe of the Salcedo family, masters of the satirical individual costume tradition (disfraz suelto), parading every year as Líder de la Tradición of the Barranquilla Carnival.
Joining link available on profile →Disfraces Las Gigantonas
Traditional troupe of giant figures (gigantonas) walked on tall frames by dancers, a fixture of the Carnival's collective costumes since the early 20th century. Recognised as Líder de la Tradición.
Joining link available on profile →Indios e Indias de Trenza Chimila
Indigenous-tribute danza de relación honouring the Chimila people of the Magdalena, with long braided hair pieces, body paint and feathered crowns. Recognised as Líder de la Tradición of the Carnival.
Joining link available on profile →Las Ánimas Rojas de Rebolo
Founded on a Carnival Saturday in 1930 by five young Rebolo neighbours - José Dolores, Félix de las Salas, Isaac Morón, Juan Escorcia and Enrique Lobelo - originally as 'Las Ánimas Negras de Rebolo'. Renamed Las Ánimas Rojas after the 1948 assassination of Jorge Eliécer Gaitán in tribute to the Liberal leader. Defining group of the satirical 'letanías' tradition.
Joining link available on profile →Los Cabezones
Traditional 'cabezones' (big-head) troupe parading oversized caricatured papier-mâché heads of political and pop figures, a Carnival staple recognised as Líder de la Tradición.
Joining link available on profile →Marimondas del Barrio Abajo
Officially founded on 7 December 1984 when César 'Paragüita' Morales gathered 60 friends to revive the Marimonda, the only Carnival figure born exclusively in Barranquilla. Today over 1,000 marimonderos parade on Vía 40 and the troupe has danced in Paris, New York and Washington. Led since 2018 by Leslie Morales after her father's death.
Joining link available on profile →Community Choirs & Gospel Groups
17Brooklyn Tabernacle Choir
270-voice gospel choir of the Brooklyn Tabernacle church, founded and directed by Carol Cymbala. Most decorated artist in the Grammy Best Gospel Choir or Chorus Album category.
Joining link available on profile →Chicago Mass Choir
Traditional gospel mass choir founded by James C. Chambers (also founder of the Ecclesiastes Community Choir). Multiple Grammy, Dove and Stellar Award nominees.
Joining link available on profile →Cor Jove de l'Orfeó Català
Youth wing of the historic Orfeó Català, a 60-voice choir of singers aged 16-25 based at the modernist Palau de la Música Catalana. Part of the Orfeó's Escola Coral, currently directed by Pablo Larraz.
Joining link available on profile →Edwin Hawkins Singers (Northern California State Youth Choir)
Originally the Northern California State Youth Choir of the Church of God in Christ, co-founded by Edwin Hawkins and Betty Watson. Their 1968 arrangement of 'Oh Happy Day' became a global gospel-pop crossover.
Joining link available on profile →Harlem Gospel Choir
America's preeminent touring gospel choir, founded by Allen Bailey on Martin Luther King Jr.'s birthday (January 15, 1986). Has performed for two Popes and four U.S. Presidents.
Joining link available on profile →London Community Gospel Choir (LCGC)
Britain's pioneering contemporary gospel choir, founded by Reverend Bazil Meade MBE with Lawrence Johnson, Delroy Powell and John Francis. Fuses gospel with pop, soul, jazz, R&B and classical.
Joining link available on profile →Mississippi Mass Choir
Landmark traditional gospel mass choir formed by the late Frank Williams under the Malaco Records umbrella. Toured internationally, including singing for Pope John Paul II.
Joining link available on profile →Oslo Gospel Choir
Norway's flagship gospel choir, founded and still conducted by Tore W. Aas after a newspaper audition drew 300 applicants. A model for the Nordic gospel-choir movement.
Joining link available on profile →Scottsdale Chorus (Sweet Adelines / SingUnited)
Women's barbershop chorus, six-time Sweet Adelines International Chorus Champion under director Lori Lyford. Region 21 powerhouse and one of the most decorated barbershop ensembles in the world.
Joining link available on profile →Soweto Gospel Choir
Three-time Grammy-winning South African gospel choir blending African gospel, spirituals, reggae and American pop, founded by David Mulovhedzi and Beverly Bryer with producers Andrew Kay, David Vigo and Cliff Hocking.
Joining link available on profile →Stay At Home Choir
Pandemic-born global virtual choir founded by conductor Tori Longdon and baritone Jamie Wright. Connects amateur singers worldwide with elite ensembles via recorded collaborations.
Joining link available on profile →Sweet Honey in the Rock
All-Black, all-women a cappella ensemble founded by Bernice Johnson Reagon out of a vocal workshop at the D.C. Black Repertory Company. Sings spirituals, gospel, jazz and protest songs in English and ASL.
Joining link available on profile →The Kingdom Choir
British gospel choir founded by conductor Karen Gibson MBE, drawing from multiple Christian traditions. Catapulted to worldwide fame after performing 'Stand by Me' at the wedding of Prince Harry and Meghan Markle.
Joining link available on profile →The Tabernacle Choir at Temple Square
360-voice all-volunteer choir of the Church of Jesus Christ of Latter-day Saints, formerly the Mormon Tabernacle Choir. Hosts 'Music & the Spoken Word', the longest continuously running network broadcast in the world (since 1929).
Joining link available on profile →Threshold Choir (Mother Chapter, El Cerrito)
The original Threshold Choir founded by Kate Munger, a women's a cappella choir that sings at the bedsides of the dying, sick and grieving. Now a global network of ~200 affiliated chapters worldwide.
Joining link available on profile →Treorchy Male Choir (Cor Meibion Treorci)
Iconic Welsh male voice choir from the mining communities of the Rhondda. Performed for Queen Victoria at Windsor (1895), reformed after WWII and signed to EMI in the 1960s.
Joining link available on profile →Vienna Boys' Choir (Wiener Sängerknaben)
One of the oldest musical institutions in the world, founded by imperial decree of Holy Roman Emperor Maximilian I. Still sings the Sunday Mass at the Hofburg Chapel; divided into four touring choirs named Bruckner, Haydn, Mozart and Schubert.
Joining link available on profile →Manor Garden Allotments (Hackney)
East London allotment community on the historic Manor Gardens site, known for multi-ethnic plot-holders and a fierce campaign to keep growing space through Olympic-era development. Plot work, shared water and annual shows create a quiet micro-village.
Joining link available on profile →Prinzessinnengarten
Pioneering mobile urban garden project started on a vacant Kreuzberg lot, combining food growing, education, and open neighborhood space. Became a European reference for community-run urban agriculture as a social room, not only a food source.
Joining link available on profile →Bread and Puppet Theater
A political theater company that combines giant puppets, music, pageantry and shared bread. Its outdoor productions depend on resident artists, apprentices, local families and large volunteer crews who build, rehearse and move figures together across the Vermont farm landscape.
Joining link available on profile →In the Heart of the Beast Puppet and Mask Theatre
A Twin Cities community of artists that makes puppets and masks for performances, public events and education. Workshops, camps, artist gatherings and a free puppet lending library give children and adults recurring ways to learn, collaborate and carry handmade characters into the wider community.
Joining link available on profile →Paperhand Puppet Project
A North Carolina puppetry collective that creates giant figures, masks, shadow plays and pageants from papier-mache, cardboard, bamboo, cloth and reused materials. Artists and volunteers share the building, drumming, sewing, carrying and performance work behind each public spectacle.
Joining link available on profile →501st Legion
A worldwide volunteer costuming organization whose members build screen-accurate Star Wars villain costumes and appear together at conventions, civic events and charity visits. Local garrisons review costumes, coordinate appearances and give members a recurring troop calendar rather than treating each build as a solitary project.
Joining link available on profile →International Costumers' Guild
An affiliation of local, regional and online chapters for amateur, hobbyist and professional costumers. Members meet to trade techniques, teach workshops, organize social events and pursue cosplay and historical costuming as shared arts, with a virtual chapter available when no geographic guild is nearby.
Joining link available on profile →Camden Men's Shed (London)
One of the UK's first Men's Sheds, in Camden Town: a workshop where men meet to woodwork, fix and talk. Explicitly aimed at reducing isolation; projects are the excuse, peer support is the point.
Joining link available on profile →Lane Cove Men's Shed (Sydney)
Sydney North Shore Men's Shed offering tools, tea and a no-pressure workshop room. Part of the Australian origin culture of the shed movement: practical projects as the social glue for older and working-age men.
Joining link available on profile →El-Funoun Palestinian Popular Dance Troupe
A volunteer-based dance company that develops Palestinian folkloric and contemporary performance, including dabke, through a large multigenerational community. Experienced dancers train younger members while the troupe carries shared music, movement and cultural memory onto local and international stages.
Joining link available on profile →Lajee Center Dabka Troupe
A Palestinian dabka program with weekly groups for children and young adults in Aida refugee camp. Members learn traditional steps, build performances around community stories and progress from beginner workshops into a long-standing troupe that performs locally and abroad.
Joining link available on profile →Diablos Danzantes de Yare (Venezuela)
12Asociación Civil Diablos Danzantes de Ocumare de la Costa
Afro-Venezuelan coastal cofradía of Aragua, organised as a Civil Association; promeseros dance two days during Corpus Christi week as payment of promises to the Santísimo Sacramento.
Joining link available on profile →Diablitos Danzantes de Tinaquillo
Cojedes cofradía founded by priest Luis María Sucre and activist Luis Roche in 1920; one of the few inland diabladas, known for its seven-Sunday performance cycle.
Joining link available on profile →Diablos Danzantes de Canoabo (Familia Martínez)
Family-based revival cofradía in the Carabobo highlands; the Familia Martínez has carried the tradition since 1958, dancing each Corpus Christi in Canoabo.
Joining link available on profile →Diablos Danzantes de Cata (Sociedad del Santísimo Sacramento de Cata)
Coastal Aragua cofradía in the cacao village of Cata; distinctive metallic-mesh masks of fierce beasts and a triple-cross cape. Cofradía membership binds dancers to Corpus Christi ritual, mask traditions and mutual-aid obligations in the home pueblo.
Joining link available on profile →Diablos Danzantes de Chuao (Sociedad del Santísimo Sacramento de Chuao)
One of the oldest Aragua diabladas, performed in the isolated cacao village of Chuao; mostly Afro-Venezuelan promeseros, with the patron tricolor ribbon a unique mask marker.
Joining link available on profile →Diablos Danzantes de Cuyagua (Sociedad del Santísimo Sacramento de Cuyagua)
Afro-Venezuelan cofradía in the coastal village of Cuyagua; UNESCO-inscribed and dated to 1773, with strong community participation and intergenerational transmission via the perreros.
Joining link available on profile →Diablos Danzantes de Patanemo (Sociedad del Santísimo Sacramento de Patanemo)
One of the oldest Carabobo cofradías (dating to 1721), known for its river purification rite and bestiary of mask designs. Cofradía membership binds dancers to Corpus Christi ritual, mask traditions and mutual-aid obligations in the home pueblo.
Joining link available on profile →Diablos Danzantes de San Millán
Carabobo urban cofradía of San Millán parish in Puerto Cabello; born of migration from Turiamo/Patanemo and revived from near-extinction in the 1970s-1990s.
Joining link available on profile →Diablos Danzantes de San Rafael de Orituco
Llanero cofradía in Guárico that dances both Corpus Christi and the feast of San Juan (24 June); makes seven annual 'salidas' over seven years as promise-payment cycles.
Joining link available on profile →Diablos Danzantes de Turiamo (sectores El Recurso, La Coromoto y 23 de Enero, Maracay)
Originally from the Aragua coastal town of Turiamo (founded 1595), this cofradía has danced Corpus Christi since 1646 and now keeps the tradition in three Maracay neighborhoods after forced relocation in 1957.
Joining link available on profile →Diablos de Naiguatá (Sociedad del Santísimo Sacramento de Naiguatá)
Coastal cofradía of Naiguatá on the Caribbean shore; danced for roughly 400 years and key to integrating women and children into the Corpus Christi diabladas.
Joining link available on profile →Sociedad del Santísimo Sacramento de San Francisco de Yare (Diablos Danzantes de Yare)
The original brotherhood of Diablos Danzantes; promeseros dance through Yare in scarlet costumes on Corpus Christi until the devils kneel before the Blessed Sacrament. Founding tradition is dated to 1749 (the cofradía celebrated its 277th year in 2026).
Joining link available on profile →Instituto Cervantes New York
Spanish cultural institute in New York offering language courses, film, literature and regional culture events. Functions as a soft clubhouse for Spanish speakers, students and Latin American cultural programmes.
Joining link available on profile →Irish American Heritage Center (Chicago)
Chicago's major Irish cultural center with classes, concerts, library, museum and social events. Language, music and dance programmes plus life-event gatherings keep diaspora identity as a weekly room, not only a parade day.
Joining link available on profile →Dragon Boat / Rowing Clubs
30Abreast in a Boat
The original breast-cancer-survivor dragon boat team, started by Dr. Don McKenzie with 24 survivors; sparked a worldwide movement now spanning 225+ teams in 25+ countries.
Joining link available on profile →Brasenose College Boat Club
Among the oldest surviving boat clubs in the world; beat Jesus College Boat Club in 1815 in what is considered the first recorded race between rowing clubs anywhere.
Joining link available on profile →Cambridge '99 Rowing Club
Founded at a public meeting at the Mitre Hotel, Bridge Street in June 1899; one of Cambridge's main town rowing clubs. Dragon boat and crew clubs combine side-by-side paddling, coxed timing, and a strong clubhouse or dock social life across the racing season.
Joining link available on profile →Cambridge University Boat Club
The men's university club that competes annually in The Boat Race against Oxford; based at the Goldie Boathouse since 1882. Dragon boat and crew clubs combine side-by-side paddling, coxed timing, and a strong clubhouse or dock social life across the racing season.
Joining link available on profile →City of Cambridge Rowing Club
Town club descending from the 1863 Cambridge Town Rowing Club formed in a working men's club on Market Hill; reformed as City of Cambridge RC in 1932.
Joining link available on profile →DCH Dragon Boat Racing Club
Competitive dragon boat racing crew started as a men's team in 1993, now with women's, mixed and junior crews; one of the founding NYC clubs.
Joining link available on profile →Dragon Boat Club of Boston (DBCB)
Founded to develop dragon boat racing in New England; hosts and races at the Boston Dragon Boat Festival (the first dragon boat festival in North America, since 1979).
Joining link available on profile →DSA Dragon Boat Racing Club
One of the founding clubs of dragon boat racing in Australia; based at Rhodes on the Parramatta River. Dragon boat and crew clubs combine side-by-side paddling, coxed timing, and a strong clubhouse or dock social life across the racing season.
Joining link available on profile →Falcon Rowing and Canoeing Club
Oxford town (non-collegiate) club founded as a social rowing club for city residents; first Oxford club to own its own boathouse (1958).
Joining link available on profile →False Creek Grandragons
The first mixed seniors dragon boat racing team formed in Canada, originating at the False Creek Community Centre in summer 1997. Dragon boat and crew clubs combine side-by-side paddling, coxed timing, and a strong clubhouse or dock social life across the racing season.
Joining link available on profile →False Creek Racing Canoe Club (FCRCC)
Founded by Olympic kayak gold medalist Hugh Fisher and partners; multi-disciplinary club for dragon boat, outrigger and sprint paddling. Men's crew won the inaugural Vancouver Dragon Boat Festival in 1986.
Joining link available on profile →Gaelic Dragons
Irish-themed expat dragon boat team competing in Singapore and internationally. Dragon boat and crew clubs combine side-by-side paddling, coxed timing, and a strong clubhouse or dock social life across the racing season.
Joining link available on profile →German Dragons Singapore
International expat-rooted dragon boat club and competitive sports club with members from around the world, racing on the Singapore circuit.
Joining link available on profile →Lady Margaret Boat Club (St John's College)
Founded by 12 St John's College members and named after Lady Margaret Beaufort; the oldest boat club in Cambridge. Dragon boat and crew clubs combine side-by-side paddling, coxed timing, and a strong clubhouse or dock social life across the racing season.
Joining link available on profile →Lamma Dragons
Founded in the 1980s by a group of ladies on Lamma Island; one of Hong Kong's longest-running community dragon boat crews and a fixture at the Tuen Ng festival.
Joining link available on profile →Leander Club
One of the oldest rowing clubs in the world and the oldest non-academic club, based on the Tideway and later moved to Henley; member of the historic five-club Council of British Rowing.
Joining link available on profile →London Rowing Club
The second-oldest non-academic active rowing club on the Tideway; founding member of the Metropolitan Rowing Association (precursor to British Rowing).
Joining link available on profile →Los Angeles Pink Dragons
California's first breast cancer survivor dragon boat racing team; part of the global Pink Paddler movement seeded by Abreast in a Boat.
Joining link available on profile →M.A.D. Dragon Boat
501(c)(3) non-profit pioneer of US dragon boat racing; long-running NYC-area competitive club. Dragon boat and crew clubs combine side-by-side paddling, coxed timing, and a strong clubhouse or dock social life across the racing season.
Joining link available on profile →Magdalen College Boat Club
Oxford college boat club rowing on the Isis; one of the most successful college clubs in Summer Eights and Torpids. Dragon boat and crew clubs combine side-by-side paddling, coxed timing, and a strong clubhouse or dock social life across the racing season.
Joining link available on profile →Melbourne Flames Dragon Boat Club
Established in 2005 and grown from small beginnings into one of Australia's most competitive dragon boat clubs. Dragon boat and crew clubs combine side-by-side paddling, coxed timing, and a strong clubhouse or dock social life across the racing season.
Joining link available on profile →Pacific Dragons
Started as 'Dragonladies' in 1993 by a group of women wanting to race harder; now one of Australia's premier mixed dragon boat and outrigger clubs.
Joining link available on profile →Paddlers Anonymous
Founded by three University of Waterloo students as a way for new friends to enjoy dragon boat racing; now a major Toronto club competing nationally.
Joining link available on profile →Poplar, Blackwall & District Rowing Club
Among the oldest rowing clubs in the country; East End working-class watermen heritage on the Thames. Dragon boat and crew clubs combine side-by-side paddling, coxed timing, and a strong clubhouse or dock social life across the racing season.
Joining link available on profile →Royal Hong Kong Yacht Club Royal X (Dragon Boat)
The dragon boat section of the Royal Hong Kong Yacht Club; founded with a vision of intense training and community service, now among Hong Kong's most competitive clubs.
Joining link available on profile →Seagods Dragon Boat Club
Premier mixed dragon boat team with a competitive racing pedigree and well-known party-spirit social culture; regulars on the Hong Kong international circuit.
Joining link available on profile →Singapore Paddle Club
Independent non-profit sports club dedicated to competitive outrigger canoeing and dragon boat racing in Singapore. Dragon boat and crew clubs combine side-by-side paddling, coxed timing, and a strong clubhouse or dock social life across the racing season.
Joining link available on profile →Thames Dragons
Long-running London dragon boat club racing in the British Dragon Boat Association league; mixed competitive and recreational crews.
Joining link available on profile →Thames Rowing Club
Historic tideway club on Putney Embankment; one of the five clubs that retained the right (until 2012) to appoint representatives to the Council of British Rowing.
Joining link available on profile →Typhoon Dragon Boat Club
London's largest dragon boat club with 70+ members; founded for a charity event in 2003 and now a UK Premier League competitor based at Royal Docks.
Joining link available on profile →Game Center Mikado Fighting Game Community
An arcade-centered Guilty Gear local with a recurring weeknight tournament rhythm. Players gather for random-team, beginner and intermediate, singles and team brackets on different evenings, creating repeated face-to-face competition around the same cabinets and regular opponents.
Joining link available on profile →Tatakai Tuesday
A free weekly fighting-game club where local and visiting players gather for casual sets and an evening tournament across games such as Tekken, Street Fighter and Guilty Gear. Volunteer organizers and a small setup team welcome new players, find opponents and run the brackets each Tuesday.
Joining link available on profile →Filipino Sinulog, Ati-Atihan, Pintados Groups
22Hugpong Masidlakon (Barangay Tisa)
Sinulog contingent of Barangay Tisa, 'Home of the Sinulog', winner of P450,000 at Sinulog sa Dakbayan 2025. These community tribes train for months, build their own choreography and costumes, and compete or process during the city's main religious-cultural festival calendar.
Joining link available on profile →Lambo Mabolo
Community-driven rebrand of Tribu Mabolokon from Barangay Mabolo, the historic 'cradle of the sinug' beat kept by Estelita 'Nang Titang' Diola; Ritual Showdown grand champion of Sinulog sa Dakbayan 2026.
Joining link available on profile →Lumad Basakanon
Internationally acclaimed Sinulog dance troupe rooted in Barangay Basak San Nicolas; multi-time Sinulog sa Dakbayan champion (2004, 2005, 2007, 2008, 2014) and back-to-back Street Dance winner in 2025-2026.
Joining link available on profile →Tribu Atub-atub
Historic Dinagyang community tribe representing Barangay Veterans Village in Iloilo City. These community tribes train for months, build their own choreography and costumes, and compete or process during the city's main religious-cultural festival calendar.
Joining link available on profile →Tribu Bukid Tigayon
Barangay Tigayon's mountain-themed Ati-Atihan tribe competing in the Small Group Tribal category of Kalibo's Sadsad. These community tribes train for months, build their own choreography and costumes, and compete or process during the city's main religious-cultural festival calendar.
Joining link available on profile →Tribu Bulawanon sang Molo
Community-based Dinagyang tribe representing Molo district, competing in the Open Category of Dinagyang 2026. These community tribes train for months, build their own choreography and costumes, and compete or process during the city's main religious-cultural festival calendar.
Joining link available on profile →Tribu Buraburon
Burauen, Leyte's signature Buraburon Festival tribe, grand champion at Pintados-Kasadyaan 2017 and a recurring podium contingent. These community tribes train for months, build their own choreography and costumes, and compete or process during the city's main religious-cultural festival calendar.
Joining link available on profile →Tribu Buyugan (Buyogan Festival of Abuyog)
Hall-of-Famer tribe of Abuyog, Leyte whose bee-themed Buyogan dance won the very first Pintados-Kasadyaan in 1996 and again in 2007 and 2024.
Joining link available on profile →Tribu Familia Sagasa
Sadsad sa Calle Real community contingent organized around the Florete Group's Sagasa Street community. These community tribes train for months, build their own choreography and costumes, and compete or process during the city's main religious-cultural festival calendar.
Joining link available on profile →Tribu Ilayanhon
Elementary-school Dinagyang tribe based at Graciano Lopez Jaena ES in Jaro, the youngest-age tribu in the Open Category. These community tribes train for months, build their own choreography and costumes, and compete or process during the city's main religious-cultural festival calendar.
Joining link available on profile →Tribu Ilonganon
Dinagyang Ati-Ati tribe based at Jalandoni Memorial National High School in Lapuz district. These community tribes train for months, build their own choreography and costumes, and compete or process during the city's main religious-cultural festival calendar.
Joining link available on profile →Tribu Karatong
Dulag, Leyte's Karatong Festival tribe, named after the bamboo percussion instrument central to its ritual dance. These community tribes train for months, build their own choreography and costumes, and compete or process during the city's main religious-cultural festival calendar.
Joining link available on profile →Tribu Lingganay
Alangalang, Leyte's Lingganay (church-bell) Festival tribe, regular Pintados-Kasadyaan runner-up. These community tribes train for months, build their own choreography and costumes, and compete or process during the city's main religious-cultural festival calendar.
Joining link available on profile →Tribu Mahugyawong Pasil
Barangay Pasil's Sinulog sa Dakbayan contingent, a long-running coastal-barangay tribe drawn from the city's fishing community. These community tribes train for months, build their own choreography and costumes, and compete or process during the city's main religious-cultural festival calendar.
Joining link available on profile →Tribu Paghidaet
Dinagyang Ati-Ati tribe of La Paz National High School, defending champion entering Dinagyang 2026 and 1st runner-up that year. These community tribes train for months, build their own choreography and costumes, and compete or process during the city's main religious-cultural festival calendar.
Joining link available on profile →Tribu Pan-ay
Dinagyang Ati-Ati tribe of Fort San Pedro National High School, 2nd runner-up at Dinagyang 2026. These community tribes train for months, build their own choreography and costumes, and compete or process during the city's main religious-cultural festival calendar.
Joining link available on profile →Tribu Panaad
Community tribe along Ortiz Street competing in the Sadsad sa Calle Real of Dinagyang. These community tribes train for months, build their own choreography and costumes, and compete or process during the city's main religious-cultural festival calendar.
Joining link available on profile →Tribu Pasaka
Tanauan, Leyte's Pasaka Festival contingent in the Pintados-Kasadyaan Festival of Festivals. These community tribes train for months, build their own choreography and costumes, and compete or process during the city's main religious-cultural festival calendar.
Joining link available on profile →Tribu Salognon
Tribu of Jaro National High School and grand champion of Dinagyang 2026 Ati-Ati Tribes Competition, winning the P1.5M prize and a P10M school infrastructure project.
Joining link available on profile →Tribu Sinanduloy (Sinanduloy Cultural Troupe)
Tangub City cultural troupe with the most championships in Sinulog Festival history (12+ titles across 2002-2020), recurring guest contingent traveling annually to Cebu for the Grand Parade.
Joining link available on profile →Tribu Taga-Baryo
Barangay-based Dinagyang Ati-Ati tribe of Bo. Obrero in Lapuz, competing in the Dinagyang 2026 Open Category. These community tribes train for months, build their own choreography and costumes, and compete or process during the city's main religious-cultural festival calendar.
Joining link available on profile →Tribu Tikbalang
Long-running Kalibo Ati-Atihan tribe competing in the Best Original Tribal - Big Group category at the Sadsad Ati-Atihan. These community tribes train for months, build their own choreography and costumes, and compete or process during the city's main religious-cultural festival calendar.
Joining link available on profile →Bandeira de Reis do Ribeirão Grande
Rural Folia de Reis bandeira in Ourinhos-SP carried for more than four generations in the Ribeirão Grande neighborhood, founded in the late 1800s by Minas Gerais migrants.
Joining link available on profile →Bandeira de Reis nº 1 de Florínea
The older of Florínea's two historic Folia de Reis bandeiras, founded 1932 in interior São Paulo and still active alongside Bandeira nº 2.
Joining link available on profile →Bandeira de Reis nº 2 de Florínea
Sibling Folia de Reis bandeira to nº 1, founded one year later (1933) by José and João Inácio and active for over 90 years in Florínea-SP.
Joining link available on profile →Caravana de Santos Reis União de Amigos
Belo Horizonte folia organised as a 'caravana' (Caravana de Santos Reis União de Amigos), part of the Praça da Liberdade Folias de Reis gathering.
Joining link available on profile →Companhia de Reis Água das Anhumas
Rural Companhia de Reis from the Água das Anhumas neighborhood of Palmital-SP, founded in the late 1950s by the Silva family and still active.
Joining link available on profile →Companhia de Reis Família Faceiros
Family-led Companhia de Reis from rural Palmital-SP, founded in 1949 in the Água do Pau d'Alho neighborhood and continued through a younger Faceiros Jr. group.
Joining link available on profile →Companhia de Reis Fernandes
Long-running Companhia de Reis from Olímpia (interior São Paulo), with over 60 years of pilgrimages to devotees of Santos Reis under founding mestre Celso Fernandes.
Joining link available on profile →Companhia de Reis Magos do Oriente
Companhia de Reis based in the Santa Carina community of São José do Rio Preto, led by mestra Luzia Pinheiro and recognized by the city's heritage protection efforts.
Joining link available on profile →Companhia de Reis Três Ilhas
Multigenerational rural Folia de Reis based in the Três Ilhas neighborhood of Palmital-SP, with roots predating the 1950s and shared across several caipira families.
Joining link available on profile →Folia de Reis A Caminho da Salvação
Companhia de Reis A Caminho da Salvação from Juiz de Fora-MG, IEPHA-registered with a Mestre de Palhaço and the Catirina figure among its ~25 members.
Joining link available on profile →Folia de Reis A Caminho de Belém
Bairro Ipiranga's Folia de Reis A Caminho de Belém in Juiz de Fora-MG, IEPHA-registered with kings, standard-bearer, clowns and a mascote performing the Christmas to Epiphany jornada.
Joining link available on profile →Folia de Reis do Mestre Tachico
The oldest known Folia de Reis in Rio de Janeiro's Vale do Café coffee region, still active under relatives of the founding Mestre Tachico and central to Valença's annual Folia de Reis meeting.
Joining link available on profile →Folia de Reis Estrela do Amanhã
Dom Bosco neighborhood Folia de Reis in Juiz de Fora-MG, registered as Minas Gerais intangible heritage in 2017 with the classic kings/bandeira/palhaços formation.
Joining link available on profile →Folia de Reis Estrela do Mar
Folia de Reis Estrela do Mar from the Zumbi neighborhood of Cachoeiro de Itapemirim-ES, one of the documented groups in the city's intangible heritage inventory.
Joining link available on profile →Folia de Reis Estrela do Oriente (Mestre Calixto)
Traditional Vale do Café Folia de Reis from the Pedro Carlos / Conservatória district of Valença-RJ, historically led by Mestre Calixto and active in the AGFORV network.
Joining link available on profile →Folia de Reis Estrela do Oriente (Olaria)
IEPHA-registered Folia de Reis from the Grotinha community of Olaria-MG, with viola, cavaquinho, caixa and pandeiro, palhaços and bandeira, performing Dec 25-Jan 6.
Joining link available on profile →Folia de Reis Estrela do Oriente de Guapimirim
Folia de Reis Estrela do Oriente from Guapimirim, a Serra dos Órgãos town in Rio de Janeiro state, active since 1987 with a full Christmas-to-Epiphany jornada.
Joining link available on profile →Folia de Reis Grupo Estrela Guia
Folia de Reis Grupo Estrela Guia from the Areão district of Corumbaíba-GO, a Goiás Sudeste community group whose 2024 jornada and three Magi captains were covered by the local press.
Joining link available on profile →Folia de Reis Mensagem Divina
Pedra Lisa / Jacu neighborhood Folia de Reis Mensagem Divina, one of the southern Espírito Santo groups inventoried by Patrimônio Cachoeiro.
Joining link available on profile →Folia de Reis Mestre Juca e Tia Nem
Belo Horizonte Folia de Reis built around the legacy of mestre Juca and Tia Nem, a regular at the Praça da Liberdade closing cortejo of the Natal da Mineiridade.
Joining link available on profile →Folia de Reis Missão Divina
Burarama-district Folia de Reis Missão Divina in Cachoeiro de Itapemirim-ES, founded in 1999 by Wilson Diniz Cecon and prominent enough to have its own dedicated website.
Joining link available on profile →Folia de Reis Sagrado Coração de Jesus
Folia de Reis from the Vale Verde neighborhood of Juiz de Fora-MG, registered as Minas Gerais intangible heritage in 2017 and performing the full Dec 24-Jan 6 cycle.
Joining link available on profile →Folia de Reis Santa Luzia
Folia de Reis Santa Luzia from the São Vicente neighborhood of Cachoeiro de Itapemirim-ES, part of the city's documented Folia de Reis safeguarding network.
Joining link available on profile →Folia de Reis Viagem dos Três Reis Magos do Oriente
Folia de Reis Viagem dos Três Reis Magos do Oriente from the Comunidade do Carrapatinho in Juiz de Fora-MG, led by Mestre Folião Marley Julio dos Santos Netto.
Joining link available on profile →Folia de Santos Reis do Paulo VI
Bairro Paulo VI's Folia de Santos Reis in Belo Horizonte-MG, a regular member of the state's annual Folias de Reis closing cortejo at Praça da Liberdade.
Joining link available on profile →Folia de Santos Reis Estrela do Oriente
Belo Horizonte-based Folia de Santos Reis Estrela do Oriente, one of the capital's recognised groups in the state government's annual Folias de Reis cortejo.
Joining link available on profile →Golden Thrace
A Bulgarian folklore dance ensemble whose members meet for weekly rehearsals, learn regional dances and prepare concerts together. The group treats performance as a way to carry Bulgarian music, costumes and stories into a welcoming extended family beyond the stage.
Joining link available on profile →The Ashkenaz Foundation (Toronto folk dance hall)
Toronto venue and community hub for global and Jewish folk dance, concerts and workshops. Regular dance nights turn a concert hall into a participatory room where regulars and newcomers share circles and partner sets.
Joining link available on profile →Zabava Balkan Dancing
A weekly Balkan folk-dance circle that welcomes all experience levels to learn and lead line dances together by video. Participants request Bulgarian and other regional dances, practice familiar favorites and gradually take responsibility for leading or teaching the group.
Joining link available on profile →Cardboard Citizens
A theater company and membership community making participatory work with people who have experienced homelessness, poverty or inequity. Members join creative training and support programs, while Forum Theatre performances invite audiences to step into staged conflicts and test different responses together.
Joining link available on profile →Jana Sanskriti Centre for Theatre of the Oppressed
A grassroots theater movement whose local teams build plays from social problems in their own communities. During Forum Theatre sessions, audience members become spect-actors, enter the action and rehearse possible responses alongside trained performers and activists.
Joining link available on profile →Elks Lodge (national HQ culture, Chicago)
The Benevolent and Protective Order of Elks keeps its national home in Chicago while thousands of local lodges run clubhouses, charity and family events. Join a local lodge for the bar, hall and service calendar, not the HQ tour.
Joining link available on profile →Independent Order of Odd Fellows (Manchester Unity roots / local lodges)
Historic mutual-aid fraternal order with living lodges in the UK and elsewhere. Ritual, charity and hall culture remain; many lodges now open community events beyond classic membership alone.
Joining link available on profile →Banda Los Chocarreros
Founded in 1975 by a group of teenagers from different backgrounds in Saint-Paul-lès-Dax, growing into one of the most touring bandas of the Sud-Ouest. Plays the entire feria circuit (Dax, Mont-de-Marsan, Bayonne, Pamplona) and has co-produced records with Aturri Kanta and other Basque ensembles.
Joining link available on profile →Banda Lous Mayouns
Founded in July 1997 as the festive offshoot of the Orchestre d'Harmonie of Lit-et-Mixe to satisfy growing public demand for street music. ~40 musicians who tour Landes and Pyrénées-Atlantiques fêtes from Biscarrosse to Bayonne, mixing paso-dobles, French hits and Latin standards.
Joining link available on profile →Commanderie du Bontemps de Médoc et des Graves, Sauternes et Barsac
Re-founded in 1949 around the bontemps (the traditional wooden bowl used to whisk egg whites for fining red wines). Merged Médoc and Graves chapters in 1959 with Sauternes-Barsac added in 2000 to form the unified left-bank order of ~300 châteaux and négociants, led since 2008 by Grand Master Emmanuel Cruse.
Joining link available on profile →Confrérie de la Chaîne des Rôtisseurs (Bailliage de France)
Direct heir to the medieval guild of the Ayeurs/Oyers (goose-roasters) chartered by Saint Louis in 1248 and renamed Rôtisseurs by Louis XII in 1509. Re-founded in Paris in 1950 as a gastronomic confraternity; the Bailliage de France remains the founding chapter of an order now present in 80 countries.
Joining link available on profile →Confrérie de la Choucroute (Sundgau)
Founded in 1987 in the Sundgau of southern Alsace to unite restaurateurs serving authentic Alsatian choucroute (sauerkraut IGP) year-round. About a hundred members presided over by a Grand Council; based today in Bettlach near the Swiss border, with annual chapitres at Krautergersheim, the cabbage capital.
Joining link available on profile →Confrérie des Chevaliers du Camembert
Founded 2 August 1985 by Dr François Masure in Vimoutiers, the Pays d'Auge town that hosts the Musée du Camembert. Defends the authentic Camembert de Normandie AOP, processing each spring through the cobbled streets of Camembert village itself for its annual chapitre.
Joining link available on profile →Confrérie des Chevaliers du Tastevin
Burgundy's emblematic wine confrérie, founded by Georges Faiveley and Camille Rodier at the Caveau Nuiton in Nuits-Saint-Georges to revive Burgundian wines during the interwar depression. Headquartered since 1944 at the 12th-century Château du Clos de Vougeot, where its costumed Chapitres still gather thousands of members worldwide.
Joining link available on profile →Confrérie du Docte Collège des Maîtres de la Truffe et du Foie Gras
Périgord's emblematic confrérie defending the black truffle (Tuber melanosporum) and foie gras du Périgord since 1979, headquartered in Sorges (the self-proclaimed world capital of black truffle, home to the Écomusée de la Truffe). Holds Chapitres at the Périgueux and Sarlat truffle markets each January.
Joining link available on profile →Confrérie Saint-Étienne d'Alsace
Traces back to the medieval notables of Ammerschwihr who gathered every 26 December (Saint Stephen's Day) to police wine quality. Extinguished in 1848, re-founded in 1947 by Joseph Dreyer at the Château de Kientzheim, where its oenothèque stores 60,000 bottles dating back to 1834.
Joining link available on profile →Grande Confrérie du Cassoulet de Castelnaudary
Founded 17 January 1970 to defend the Lauragais recipe of cassoulet (haricots tarbais, confit de canard, saucisse, in a glazed Issel cassole). The first Grand Chapter was held 18 April 1970 in the town hall; today the confrérie crowns the Fête du Cassoulet every August in Castelnaudary's old town.
Joining link available on profile →Jurade de Saint-Émilion
Medieval wine jurisdiction created in 1199 by John Lackland charter, dissolved in the Revolution, then re-founded on 13 September 1948 by Saint-Émilion winegrowers. Today its red-robed jurats process through the village twice a year for the Fête de Printemps and the Ban des Vendanges proclaimed from the Tour du Roy.
Joining link available on profile →La Tripière d'Or
Founded 7 February 1951 in Caen by Jean Le Hir, declared at the Préfecture du Calvados in 1952. It is the oldest French confrérie devoted to a solid food product (tripes à la mode de Caen) and runs the international Tripière d'Or championship each October, drawing ~150 chefs from across Europe.
Joining link available on profile →Los Cumbancheros
Created in 1970 by young musicians of the Mont-de-Marsan conservatory, this Brazilian-style banda mixes brass, percussion and dancers and is unique in France for its samba-batucada repertoire. Headlines the Fêtes de la Madeleine each July and the Caravane des Bandas across the Landes.
Joining link available on profile →Ordre des Compagnons du Beaujolais
Founded 31 March 1948 in Villefranche-sur-Saône by the merger of the Compagnons du Cuvier (Saint-Georges-de-Reneins) and the Chevaliers du Beaujolais (Denicé) to revive Beaujolais wines after WWII. First chapter held at Château de Pizay in 1949 with President Édouard Herriot as honored guest.
Joining link available on profile →Peña Baiona
Founded November 2002 as the official supporters' club of Aviron Bayonnais rugby; its anthem Vino Griego (the French adaptation of the Heino song) is now sung at every Top 14 stadium in France. The peña packs the Stade Jean-Dauger and parades through Petit Bayonne for every home match and the Fêtes de Bayonne.
Joining link available on profile →Peña Biltxoko Elkartea
Basque-language peña of Bayonne (biltxoko = 'little gathering place' in Basque), one of the 75 associations of the Peñas Bayonnaises federation. Promotes euskara songs, txistu music and Basque cuisine through its bodega during the Fêtes de Bayonne and runs cultural events year-round.
Joining link available on profile →Peña Cacao Club
Founded in 1981 by a group of former Aviron Bayonnais rugby players who wanted to keep meeting after their playing days, naming themselves after Bayonne's centuries-old chocolate trade. One of the most recognizable peñas of the Fêtes de Bayonne, also active for Journées du Patrimoine and the Course des Remparts.
Joining link available on profile →Peña Jamon Jamon
Bayonne peña named for the city's celebrated cured ham (jambon de Bayonne IGP). Member of the Peñas Bayonnaises federation; runs a bodega during the Fêtes de Bayonne where pintxos and Bayonne ham are served, and joins the inaugural parade of the Foire au Jambon at Easter.
Joining link available on profile →Peña Lagunekin
Veteran member of the Peñas Bayonnaises federation, named after the Basque word lagunekin ('with friends'). Runs one of the busiest associative spaces of the Fêtes de Bayonne, hosts the Pintxo Eguna Basque tapas day, and co-organizes the Basque-language chants that fill Petit Bayonne every late July.
Joining link available on profile →Peña Los Calientes
Oldest banda of the French Sud-Ouest, born in August 1961 when musicians of the Harmonie La Nèhe in Dax founded a Spanish-style street band to enliven local fêtes. Gained statutory autonomy in 1981 as Peña Los Calientes, named after the hot thermal spring of Dax. Anchors the Feria de Dax every August.
Joining link available on profile →Peña Lous Tiholès
Gascon-rooted peña whose name (Lous Tiholès, 'the little ones' in Gascon) nods to Bayonne's Landais hinterland. Member of the official Peñas Bayonnaises federation; runs a bodega in the Saint-Esprit district that crosses the Adour, bridging Basque and Gascon sides of the Fêtes.
Joining link available on profile →Garba & Dandiya Groups (Gujarat)
22Dhal Ni Pol Sheri Garba
Residents-only sheri garba in a UNESCO-listed pol where neighbours - not hired performers - sing the garbas accompanied only by dhol and nagara, preserving the pre-amplification street style of Ahmedabad Old City.
Joining link available on profile →Falguni Pathak Navratri Utsav (Borivali)
The defining Mumbai garba night - Falguni Pathak, the 'Dandiya Queen' since 1993, has headlined Borivali/Kandivali grounds for 30+ Navratris; the source of the Bollywood-Gujarati pop-dandiya sound now imitated worldwide.
Joining link available on profile →Gandhinagar Cultural Forum Garba
Gandhinagar's signature community-organised garba run by the Cultural Forum; one of the oldest continuously held public garbas in the capital, with reserved members-only circles and a competitive 'best dancer' final.
Joining link available on profile →Garba Flow
UK-based Gujarati folk dance and music organisation that runs year-round Garba classes, Navratri events and outreach across the UK, promoting authentic Gujarati folk culture beyond the Navratri season.
Joining link available on profile →Garvi Gujarat Association of Canada
GTA-wide Gujarati cultural association that runs one of Toronto's largest annual Navratri Garba nights at community halls in Mississauga and Brampton, a fixture of Canadian Gujarati cultural life.
Joining link available on profile →Gujarat Garba Galaxy (Surat)
Surat's largest stadium-scale Navratri at Lalbhai Contractor Stadium; known for big-name singer line-ups, drone shows and an enormous open dance floor that defines Surat's mega-event Garba category.
Joining link available on profile →Gujarati Samaj of Toronto Navratri
The Gujarati Samaj of Toronto (GST) runs the community-temple-style Navratri Garba for Greater Toronto Area Gujaratis, with live music and traditional raas circles - one of the oldest continuous diaspora Garba traditions in Canada.
Joining link available on profile →Gujarati Society of British Columbia Navratri
Founded in 1969 by British Columbia's Gujarati-speaking community, GSBC runs the province's flagship Navratri Garba nights - the longest-running Gujarati community garba on Canada's west coast.
Joining link available on profile →Kesariya Navratri (Surat)
Surat's most luxurious palace-themed Navratri held inside a fully air-conditioned permanent dome with royal decor and immersive lighting; emblematic of Surat's premium ticketed Garba scene.
Joining link available on profile →Lukshmi Vilas Palace Heritage Garba (LVP)
Heritage Garba on the lawns of the Gaekwad royal family's Lukshmi Vilas Palace, run by Shri Maharani Chimnabai Stree Udyogalaya (est. 1914) and the Maharaja Fateh Singh Museum; proceeds fund women's empowerment programs and the event brands itself the first inclusive religious dance festival.
Joining link available on profile →Navratri Edison (Edison Expo)
Edison's anchor Garba operator at the NJ Convention & Expo Center, drawing the East Coast Gujarati diaspora; New Jersey is widely called the 'garba capital of America' and Navratri Edison is its flagship ticketed series.
Joining link available on profile →OG Mandli (Khelo Khelaiya Mandli)
Sheri-style Garba revival started by five CEPT University alumni; 4 lakh sq ft venue with a 180-foot dance circle holding 2,500-3,000 dancers, deliberately rejecting Bollywood mix and DJs for authentic Gujarati garba with shehnai and dhol.
Joining link available on profile →Rangilo Re (NESCO)
NESCO Events' branded 10-night Navratri at NESCO Centre Goregaon, headlined by Parthiv Gohil; a defining Mumbai 'event-garba' product that blends traditional dandiya with Gujarati pop and Bollywood production values.
Joining link available on profile →Rutumbara Group (Atul Purohit)
Live Garba orchestra led by 'Garba Legend' Atul Purohit; the resident performing group at United Way of Baroda for decades and the touring face of classic Vadodara-style traditional garba songs around the world.
Joining link available on profile →Sadu Mata-ni-Pol Sheri Garba
Barot-community sheri garba performed on Ashtami at Sadu Mata-ni-Pol where men cross-dress in sarees and dance to atone for a 200-year-old curse of the goddess Saduba; one of Ahmedabad's most distinctive surviving pol-Garba traditions.
Joining link available on profile →Sahiyar Club Rajkot
Members-only ladies' garba club running 'Sahiyar Rasotsav' for 25+ years; one of Rajkot's most awaited Navratri events with curated, women-led traditional raas circles and an annual competitive grand finale.
Joining link available on profile →Sansaar UK Garba
Family-focused Garba event series in the UK with 2,000+ attendees per event, built around teaching children Gujarati language and Garba steps through live music - the leading youth-and-family Garba brand in Britain.
Joining link available on profile →Sheri Garba Mahotsav
Branded as the 'world's biggest' authentic sheri garba; hosts thousands nightly during Navratri with live traditional musicians and a no-DJ, no-Bollywood policy meant to restore Ahmedabad's pol-style circle dance.
Joining link available on profile →Shree Kutchi Leva Patel Community Navratri (Wembley)
Run by the Shree Kutchi Leva Patel Community at Sattavis Patidar Centre in Wembley; with up to 30,000 attendees over nine nights it is described as the largest Navratri Garba in Europe and the anchor event for London's Gujarati diaspora.
Joining link available on profile →Soni's School of Garba Dance (SSGD)
Founded by the Soni Brothers (Jigar and Suhrad), the global teaching circuit that started in a Ghatkopar living room in 1998; now teaches ~2,000 students yearly across 28 cities in 9 countries and was felicitated at the UK House of Commons.
Joining link available on profile →United Way of Baroda Garba
Founded in 1986 by Baroda Citizens Council with United Way International and UNICEF backing; nightly Navratri Garba on what the Limca Book of Records lists as the world's largest Garba ground, drawing 40,000+ dancers around the central Durga statue and headlined by Atul Purohit and the Rutumbara Group.
Joining link available on profile →Yuvak Garbi Mandal (Hanuman Madhi Chowk)
Neighborhood garbi mandal that has organised Hanuman Madhi Chowk's Navratri for 35+ years; famous for its day-4 Aghor Nagara Raas and Bhuvaraas performed by the mandal's young women - a signature Saurashtra-style ritual garba.
Joining link available on profile →German/Austrian Schützenvereine & Trachtenvereine
31Bürger-Schützen-Gesellschaft zu Linden von 1906
Working-class Linden's bourgeois marksmen's society, central to the Lindener Volks- und Schützenfest (the second-largest Schützenfest in the region after Hannover's).
Joining link available on profile →Festring München e.V.
Umbrella body that has organised Munich's Trachten- und Schützenzug since 1956 - Europe's largest traditional-costume parade with 9,000+ Schützen, Trachtler, Festwagen and bands marching to the Theresienwiese.
Joining link available on profile →Gauverband I (Bayerischer Trachten-Gauverband)
The original umbrella Gauverband of Bavarian Trachtenvereine, founded by Thomas Bacher in Bad Feilnbach in 1890. First Gaufest in Feilnbach (1891) gathered 15 clubs.
Joining link available on profile →Gebirgsschützenkompanie Bernau am Chiemsee
Inn-Chiemgau battalion mountain riflemen's company in Chiemgau, one of the most photographed Gebirgsschützen-Kompanien on Trachten parade days.
Joining link available on profile →Gebirgsschützenkompanie Garmisch
Werdenfels mountain riflemen's company whose motto is 'Schwarz fest im Aug, im Herzen weiss und blau'. Regular Trachten- und Schützenzug participant.
Joining link available on profile →Gebirgsschützenkompanie Miesbach-Parsberg-Wies
Mountain marksmen's company in Miesbach, where the central archive of the Bavarian Gebirgsschützen is located. Direct successor of the 1642 Miesbach Schützenregiment.
Joining link available on profile →Gebirgsschützenkompanie Mittenwald
Founding company (1970) of the Werdenfels battalion of the Bavarian Gebirgsschützen, alongside Partenkirchen, Garmisch and Eschenlohe.
Joining link available on profile →Gebirgsschützenkompanie Tegernsee
Historic Upper Bavarian mountain riflemen's company in the Mangfall-Leitzachgau battalion, descended from the monastery defence units of 1702. Pillar of the Bund der Bayerischen Gebirgsschützen.
Joining link available on profile →Hardenberger Schützenverein 1656
One of the oldest continuously active Schützenvereine in the Bergisches Land, founded shortly after the Thirty Years' War. Clubhouse, range or Tracht practice, and the annual Schützenfest or Trachten gathering structure multi-generational local membership.
Joining link available on profile →Heimat- und Volkstrachtenverein D'Kranzbergler München
Munich Trachtenverein that split from the 'Höllenthalers' in 1920. Wears the Isarwinkler Tracht and is a regular at the Oktoberfest Trachten- und Schützenzug.
Joining link available on profile →Heimat- und Volkstrachterhaltungsverein Miesbach
Miesbach's flagship Trachtenverein, grown out of the 1859 'Gesellschaft Gemüthlichkeit'. The Miesbacher Tracht became Bavaria's de facto national costume.
Joining link available on profile →Isargau (Bayerische Heimat- und Volkstrachtenvereine Sitz München)
Munich Gauverband uniting ~62 city Trachtenvereine (~8,000 members), founded 14 Dec 1919 at Almrausch-Stamm. Preserves the Inntaler Bergtracht in the capital.
Joining link available on profile →Karlsschützen-Gilde vor 1198 Aachen
One of Germany's oldest shooting guilds, founded to defend the Free Imperial City of Aachen and the Palatine Chapel (today's cathedral). Celebrated its 1200-year jubilee in 1999.
Joining link available on profile →Kgl. priv. Schützengesellschaft von 1462 Hammelburg
Long-running royally privileged Franconian Schützengesellschaft, one of the named historic guilds frequently cited alongside Straubing and Augsburg.
Joining link available on profile →Kgl. priv. Schützengilde Straubing 1255
Royally privileged Bavarian shooting guild dating its founding to 1255, when Straubing became a Viztumamt. Earliest surviving document mentioning the guild is from 1392.
Joining link available on profile →Königlich Privilegierter Schützenverein Augsburg 1430
Augsburg's oldest shooting society, royally privileged in 1868 under King Ludwig II. Active member of the Bavarian Schützenbund. Clubhouse, range or Tracht practice, and the annual Schützenfest or Trachten gathering structure multi-generational local membership.
Joining link available on profile →Liebfrauen-Schützenbruderschaft von 1630 Münster
Parish-based Westphalian Schützenbruderschaft (Liebfrauen-Überwasser) whose oldest royal shield dates from 1630, founded during the Thirty Years' War.
Joining link available on profile →Neusser Bürger-Schützenverein (NBSV)
Organizer of the world's largest single-association Schützenfest (over 7,700 marching marksmen). Last weekend of August with grenadiers, fusiliers, hunters, mounted corps and the Schützenkönig.
Joining link available on profile →Oberlandler Gauverband Miesbach
Gauverband for the Miesbach/Bayrischzell heartland of the Trachten movement, split off from Gauverband I in 1899. Clubhouse, range or Tracht practice, and the annual Schützenfest or Trachten gathering structure multi-generational local membership.
Joining link available on profile →Privilegierte Hauptschützen-Gesellschaft Nürnberg 1429
Nuremberg's historic main shooting society dating from the late medieval city militia tradition, still operating ranges today. Clubhouse, range or Tracht practice, and the annual Schützenfest or Trachten gathering structure multi-generational local membership.
Joining link available on profile →Schuhplattlergruppe D'Sonnwendler Münster (Tirol)
Long-established Tyrolean Schuhplattler troupe in the Inntal village of Münster, performing regional dances, Goaßlschnalzen and Watschentanz.
Joining link available on profile →Schützengesellschaft Ricklingen v. 1853
Hannoverian Schützenverein that holds the historic 'Bruchmeisterverpflichtung' role in the city's Schützenfest opening ceremony. Clubhouse, range or Tracht practice, and the annual Schützenfest or Trachten gathering structure multi-generational local membership.
Joining link available on profile →Schützenkompanie Meran (Burggrafenamt/Passeier)
South Tyrolean Schützenkompanie tracing its roots to the 1796 Passeier company in which Andreas Hofer first served. Re-founded postwar under the Südtiroler Schützenbund.
Joining link available on profile →Schützenkompanie Vill-Igls
Tyrolean Schützen- and Schuhplattler troupe on the Innsbruck plateau, well known for its 'Tiroler Abend' folk-dance evenings for Bergisel visitors.
Joining link available on profile →St. Hubertus-Schützenbruderschaft Köln-Bickendorf 1869
Cologne suburban shooting brotherhood under St. Hubertus, registered as e.V. in 1928. Part of the Erzbistum Köln BHDS network. Clubhouse, range or Tracht practice, and the annual Schützenfest or Trachten gathering structure multi-generational local membership.
Joining link available on profile →St. Johanni Bürgerschützenverein Borken
Münsterland citizen-marksmen's club whose lineage traces to the medieval Borken Schützengilden that fought in the 1323 Battle of Letter Bruch alongside the Bishop of Münster.
Joining link available on profile →St. Johannis Toten- und Schützengilde v. 1192
Regarded as the oldest still-existing Schützenbruderschaft in Germany, combining a medieval death/burial confraternity with a marksmen's guild.
Joining link available on profile →St. Sebastianus Schützenverein Düsseldorf 1316
Founded as a Sebastian brotherhood to nurse plague victims, transformed into the city's general shooting society. Oldest charter dates from 1435 (Duke Adolf II of Jülich-Berg).
Joining link available on profile →Trachtenverein Almrausch-Stamm München 1893
One of Munich's oldest Oberländer Heimatvereine, founded 27 Feb 1893 at the 'Vier Jahreszeiten' on Dachauer Strasse. Hosted the founding meeting of the Isargau in 1919.
Joining link available on profile →Uniformierte Schützengesellschaft von 1837 Hannover
Oldest still-active Schützenverein in Hannover and a pillar of the Verband Hannoverscher Schützenvereine, which co-organizes the world's largest marksmen's fair (Schützenfest Hannover) every July.
Joining link available on profile →Verein zur Erhaltung der Volkstracht im Leitzachthal (Bayrischzell)
The world's first Trachtenverein, founded by schoolteacher Josef Vogl on 25 August 1883 at the 'Alten Wirt'. Considered the cradle of the entire Bavarian Trachten movement.
Joining link available on profile →Akrites Polikastrou Pontian Society
Macedonian-border Pontian society named for the Byzantine 'akritai' frontier guards; preserves customs and Pontian dances of the wider Kilkis region and teaches Black Sea history to younger generations.
Joining link available on profile →Argonautai-Komninoi Pontian Society
Pontian society of Kallithea formed by refugees who first met in 1922 at the Renaissance patisserie, formally founded in 1930 at the Kallithea Shooting Range and merged with the 'Komninoi' club in 1937; operates several graded children, youth and adult Pontian dance ensembles.
Joining link available on profile →Brotherhood Pontion Toronto 'Panagia Soumela'
Founded by 1960s/70s Pontian immigrants on Danforth Avenue; runs dance troupes, Pontian language and lyra lessons and a Pontian Institute of distance learning; joined the Pan-Pontian Federation of USA & Canada in 1980.
Joining link available on profile →Central Pontian Association of Melbourne & Victoria 'Pontiaki Estia'
Melbourne's Pontian 'house', one of the largest Pontian centres in the diaspora; runs children, youth and adult dance groups, a Pontian lyra school and the annual Antipodes Festival contingent.
Joining link available on profile →Dora Stratou Greek Dances Theatre
Living museum of Greek dance founded by Dora Stratou with Hadjidakis, Elytis and Chatzimichali; 75-strong company performs nightly in an 860-seat open-air theatre on Philopappou opposite the Acropolis and holds the country's largest folk-costume collection (~2,000 costumes).
Joining link available on profile →Enosi Pontion Kalamarias
Pontian club of refugee-built Kalamaria, created to host Pontians of the area who weren't from Kromni or the Caucasus; runs dance, four-part lyra orchestra (since 2000) and a theatrical troupe (since 2005).
Joining link available on profile →Enosi Pontion Neas Smyrnis 'I Mavri Thalassa' (The Black Sea)
Pontian union of the southern Athens suburbs Nea Smyrni, Dafni and Agios Dimitrios; preserves Pontian Greek dialect, dance and music with a strong youth dance section that performs at municipal and Genocide Remembrance events.
Joining link available on profile →Enosi Pontion Nikaias-Korydallou
Working-class Piraeus-area Pontian society founded in 1950 in the refugee neighborhoods of Nikaia and Korydallos; long-standing dance ensembles and Pontian-language school programmes.
Joining link available on profile →Enosi Pontion Sourmenon (Union of Pontian Sourmenites)
One of the oldest Pontian refugee societies in Athens, founded by refugees from Sourmena (Trabzon) who settled at the foot of Hymettus; runs a Pontian dance group and a neoclassical-building Historical and Folklore Pontian Museum, and hosts the Thomas Sunday 'taphika' cemetery custom.
Joining link available on profile →Euxinos Leschi Naousa
Refounded 1959 (originally 1927) and home to the 'Argyroupolis - O Kyriakidis' National Library; runs Pontian dance sections and a museum-library that is a reference point for Imathia Pontian culture.
Joining link available on profile →Euxinos Leschi Thessaloniki (Pontian Black Sea Club)
Founding Pontian club of Thessaloniki, set up 2 May 1933 at Venizelou and Egnatia as the 'Social and Cultural Club of those from Pontus, Caucasus and Russia'; runs age-graded dance ensembles that win national Pontian dance festivals.
Joining link available on profile →Euxinos Leschi Veria
Pontian club founded by first- and second-generation Pontians of Veria; one of the most active Imathia Pontian houses with multiple dance ensembles and a publishing programme on Pontian history.
Joining link available on profile →Greek-American Folklore Society (GAFS)
Astoria-based folkloric society teaching regional Greek dance, costume and music; runs children's and adult ensembles and stages a 40+ year-running annual gala, the largest Greek folk-dance event on the US East Coast.
Joining link available on profile →Lyceum Club of Greek Women (Central, Athens)
Founding chapter of the women-led Lyceum movement that codified regional Greek folk dance and dress; the central Athens club runs 10 peripheral dance sections across Attica and welcomes 2,500+ children and young people to its dance programmes each year.
Joining link available on profile →Lyceum Club of Greek Women Heraklion
Cretan branch of the Lyceum focused on the pentozali, syrtos chaniotikos and other Cretan dances; maintains a Cretan costume and textile collection and a children's dance school.
Joining link available on profile →Lyceum Club of Greek Women Lamia
Central-Greece Lyceum branch dedicated to preserving Roumeli (Sterea Ellada) dance and costume traditions; runs children, youth and adult dance sections plus an annual costume exhibition.
Joining link available on profile →Lyceum Club of Greek Women Naousa
Macedonian Lyceum branch closely tied to the Genitsaroi kai Boules Naousa carnival custom; runs dance sections for children and adults and curates a Naoussa regional costume collection.
Joining link available on profile →Lyceum Club of Greek Women Patras
Earliest provincial Lyceum branch, set up by Katina Markou and other women of Patras two years after the Athens founding; runs traditional dance, choir and costume sections and is a fixture of the Patras Carnival cultural programme.
Joining link available on profile →Lyceum Club of Greek Women Spata
Mesogeia-region Lyceum chapter preserving Arvanitika and Attic-plain dance traditions; runs weekly dance lessons and the annual Spata cultural festival.
Joining link available on profile →Lyceum Club of Greek Women Volos
Thessaly chapter of the Lyceum based at Agios Onoufrios; teaches Thessalian and Pan-Hellenic dances and stages performances of Pelion and Magnesia regional repertoires.
Joining link available on profile →Panagia Soumela Pontian Foundation (Kastania, Vermio)
Pontian society founded in Thessaloniki by Dr Filon Ktenidis to rehouse the Panagia Soumela icon brought from Trabzon; built the Vermio shrine in 1952 and hosts the August 15 pilgrimage that is the global Pontian Greek gathering each year.
Joining link available on profile →Pontian Greek Society of Chicago 'Xeniteas'
Founded November 1977 by Pontian immigrants from Greece and the former USSR; runs Greek school, Pontian dance and lyra programmes and is the anchor of Pontian community life in the Midwest.
Joining link available on profile →Pontian Society 'Komninoi' of New York
Astoria's flagship Pontian club, founded by post-war Pontian immigrants; the dance group is the centerpiece of the society, performing at Greek Independence Day and at the annual NYC Pontian Genocide commemoration.
Joining link available on profile →Pontoxeniteas NSW (Pontian Association of NSW)
First Pontian society in Sydney (originally 'Xeniteas', 1957-58); bought its Earlwood Pontian House in 1980 which celebrated 45 years in 2025; multi-generational dance ensembles and host of Synapantema Sydney 2026.
Joining link available on profile →YMCA (XANTH) Folklore Dance Group of Thessaloniki
Long-running dance section of XANTH (Thessaloniki YMCA) with a demonstration ensemble of experienced dancers plus beginner and advanced learning sections for all ages; one of the most visible non-regional Greek dance schools in Macedonia.
Joining link available on profile →Al·lots de Llevant
Mallorca's second colla, based in Manacor. Founded a year after the Castellers de Mallorca, they wear dark-green shirts and partner regularly with the Palma colla for island diades.
Joining link available on profile →Bordegassos de Vilanova
Founded in the late-Franco years, the Bordegassos pioneered the full integration of women and lightweight, agile castells. Their distinctive earthy-yellow shirt with black buttons is unique in the casteller world.
Joining link available on profile →Capgrossos de Mataró
The leading colla of the Maresme, wearing navy blue. Their name 'Capgrossos' (bigheads) recalls the historical nickname Barcelonans gave to Mataró residents.
Joining link available on profile →Carallots de Sant Vicenc dels Horts
Founded in 2012 in Sant Vicenc dels Horts, the Carallots wear orange shirts and have grown to consistently raise 5 de 7 and 4 de 7 amb agulla castells.
Joining link available on profile →Castellers de Badalona (Colla Micaco)
Founded in 1997, the Castellers de Badalona are nicknamed Colla Micaco after their loquat-fruit shirt color, an emblem of Badalona's local identity.
Joining link available on profile →Castellers de Barcelona
The first and oldest colla castellera based in the city of Barcelona, founded in 1969 in El Clot neighborhood. They wear red shirts and are deeply involved in the cultural life of the Clot district.
Joining link available on profile →Castellers de Berlin
Berlin's colla operates as a department of the Vereinigung Adler 1912 e.V. sports club. They hosted the 5th International Diada Castellera at the Museum of European Cultures in May 2025, drawing more than 400 castellers from across Europe.
Joining link available on profile →Castellers de Castelldefels
Founded in 1982 in Castelldefels, the colla wears yellow shirts and is one of the longest-established Baix Llobregat colles. Like other colles castelleres, members train weekly, build human towers (castells) at local festes, and belong to a tightly interdependent pinya, tronc and pom de dalt structure.
Joining link available on profile →Castellers de Cerdanyola
Founded in 1998 in Cerdanyola del Valles, the colla wears green shirts and is a fixture of local cultural life. Like other colles castelleres, members train weekly, build human towers (castells) at local festes, and belong to a tightly interdependent pinya, tronc and pom de dalt structure.
Joining link available on profile →Castellers de Cornella
Founded in 1991 in Cornella de Llobregat, the colla wears lilac shirts and is a pillar of the Baix Llobregat casteller circuit. Like other colles castelleres, members train weekly, build human towers (castells) at local festes, and belong to a tightly interdependent pinya, tronc and pom de dalt structure.
Joining link available on profile →Castellers de Gava
Founded in 1994 in Gava, the colla wears blue shirts and resumed activity in 2012 after a pause, rebuilt by former members and young recruits. Like other colles castelleres, members train weekly, build human towers (castells) at local festes, and belong to a tightly interdependent pinya, tronc and pom de dalt structure.
Joining link available on profile →Castellers de la Sagrada Familia
Founded in 2002, this colla represents the Sagrada Familia neighborhood and is identified by its green shirts. Like other colles castelleres, members train weekly, build human towers (castells) at local festes, and belong to a tightly interdependent pinya, tronc and pom de dalt structure.
Joining link available on profile →Castellers de la Vila de Gracia
Founded in 1996 in the Gracia district, the Vila de Gracia castellers wear navy blue shirts and are one of the most prominent neighborhood-based colles in Barcelona.
Joining link available on profile →Castellers de Lleida
The flag-bearer colla of inland Catalonia, wearing burgundy. They lead the casteller scene in the city of Lleida and the western counties. Like other colles castelleres, members train weekly, build human towers (castells) at local festes, and belong to a tightly interdependent pinya, tronc and pom de dalt structure.
Joining link available on profile →Castellers de Mallorca
The colla that brought castells to the Balearics, based in Palma. They wear garnet shirts and have built up to castells of 7 and 8. Like other colles castelleres, members train weekly, build human towers (castells) at local festes, and belong to a tightly interdependent pinya, tronc and pom de dalt structure.
Joining link available on profile →Castellers de Mollet
Founded in 1992 in Mollet del Valles (Valles Oriental), the colla wears light green shirts. Like other colles castelleres, members train weekly, build human towers (castells) at local festes, and belong to a tightly interdependent pinya, tronc and pom de dalt structure.
Joining link available on profile →Castellers de Montcada i Reixac
Founded in 1991, the Castellers de Montcada i Reixac wear terracotta-colored (teula) shirts and were the godparent colla of Badalona's Colla Micaco.
Joining link available on profile →Castellers de Rubi
Founded in 1996 in Rubi, this colla wears red shirts and competes alongside other Valles Occidental colles. Like other colles castelleres, members train weekly, build human towers (castells) at local festes, and belong to a tightly interdependent pinya, tronc and pom de dalt structure.
Joining link available on profile →Castellers de Sabadell (Saballuts)
Founded in 1994, the Saballuts are Sabadell's colla castellera, recognized by their green shirts and the #efecteSaballut hashtag. Like other colles castelleres, members train weekly, build human towers (castells) at local festes, and belong to a tightly interdependent pinya, tronc and pom de dalt structure.
Joining link available on profile →Castellers de Sant Cugat
Founded in 1996, the Castellers de Sant Cugat wear green Collserola shirts with a black sash and are one of the leading Valles Occidental colles.
Joining link available on profile →Castellers de Sant Cugat (Gausacs)
The Gausacs of Sant Cugat wear a 'verd Collserola' green in honour of the mountain range that surrounds the town. They are a steady mid-tier colla of the Vallès.
Joining link available on profile →Castellers de Sant Feliu
The Castellers de Sant Feliu wear magenta shirts, chosen to honor their hometown's nickname, the 'City of Roses.' Mentored by the Castellers d'Esplugues.
Joining link available on profile →Castellers de Sants
Founded in 1993 in the Sants neighborhood, this colla is nicknamed Els Borinots and is recognized by its dark gray shirts. Like other colles castelleres, members train weekly, build human towers (castells) at local festes, and belong to a tightly interdependent pinya, tronc and pom de dalt structure.
Joining link available on profile →Castellers de Sarria
Founded in 2016 in the upper Sarria district, this colla is one of the most recent additions to the Barcelona casteller scene. Like other colles castelleres, members train weekly, build human towers (castells) at local festes, and belong to a tightly interdependent pinya, tronc and pom de dalt structure.
Joining link available on profile →Castellers de Terrassa
Founded in 1980, the Castellers de Terrassa wear turquoise blue shirts and have been central to the spread of casteller culture beyond its historic heartland.
Joining link available on profile →Castellers de Viladecans
Founded in 2013 in Viladecans, the colla wears distinctive fluorescent green shirts. Like other colles castelleres, members train weekly, build human towers (castells) at local festes, and belong to a tightly interdependent pinya, tronc and pom de dalt structure.
Joining link available on profile →Castellers de Vilafranca
Known as 'els verds' (the greens), this Vilafranca colla is one of the most decorated in casteller history, famed for its consistent execution of castells of 10. Founded 1948 by Oriol Rossell, the colla adopted the green shirt in 1957 and has set countless records in the sport.
Joining link available on profile →Castellers del Poble Sec
The Poble Sec castellers, founded in 1998, wear light blue shirts and represent the working-class Poble Sec neighborhood at the foot of Montjuic.
Joining link available on profile →Castellers del Prat
Founded in 2014 in El Prat de Llobregat, the colla wears 'potablava' blue shirts and represents the Llobregat delta town. Like other colles castelleres, members train weekly, build human towers (castells) at local festes, and belong to a tightly interdependent pinya, tronc and pom de dalt structure.
Joining link available on profile →Castellers of London
London's colla castellera, training weekly to build Catalan-style human towers far from Catalonia. Open to beginners, it exports the pinya culture of shared trust to a city of newcomers who need a physical team sport without the usual club politics.
Joining link available on profile →Colla Castellera de l'Esquerra de l'Eixample
Founded in 2018 in the Esquerra de l'Eixample district, this colla wears distinctive lilac shirts. Like other colles castelleres, members train weekly, build human towers (castells) at local festes, and belong to a tightly interdependent pinya, tronc and pom de dalt structure.
Joining link available on profile →Colla Castellera Jove de Barcelona
Founded in 2010 with a youthful spirit, the Jove de Barcelona wears pomegranate-colored shirts and is based primarily around Sant Andreu. Like other colles castelleres, members train weekly, build human towers (castells) at local festes, and belong to a tightly interdependent pinya, tronc and pom de dalt structure.
Joining link available on profile →Colla Castellers Xiquets de Tarragona
Born from a city-council-promoted merger of the historic Xiquets de Tarragona and the Sant Magí colla. Their bicolour red-and-white striped shirt symbolises that union.
Joining link available on profile →Colla de Castellers d'Esplugues (Cargolins)
Founded in 1994 in Esplugues de Llobregat, this colla is nicknamed Cargolins and wears electric blue shirts taken from the town's coat of arms. Like other colles castelleres, members train weekly, build human towers (castells) at local festes, and belong to a tightly interdependent pinya, tronc and pom de dalt structure.
Joining link available on profile →Colla Jove Xiquets de Tarragona
The 'young' Tarragona colla, founded by a group of friends at the Motoclub bar to revive the city's casteller prestige. Their purple shirts are a fixture at Santa Tecla.
Joining link available on profile →Colla Joves Xiquets de Valls
The 'younger' Valls colla, wearing red shirts in homage to the city's coat of arms. Together with the Vella, they form the historical Xiquets de Valls duo at the heart of casteller tradition.
Joining link available on profile →Colla Vella dels Xiquets de Valls
The oldest continuously documented colla in the world, rooted in the 18th-century 'Colla dels Pagesos' of Valls and reorganised in 1947. The pink shirt and the name 'de Rabassó' connect it to the 19th-century golden age of castells.
Joining link available on profile →Encantats de Begues
Founded in 2013 in Begues, the Encantats wear bottle green shirts and represent a small mountain town in the Baix Llobregat region. Like other colles castelleres, members train weekly, build human towers (castells) at local festes, and belong to a tightly interdependent pinya, tronc and pom de dalt structure.
Joining link available on profile →Koales de Melbourne
The first ever colla castellera in Australia, founded August 2014 around the Via Catalana human chain. Born under the wing of the Casal Català de Victòria and the Capgrossos de Mataró.
Joining link available on profile →Marrecs de Salt
The leading colla of the Girona area, wearing 'Blau Ter' blue in honour of the river Ter that crosses Salt and Girona. The Marrecs are the dominant Girona-province colla.
Joining link available on profile →Matossers de Molins de Rei
The Matossers de Molins de Rei wear clay-brown shirts, a color inspired by the historic Carles III bridge that once spanned the Llobregat at Molins de Rei.
Joining link available on profile →Minyons de Terrassa
Founded in 1979 in Terrassa, the Minyons are one of the most elite colles, regularly building 9- and 10-storey castells and recognized with the Creu de Sant Jordi.
Joining link available on profile →Moixiganguers d'Igualada
Igualada's colla, named after the historic Moixiganga dance uniform that pre-Civil-War Igualada castellers wore. They are the standard-bearer of casteller activity in the Anoia.
Joining link available on profile →Nens del Vendrell
One of the oldest active colles, founded in 1926. The Nens unloaded the first 3 de 8 of the 20th century (1951) and the first pilar de 7 amb folre (1969), pivotal milestones in modern castells.
Joining link available on profile →Sagals d'Osona
Founded in 1997 in Vic, the Sagals d'Osona wear pumpkin-orange shirts and have built up to the 5 de 8, 3 de 8 and 2 de 8 amb folre. Like other colles castelleres, members train weekly, build human towers (castells) at local festes, and belong to a tightly interdependent pinya, tronc and pom de dalt structure.
Joining link available on profile →Xicots de Vilafranca
The second colla of the casteller capital Vilafranca, the Xicots wear red shirts and presented themselves on the Diada Nacional (11 September 1982). They are a top-tier colla that regularly builds castells of 9.
Joining link available on profile →Xiquets de Hangzhou
The first non-Catalan colla to compete in the Concurs de Castells de Tarragona (2016) and the first foreign colla to build a castell of 9. Created after entrepreneur Qian Anhua saw the Colla Vella perform in Shanghai during Expo 2010.
Joining link available on profile →Xiquets de Reus
The Reus colla wears a unique hazelnut-brown shirt, in homage to the typical nut of the Baix Camp. Formally founded 18 November 1981, they are the only top-tier colla with that colour.
Joining link available on profile →The Second City
Chicago's foundational improvisational theatre, opened in 1959 in Old Town. Conservatory training, mainstage revues, and a dense alumni network have made it both a professional pipeline and a local creative clubhouse for generations of performers.
Joining link available on profile →The Upright Citizens Brigade Theatre (UCB)
Improv and sketch theatre founded by Amy Poehler, Matt Besser, Ian Roberts and Matt Walsh. Training centres and house teams create a ladder from beginner class to performing company, with a fierce alumni culture that functions like a creative mutual-aid network.
Joining link available on profile →Indonesian Community Dance Groups (Reog Ponorogo, Barong Bali, Saman Aceh)
30Komunitas Teater Reje Linge
Aceh Tengah performing-arts community working in Gayo theatre, didong and Saman; named in Disdikbud Aceh Tengah cultural-advancement listings.
Joining link available on profile →Padepokan Tari Langen Kusuma
Padepokan (training compound) listed in the ICH community register for Reog Ponorogo, producing performers for Festival Reog Nasional during Grebeg Suro.
Joining link available on profile →Paguyuban Reog Ponorogo Jabodetabek
Jakarta-area Reog Ponorogo paguyuban (Jakarta-Bogor-Depok-Tangerang-Bekasi); umbrella for migrant Ponorogo communities staging Reog at city festivals.
Joining link available on profile →Paguyuban Reog Singo Joyo Mulyo
Diaspora Reog Ponorogo paguyuban in Samarinda preserving Reog among East Javanese transmigrant communities in Kalimantan. Sanggar or paguyuban training keeps sacred and stage repertoires alive through weekly practice and festival performance.
Joining link available on profile →Paguyuban Reyog Putri Sardulo Nareswari
All-female Reog Ponorogo paguyuban (jathil/warok roles performed by women), featured in Ponorogo cultural-heritage materials as a notable Reog Putri (women's) troupe.
Joining link available on profile →Paguyuban Reyog Singo Budoyo
Long-running Reog Ponorogo paguyuban listed among the named communities for Reog's UNESCO Intangible Cultural Heritage inscription dossier.
Joining link available on profile →Paguyuban Reyog Singo Manggolo (Kepatihan)
Kepatihan-village Reog troupe, one of the named communities listed in the UNESCO ICH submission file for Reog Ponorogo. Sanggar or paguyuban training keeps sacred and stage repertoires alive through weekly practice and festival performance.
Joining link available on profile →Paguyuban Reyog Singo Manggolo Yudho (Keniten)
Keniten-village Reog Ponorogo troupe with full barongan / dhadhak merak, jathilan and warok complement; on the official Ponorogo grup-reog registry.
Joining link available on profile →Paguyuban Reyog Singo Mulyo (Mangkujayan)
Veteran Reog Ponorogo paguyuban (community troupe) based in Kelurahan Mangkujayan, registered on the Pemkab Ponorogo grup-reog roster.
Joining link available on profile →Paguyuban Seni Reog Ponorogo Cahaya Budaya
Tulungagung-based Reog Ponorogo community troupe (paguyuban) performing at local festivals and weddings; profiled in Tulungagung cultural media.
Joining link available on profile →Reyog Margojati Jolosutro
Jolosutro-area Reog troupe (Margojati) included in the UNESCO ICH community list for Reog Ponorogo. Sanggar or paguyuban training keeps sacred and stage repertoires alive through weekly practice and festival performance.
Joining link available on profile →Reyog Sardulo Sentono
Reog Ponorogo paguyuban (sardulo = singa) listed among recognised community practitioners in the ICH inscription dossier. Sanggar or paguyuban training keeps sacred and stage repertoires alive through weekly practice and festival performance.
Joining link available on profile →Reyog Simo Budi Utomo
Named Reog paguyuban from Ponorogo Regency cited in the Disbudparpora ICH dossier as a practising community of Reog Ponorogo. Sanggar or paguyuban training keeps sacred and stage repertoires alive through weekly practice and festival performance.
Joining link available on profile →Sanggar Bujang Serbang Lempuh
Village Saman troupe from Desa Lempuh; champion of the Dispar Gayo Lues Festival Tari Saman (2017), regular competitor in Festival Seni Budaya Gayo.
Joining link available on profile →Sanggar Gayo Art Leuser
Gayo Lues arts sanggar performing Saman, Bines and Didong; competes at the Gayo Lues Festival Seni Budaya Saman circuit. Sanggar or paguyuban training keeps sacred and stage repertoires alive through weekly practice and festival performance.
Joining link available on profile →Sanggar Rempelis Gayo
Saman / Gayo arts sanggar originally founded 1988 (renamed 1994), formally registered by Bupati Gayo Lues decree no. 45/2004; led by Syamsul Bahri with ~60 members.
Joining link available on profile →Sanggar Seni Beringin Sejuk
Gayo-Lues sanggar focused on Saman and didong; regular participant in the annual Festival Seni Budaya Gayo and recognised on the Disbudpar roster.
Joining link available on profile →Sanggar Seni Renggali
Aceh Tengah arts sanggar performing Gayo dances including Saman Jalu, Bines and Guel; took first place in the Parade Musik Daerah at TMII Jakarta.
Joining link available on profile →Sanggar Seni Singo Mudho
Youth-founded Reog Ponorogo sanggar on the Bumi Melayu Natuna islands (late 2024), keeping Reog alive in Indonesia's outer-island diaspora.
Joining link available on profile →Sanggar Seni Yudha Asri (Kampung Seni)
Banten arts village founded 1982 by M. Jupri Noor; well-known nationally as a hire-able Saman / Saman Dzikir troupe alongside Rampak Bedug and Beluk.
Joining link available on profile →Sanggar Tari Kawulo Bantarangin
Reog and classical Ponoragan dance sanggar named in the UNESCO ICH file for Reog Ponorogo, training new generations of pembarong, jathil and bujangganong dancers.
Joining link available on profile →Sanggar Tari Solah Wetan
Village-based Ponoragan dance sanggar in Wonokerto, Jetis, training children in Reog and Panji-cycle dances; reached the 10-best at the ASEAN Panji Festival 2023.
Joining link available on profile →Sekaa Barong & Kecak Sila Budaya
Community barong and kecak troupe in Banjar Tegehe staging daily performances for visitors as part of the Batubulan dance-village circuit.
Joining link available on profile →Sekaa Barong Cilik Kumara Mas
Children's barong sekaa (~60 dancers aged 4 to teens) founded 12 June 2002 to perform at the pujawali of Pura Dalem Tengaling Pengukur-ukuran in Banjar Sengguan.
Joining link available on profile →Sekaa Barong Denjalan
Pioneer Barong & Keris troupe in Batubulan, performing daily tourist shows at Pura Puseh Banjar Denjalan since the village pivoted into Bali's main cultural-tourism dance hub.
Joining link available on profile →Sekaa Barong Eka Budhi Kesiman
Kesiman community Barong Ket troupe led by Ida Bagus Raka Pudjana; staged regular Barong Ket Kunti Sraya performances for tourism from 1990.
Joining link available on profile →Sekaa Barong Jambe Budaya
Banjar Tegehe-based barong group performing at the Jambe Barong stage in Desa Adat Dlod Tukad. Sanggar or paguyuban training keeps sacred and stage repertoires alive through weekly practice and festival performance.
Joining link available on profile →Sekaa Barong Sahadewa
Founded 1 April 1972 by I Dewa Nyoman Oka (1923-1999); long-running daily Barong & Kris and Kecak Fire Dance stage in Batubulan. Sanggar or paguyuban training keeps sacred and stage repertoires alive through weekly practice and festival performance.
Joining link available on profile →Sekaa Barong Tegaltamu
Hereditary Barong Ket troupe drawn from Banjar Tegaltamu residents; membership traditionally passes from parent to child within the banjar.
Joining link available on profile →Sekaa Gong Telung Barung Penatih
Banjar Penatih gong-and-barong sekaa selected as the Denpasar city delegate (duta) for the Wimbakara Tari Barong at Pesta Kesenian Bali 2026.
Joining link available on profile →DOROT Intergenerational Programs
A set of recurring groups where adults aged sixty-five and over and young volunteers form relationships through arts, conversation, chess and shared learning. Both age groups contribute time and perspective, with facilitated sessions available in Manhattan and through weekly online workshops.
Joining link available on profile →Magic Me
An intergenerational arts community that brings younger and older people together as equal creative partners. Participants collaborate on theater, film, visual art and other projects designed to create real exchange, challenge ageism and build relationships across East London and Essex.
Joining link available on profile →Italian Contrade (Lifelong Neighborhood Teams)
51Borgo San Lazzaro
Historic borough east of Asti, with a yellow field and eight-pointed cross emblem. Competes in the Palio di Asti and runs cene propiziatorie and year-round contrada events.
Joining link available on profile →Borgo Santa Maria Nuova
Nicknamed 'La Signora del Palio' for its remarkable record of victories in the Palio di Asti. One of the eight borghi of the city, with deep neighborhood loyalty.
Joining link available on profile →Borgo Tanaro Trincere Torrazzo
Popular working-class borgo along the southern Tanaro river, one of the eight Asti borghi competing in the Palio. Lifelong neighborhood membership, a permanent seat (oratory or clubhouse), and the Palio or local festa as the public climax.
Joining link available on profile →Comune di Canelli
Wine-country comune of the Langhe, one of the seven comuni that join Asti's 21 Palio participants. Runs full corteo storico contingent and year-round social calendar.
Joining link available on profile →Comune di Moncalvo
Out-of-town comune participating in the Palio di Asti. Often called the most prestigious comune entry, with five Palio victories. Functions as a contrada-style team representing its whole town.
Joining link available on profile →Contrada Capitana dell'Onda
The Captain Wave contrada, historically charged with the city's defense. Its sky-blue-and-white dolphin flies over the carpenters' quarter at the foot of the Campo.
Joining link available on profile →Contrada del Drago
Dragon contrada of the Camporegio district around the basilica of San Domenico. Members (dragaioli) parade the green-and-pink colors in honor of their patron St. Catherine of Siena.
Joining link available on profile →Contrada del Leocorno
Unicorn contrada of the Pantaneto-Rinaldini quarter, traditional home of Sienese goldsmiths. Its oratory San Giovannino della Staffa stands behind Piazza del Campo.
Joining link available on profile →Contrada della Chiocciola
Snail contrada of the southwestern San Marco quarter. Patron church Santi Pietro e Paolo serves as its oratory; members celebrate the titular feast each June.
Joining link available on profile →Contrada della Lupa
She-wolf contrada referencing Siena's mythic founding by Senius (son of Remus). Its oratory of San Rocco in Via Vallerozzi was originally a brotherhood church.
Joining link available on profile →Contrada della Pantera
Panther contrada of the Laterino-San Quirico area on Siena's western edge. The 'Panterini' guild was historically grocers and apothecaries.
Joining link available on profile →Contrada della Selva
Forest contrada whose orange-green flags fly around the great Santa Maria della Scala hospital. Its emblem. A rhinoceros at the oak. Recalls the historic weavers' and archers' guilds.
Joining link available on profile →Contrada della Tartuca
Tortoise contrada of southern Siena, traditional home of stone sculptors. Its Sant'Antonio da Padova oratory was built by the contradaioli themselves in the 17th century.
Joining link available on profile →Contrada della Torre
Elephant-and-Tower contrada of the Salicotto quarter behind the Torre del Mangia. Famed for fierce rivalries with the Oca and Onda, and for its wool-combing heritage.
Joining link available on profile →Contrada di San Giacomo
Outside-the-walls borgo of Ferrara with a white-eagle emblem. Runs its own contrada hall, sbandieratori (flag throwers) team, musici and year-round social calendar.
Joining link available on profile →Contrada di San Giorgio
Outside-the-walls borgo of Ferrara, taking its name from the Basilica of San Giorgio fuori le mura, linked to the city's patron saint. Bears a hydra emblem and competes for the prized cloth in the Palio di San Giorgio horse race.
Joining link available on profile →Contrada di San Giovanni
Borgo of Ferrara with a blindfolded-lynx emblem, one of the eight Palio contrade preparing year-round for the May Palio in Piazza Ariostea.
Joining link available on profile →Contrada di San Luca
Borgo on Ferrara's outer ring bearing a palisaded paraduro emblem. One of the four borghi competing in the Palio di Ferrara. Lifelong neighborhood membership, a permanent seat (oratory or clubhouse), and the Palio or local festa as the public climax.
Joining link available on profile →Contrada di Valdimontone
Ram-of-the-Valley contrada near Porta Romana. The 'Montonaioli'. Historically tailors. Share their richly frescoed SS. Trinità oratory with the medieval confraternity of the same name.
Joining link available on profile →Contrada La Flora
Sovereign contrada of Legnano, established 1932. Motto 'Sia seme la virtù, vittoria il fiore.' Competes in the Palio di Legnano commemorating the 1176 Battle of Legnano against Frederick Barbarossa, with a 6,000-figurante corteo storico in late May.
Joining link available on profile →Contrada Legnarello
Historic contrada of Legnano, one of the eight founded in 1932 for the Palio that re-enacts the Lombard League's victory at Legnano (1176). Each contrada has a maniero (HQ), maestranze (artisans), musici and sbandieratori.
Joining link available on profile →Contrada Priora della Civetta
The owl 'Priora' contrada centered on Piazza Tolomei. Its black-and-red flags fly over the historic shoemakers' quarter; rival to the Leocorno.
Joining link available on profile →Contrada San Magno
Noble contrada of Legnano in the city center near the Basilica di San Magno. Established 1932 and one of the eight Palio contrade. Lifelong membership passed down through generations.
Joining link available on profile →Contrada San Martino
Contrada of Legnano with the motto 'Fino alla fine' (until the end). One of the eight Palio contrade established in 1932. Lifelong neighborhood membership, a permanent seat (oratory or clubhouse), and the Palio or local festa as the public climax.
Joining link available on profile →Contrada Sant'Ambrogio
Legnano contrada that won the 2025 Palio. One of the eight established in 1932 for the May Palio horse race at Stadio Mari, prepared by year-round corteo, music and flag training.
Joining link available on profile →Contrada Sovrana dell'Istrice
Sovereign Porcupine contrada guarding the northern Camollia gate. Holds the unique 'Sovrana' (sovereign) title; its oratory in the ancient Vincenzo e Anastasio church dates to 1144.
Joining link available on profile →Imperiale Contrada della Giraffa
Imperial contrada of Siena, whose red-and-white flags wave through the Via del Moro area. The 'giraffini' are tied to the historic painters' guild.
Joining link available on profile →Nobil Contrada del Bruco
Noble caterpillar contrada in the historic silk-weavers' quarter on Via del Comune. The 'Bruchi' were granted noble status for defeating Emperor Charles IV's forces in 1369.
Joining link available on profile →Nobile Contrada del Nicchio
Noble Scallop contrada of the eastern Pispini quarter, ennobled by Charles III of Spain for service in his Neapolitan armies. The shell symbol nods to the historic vasai (potters).
Joining link available on profile →Nobile Contrada dell'Aquila
Noble contrada of Siena's Terzo di Città whose symbol is the double-headed imperial eagle. Members (aquilini) baptize newborns at the contrada fountain and race the Palio twice a year in Piazza del Campo.
Joining link available on profile →Nobile Contrada dell'Oca
Noble Goose contrada of Fontebranda, birthplace of St. Catherine of Siena. The 'Ocaioli' are dye-makers by tradition and have the most Palio victories in modern history.
Joining link available on profile →Quartiere Castello
One of four historic quartieri of Feltre, in the upper-town castle area. Bears the De Gazzi family arms and competes in the Palio di Feltre. Corteo storico, archery, flag-throwers and horse race on the first Sunday of August, reenacting Feltre's 1404 dedication to Venice.
Joining link available on profile →Quartiere Duomo
Feltre quartiere centered on the Cathedral, bearing the Bellati family arms. One of four neighborhood teams in the Palio di Feltre.
Joining link available on profile →Quartiere Port'Oria
Feltre quartiere bearing a black double-headed eagle. Lifelong neighborhood team in the Palio di Feltre held annually since 1979 to commemorate the 1404 'Dedizione' to Venice.
Joining link available on profile →Quartiere Santo Stefano
Feltre quartiere with arms from the Dal Corno family of Via Mezzaterra. One of four neighborhood teams in the Palio di Feltre, with year-round sbandieratori and musici activities.
Joining link available on profile →Rione Bianco. Borgo Durbecco
Rione covering Borgo Durbecco on the right bank of the Lamone, established as Rione Bianco in 1959 to bring this area into the Palio. Symbol depicts the ancient bridge over the Lamone.
Joining link available on profile →Rione Cassero
One of three rioni of Castiglion Fiorentino, with the Cassero tower as its coat of arms. Competes in the Palio dei Rioni held the third Sunday of June. A horse race around a tufa track in Piazza Garibaldi, with corteo storico of 300+ figuranti.
Joining link available on profile →Rione Cattedrale
One of the six rioni of Asti, centered on the city's oldest heart around the Cathedral. Competes annually in the Palio di Asti, Italy's oldest Palio (documented since 1275), with full year-round social life. Cena propiziatoria, sbandieratori, and the September corteo storico.
Joining link available on profile →Rione di Porta Romana
Castiglion Fiorentino rione with the Capitoline she-wolf nursing the twins as coat of arms. Competes in the Palio dei Rioni. Recent winners with jockey Pusceddu. And runs a full cycle of contrada dinners, archery and flag-throwing.
Joining link available on profile →Rione Giallo
Rione covering the Porta Ponte area of Faenza; shield shows a two-tiered tower with three red bands. Competes in the Niballo Palio held in Faenza's Stadio Bruno Neri.
Joining link available on profile →Rione Nero
Faenza rione associated with Porta Ravegnana, one of the five rioni in the Niballo Palio di Faenza joust. Lifelong neighborhood membership, a permanent seat (oratory or clubhouse), and the Palio or local festa as the public climax.
Joining link available on profile →Rione Rosso
Rione of Faenza centered on Porta Imolese, emblem of a right arm wielding a sword. Competes in the Niballo. Palio di Faenza, the medieval jousting tournament held the fourth Sunday of June, where five rioni run knights at a Saracen target.
Joining link available on profile →Rione San Benedetto
One of the four rioni inside Ferrara's medieval walls competing in the Palio di Ferrara. The oldest Palio in the world, dating to 1259. Emblem features a diamond, echoing the Este 'diamante' motif. The Palio runs four races: girls, boys, donkeys, and horses.
Joining link available on profile →Rione San Paolo
One of the oldest rioni of Asti, in the southern medieval city. Runs the Palio di Asti horse race in Piazza Alfieri and maintains a lifelong membership tradition passed from parents to children.
Joining link available on profile →Rione San Paolo
Ferrara rione with an eagle-on-wheel emblem, one of the four inside-the-walls contrade of the world's oldest Palio. Lifelong neighborhood membership, a permanent seat (oratory or clubhouse), and the Palio or local festa as the public climax.
Joining link available on profile →Rione San Secondo
The most central rione of Asti, dedicated to the city's patron saint San Secondo. One of the historic six rioni and a perennial contender in the Palio di Asti held the first Sunday of September.
Joining link available on profile →Rione Santa Caterina
The most populous rione of Asti, a core member of the historic six rioni competing in the Palio di Asti every September. Lifelong neighborhood membership, a permanent seat (oratory or clubhouse), and the Palio or local festa as the public climax.
Joining link available on profile →Rione Santa Maria in Vado
Inner-walls rione of Ferrara bearing a unicorn emblem. Competes in the Palio di San Giorgio every May with a corteo of over 1,000 figuranti in Piazza Ariostea.
Joining link available on profile →Rione Santo Spirito
Ferrara rione with a grenade emblem. Part of the eight-contrade Palio di Ferrara competition that includes flag-throwing, archery, and four races on the last Sunday of May.
Joining link available on profile →Rione Verde
Faenza rione associated with Porta Montanara, one of five competing in the Niballo Palio joust. Maintains a year-round contrada life with sbandieratori, musici and historical reenactment groups.
Joining link available on profile →Terziere di Porta Fiorentina
Castiglion Fiorentino terziere with a white buttoned lily as coat of arms. Lifelong neighborhood team in the medieval Palio dei Rioni.
Joining link available on profile →Asakusa Mikoshi Association (Sanja Matsuri crews)
Asakusa neighborhood mikoshi crews that carry portable shrines during Sanja Matsuri, one of Tokyo's largest festivals. Year-round chōnaikai ties store the mikoshi, train carriers and run the three-day public climax.
Joining link available on profile →うずき連 (Uzuki-ren)
Awa Odori ren affiliated with the Tokushima-ken Awa Odori Kyokai. Named for the deutzia (uzuki) flower that blooms in early summer when Awa Odori season approaches.
Joining link available on profile →サニーグループよさこい踊り子隊 (Sunny Group Yosakoi Odoriko-tai)
Long-running corporate-sponsored Yosakoi team of the Sunny supermarket group of Kochi. Recipient of the Takemasa Eisaku Prize at the 56th Yosakoi Matsuri.
Joining link available on profile →どんどこ船講 (Dondoko-bune-ko)
Tenjin Matsuri ko that mans the small rowed 'dondoko-bune' boats which lead the Funa-togyo river procession on July 25 with drumming and rhythmic rowing.
Joining link available on profile →のんき連 (Nonki-ren)
The oldest continuously-active Awa Odori ren, founded in 1925 by metalworkers of the Sako district of Tokushima. Founder of the 'Nonki-cho' style, one of the three main Awa Odori dance schools.
Joining link available on profile →ほにや (Honiya)
Premier Yosakoi team founded in 1991 around the Honiya kimono/zakka shop. Name from Tosa-ben for 'really, that's true.' One of the most decorated teams since the Yosakoi Grand Prize was instituted in 1998.
Joining link available on profile →上町よさこい鳴子連 (Kamimachi Yosakoi Naruko-ren)
One of the very first Yosakoi teams, participating continuously since the inaugural 1954 Yosakoi Matsuri. Hosts its own kyoenjo competition stage in the Kamimachi neighborhood.
Joining link available on profile →中央市場玉神輿講 (Chuo-Ichiba Tama-Mikoshi-ko)
Tenjin Matsuri 'ko' (devotional guild) of around 200 Osaka Central Wholesale Market workers who carry the Tama-mikoshi. Federation of five market cooperatives plus the market association.
Joining link available on profile →催太鼓・太鼓中 (Moyoshi-daiko / Taiko-naka)
Tenjin Matsuri ko that opens the festival by drumming the giant Moyoshi-daiko while rocking it violently in the 'Karaage' performance. The 'Taiko-naka' guild is the most theatrically visible group of the matsuri.
Joining link available on profile →公益財団法人 函谷鉾保存会 (Kanko Hoko Hozonkai)
Preservation society for the Kanko Hoko, second in the Gion Matsuri procession. The hoko's name and iconography reference the Chinese 'Hangu Pass' tale of Lord Mengchang.
Joining link available on profile →公益財団法人 四条町大船鉾保存会 (Shijocho Ofune Hoko Hozonkai)
Preservation society for the Ofune Hoko ('Great Ship'), which closes the Ato-matsuri procession on July 24. The float itself was reconstructed in 2014 after being destroyed in the 1864 Hamaguri fire.
Joining link available on profile →公益財団法人 岩戸山保存会 (Iwato Yama Hozonkai)
Preservation society for the Iwato Yama, one of three hiki-yama (large wheeled mountains) of Gion Matsuri. Themed on the Amaterasu cave myth.
Joining link available on profile →公益財団法人 放下鉾保存会 (Hoka Hoko Hozonkai)
Preservation society for the Hoka Hoko, themed on a wandering monk-juggler (hokashi). Famous for replacing the live chigo with a mechanized puppet that dances atop the float.
Joining link available on profile →公益財団法人 月鉾保存会 (Tsuki Hoko Hozonkai)
Preservation society for the Tsuki Hoko ('Moon Hoko'), famed for its lavish Edo-period tapestries and carved wood panels by Maruyama Okyo's school. Considered the 'department store of moving art' among the floats.
Joining link available on profile →公益財団法人 祇園祭船鉾保存会 (Fune Hoko Hozonkai)
Preservation society for the Fune Hoko, the great ship-shaped float that closes the Saki-matsuri procession on July 17. Themed on Empress Jingu's mythical Korean campaign.
Joining link available on profile →公益財団法人 菊水鉾保存会 (Kikusui Hoko Hozonkai)
Preservation society for the Kikusui Hoko, revived in 1952 after being lost in the 1864 Hamaguri Rebellion fire. Themed on a Noh play about chrysanthemum dew and longevity.
Joining link available on profile →公益財団法人 長刀鉾保存会 (Naginata Hoko Hozonkai)
Preservation society for the Naginata Hoko, the leading float of Gion Matsuri and the only one to carry a living chigo (sacred child). The oldest of the 32 yamahoko, said to date from a sword donation to Yasaka Shrine in 1225.
Joining link available on profile →公益財団法人 鯉山保存会 (Koi Yama Hozonkai)
Preservation society for the Koi Yama ('Carp Mountain'), an Ato-matsuri yama featuring a giant leaping carp ascending a waterfall - a Chinese 'dragon gate' allegory. Its 16th-century Belgian tapestries are Important Cultural Properties.
Joining link available on profile →公益財団法人 鶏鉾保存会 (Niwatori Hoko Hozonkai)
Preservation society for the Niwatori ('Rooster') Hoko of Gion Matsuri. Its 16th-century Belgian tapestry depicting Achilles and Priam is a designated Important Cultural Property.
Joining link available on profile →公益財団法人 鷹山保存会 (Takayama Hozonkai)
Preservation society for the Taka Yama ('Falcon Mountain'), which rejoined the Gion Matsuri procession in 2022 after a 196-year absence. Withdrew after storm damage in 1826 and the 1864 fire.
Joining link available on profile →十人十彩 (Junin-Toiro)
Yosakoi team backed by Nagahama Hospital with around 150 dancers. Name translates to 'ten people, ten colors,' celebrating individuality within a unified team aesthetic.
Joining link available on profile →四条傘鉾保存会 (Shijo Kasa Hoko Hozonkai)
Preservation society for the Shijo Kasa Hoko, the second surviving kasa-hoko of Gion Matsuri, revived in 1985 with accompanying Bangasa Odori children's dance.
Joining link available on profile →國士舞双 (Kokushi-Buso)
Yosakoi team founded in 2007 on the concept of 'something one-of-a-kind in this world.' Known for its bold samurai-warrior choreography and large-scale Naruko-led formations.
Joining link available on profile →地車講 (Jiguruma-ko / Danjiri-bayashi)
Tenjin Matsuri ko that performs the danjiri-bayashi flute-and-drum music aboard the danjiri float, providing the musical backbone of the procession.
Joining link available on profile →天保連 (Tenpo-ren)
Awa Odori ren named for the Tenpo era when group dancing (kumi-odori) is traditionally said to have begun. Known for free-spirited male dance and modest female dance with a calm tempo.
Joining link available on profile →娯茶平 (Gojahei / Godyahei)
One of the 'big three' Awa Odori ren, founded in 1946 by 28 returning soldiers as 'Zen-Maekawa Gojahei Club,' renamed Gojahei in 1947. Defines the slow, dignified 'Gojahei-cho' dance style.
Joining link available on profile →御鳳輦講 (Gohoren-ko)
Tenjin Matsuri ko entrusted with carrying the Gohoren palanquin bearing the goshintai of Sugawara no Michizane during the land procession (riku-togyo) on July 25.
Joining link available on profile →新ばし連 (Shinbashi-ren)
Awa Odori ren formed by merchants of the Shinmachi-bashi bridge area of central Tokushima in 1947. One of the older Shinko Kyokai-affiliated ren.
Joining link available on profile →水玉連 (Mizutama-ren)
Awa Odori ren celebrated for refined, delicate female dance and strong-yet-gentle male dance 'like a flowing river.' Stage performances famously feature a suspension-bridge formation.
Joining link available on profile →浅草寿町二丁目町会 (Asakusa Kotobuki-cho 2-chome Chokai)
Asakusa ujiko chonaikai famous for completing a 39-years-overdue 'daishu-ei' major refurbishment of its town mikoshi in 2024 - a project covered in Tokyo Shimbun as an example of chonaikai bonds.
Joining link available on profile →浅草神社奉賛会 (Asakusa Jinja Hosankai)
Umbrella oversight body for Sanja Matsuri that coordinates the 44 Asakusa ujiko chonaikai and their roughly 100 town mikoshi, plus the three honsha portable shrines.
Joining link available on profile →祭屋よさこい踊り子隊 (Saiya Yosakoi Odoriko-tai)
Kochi-based Yosakoi team founded around the Saiya happi/festival-wear brand. Annual Yosakoi Matsuri Kochi competitor and frequent guest at regional yosakoi events.
Joining link available on profile →綾傘鉾保存会 (Aya Kasa Hoko Hozonkai)
Preservation society for the Aya Kasa Hoko, one of only two surviving kasa-hoko (umbrella floats) that preserve the oldest Gion Matsuri float form. Accompanied by a bo-furi stick dance troupe and live chigo.
Joining link available on profile →菅南連合鳳講 (Kannan Rengo Otori-ko)
Tenjin Matsuri ko of Osaka Tenmangu that carries the Otori-mikoshi (phoenix shrine). Federation of the Kannan (Sugawara-south) chonaikai around the shrine.
Joining link available on profile →蜂須賀連 (Hachisuka-ren)
Awa Odori ren named after the Hachisuka, the Edo-period daimyo clan of Tokushima Domain credited with patronizing Awa Odori. Member of Tokushima-ken Awa Odori Kyokai.
Joining link available on profile →蟷螂山保存会 (Toro Yama Hozonkai / 'Praying Mantis')
Preservation society for the Toro Yama, the only Gion Matsuri float crowned with a mechanical praying mantis whose head, arms and wings actually move. Revived in 1981.
Joining link available on profile →西浅草三丁目北部町会 (Nishi-Asakusa 3-chome Hokubu Chokai)
One of the 44 Asakusa ujiko chonaikai that field a town mikoshi at Sanja Matsuri. Known locally as 'Nishi-Asa-Sankita,' fielding their own machi-mikoshi each May.
Joining link available on profile →阿呆連 (Ahou-ren)
Founded in 1948 by 25 dancers who broke away from Gojahei seeking more energetic dance. The third of the 'big three' Awa Odori style schools, defining the 'Ahou-cho' style oriented to 'movement.'
Joining link available on profile →Korean Pungmul/Nongak Groups
21Anseong Namsadang Baudeokie Pungmuldan (안성시립남사당 바우덕이풍물단)
Municipal namsadang (itinerant troupe) revival ensemble carrying on the Anseong Namsadang lineage of the legendary 19th-century female leader Baudeokie. Performs the six-act namsadang nori (pungmul, beona, salpan, eoreum, deotboegi, deolmi) at Anseong Namsadang Theater.
Joining link available on profile →Anseong Namsadang Preservation Society (안성남사당보존회)
Founded in 1982 by Kim Ki-bok, the last surviving active Anseong namsadang performer, to restore the troupe culture and pass on its pungmul/sangmo/jultagi repertoire. Predecessor and feeder body to the later municipal Baudeokie troupe.
Joining link available on profile →Busan Nongak Preservation Society (부산농악보존회)
Custodian of Busan Nongak (Busan Metropolitan City Intangible Cultural Heritage No. 6), a Yeongnam-style coastal nongak that grew out of the dure bands of the Suyeong area. Operates under the Suyeong Historic Folk Arts Preservation Association umbrella.
Joining link available on profile →Dulsori (들소리)
Internationally touring percussion-and-vocal ensemble rooted in pungmul/nongak and Korean folk song. Performs full samul nori sets plus large-format folk-music theater, with regular appearances at WOMEX and global world-music festivals.
Joining link available on profile →Gangneung Nongak Preservation Society (강릉농악보존회)
Preserves Gangneung Nongak, the Yeongdong-style farmers' band of the east coast, tied historically to communal labor (dure) bands and the Dano Festival. Designated National Intangible Cultural Heritage No. 11-4 in 1985; the society performs year-round at the Gangneung Danoje Festival grounds.
Joining link available on profile →Gimcheon Geumneung Bitnae Nongak Preservation Society (김천금릉빗내농악보존회)
Group holder of National Intangible Cultural Heritage No. 11-7 (designated 2019), preserving Bitnae Nongak - an inland Gyeongbuk style featuring large barrel drums and military-formation pangut (Yeongpung-gut, Yeongsan-dadeuraegi). Operates the Binnae Nongak Training Center.
Joining link available on profile →Gurye Jansu Nongak Preservation Society (구례잔수농악보존회)
Village-based nongak society formed by ~40 residents of Sinchon Village to preserve Gurye Jansu Nongak, a Honam Jwado farmers' band designated National Intangible Cultural Heritage No. 11-6 in 2010. Selected as an exemplary transmission group five years running (2015-2020).
Joining link available on profile →Gwangsan Nongak Preservation Society (광산농악보존회)
Preservation body for Gwangsan Nongak (Gwangju Metropolitan City Intangible Cultural Property No. 8), the Honam Udo style farmers' band of the Gwangsan plains around Madeung-ri and Yongbong-dong. Active community ensemble with public transmission classes.
Joining link available on profile →Imsil Pilbong Nongak Preservation Society (임실필봉농악보존회)
Village-rooted preservation society for Imsil Pilbong Nongak, the Honam Jwado (left-side Honam) tradition from Pilbong village. Centered on the Pilbong Cultural Village (필봉문화촌); the tradition was designated National Intangible Cultural Heritage No. 11-5 in 1988.
Joining link available on profile →Iri Nongak Preservation Society (이리농악보존회)
Custodian of Iri Nongak, the Honam Udo (right-side Honam) style farmers' band tradition from the Iksan/Iri plains of Jeollabuk-do. Recognized as National Intangible Cultural Heritage No. 11-3 in 1985, with distinctive colorful flower hats (kkokkal) and intricate sangmo spinning.
Joining link available on profile →Jindo Bukchum Preservation Society (진도북놀이보존회)
Preserves Jindo Bukchum (two-stick double-headed barrel drum dance), designated Jeollanam-do Intangible Cultural Heritage No. 18 on 25 August 1987. Distinct from mainland nongak in using two sticks instead of stick-and-hand, with a more dance-forward style.
Joining link available on profile →Jindo Sopo Geolgun Nongak Preservation Society (진도소포걸군농악보존회)
Village preservation society for Sopo Geolgun Nongak, a Jindo island farmers'-soldier band tradition performed at the Jindo Folk Festival. Recognized as Jeollanam-do Intangible Cultural Heritage No. 39. Performs in distinctive white peasant garb with red and blue sashes.
Joining link available on profile →Jinju Samcheonpo Nongak Preservation Society (진주삼천포농악보존회)
Yeongnam-style nongak society that holds National Intangible Cultural Heritage No. 11-1 (first nongak ever designated, 1966). Known for fast tempo, military-style 12-cha (twelve-section) pangut and athletic sangmo-dolligi.
Joining link available on profile →Korean Cultural Center NY pungmul / folk workshops
New York Korean Cultural Center and related community programmes offering pungmul and Korean folk performance workshops. Weekly drum-and-dance practice builds toward Lunar New Year and cultural festivals.
Joining link available on profile →Namwon Nongak Preservation Society (남원농악보존회)
Honam Jwado nongak society founded by Ryu Myeong-cheol in 1997, preserving the Dokumul-gut lineage transmitted from sangsoe Ryu Han-jun (1900-1952). Spawned the Namwon Municipal Nongak Troupe (1999) and earned National Intangible Cultural Heritage status in 2019.
Joining link available on profile →Noreum Machi (노름마치)
Percussion and ritual-music ensemble founded by Kim Juhong (Korean National University of Arts graduate, student of Kim Duk-soo) that fuses pungmul/samulnori with shaman rhythms, pansori and improvisation. One of the most internationally toured Korean percussion groups.
Joining link available on profile →Pungmulgutpae Salpan (풍물굿패 살판)
Long-running professional pungmul-gut troupe that grew out of the 1980s university pungmul movement, performing full village-gut repertoires (madanggut, pangut) and contemporary creative pungmul. Frequent collaborator with theater and street-festival programs.
Joining link available on profile →Pungmulpae Teoullim (풍물패 터울림)
Seoul-based community pungmul troupe with explicit social-solidarity mission - performs at protests, labor actions and with marginalized communities, treating pungmul as a tool for communal life and equality rather than only stage art.
Joining link available on profile →Pyeongtaek Nongak Preservation Society (평택농악보존회)
Holder of National Intangible Cultural Heritage No. 11-2 (Pyeongtaek Nongak), a representative Utdari (upper-region) style nongak featuring the famous mudongnori (child acrobat pyramids). Active community preservation society that runs the Pyeongtaek Nongak Transmission Hall.
Joining link available on profile →SamulNori Hanullim (사물놀이 한울림)
The originating samul nori ensemble, founded 22 February 1978 by Kim Duk-soo, Kim Yong-bae, Choe Tae-hyeon and Lee Gwang-su (with Choe Jong-seok). Transformed outdoor pungmul into a four-percussion (kkwaenggwari, jing, janggu, buk) seated stage genre that toured the world.
Joining link available on profile →Utdari Nongak Preservation Society (웃다리농악보존회)
Preservation society for Utdari Nongak (Daejeon Intangible Cultural Heritage No. 1, designated 18 March 1989), the 'upper-bridge' style farmers' band of Chungcheong-Gyeonggi famous for the chilchae rhythm and mudong-tagi child acrobats.
Joining link available on profile →Lewes Bonfire Societies
28Barcombe Bonfire Society
Small village society north of Lewes that runs its own torchlit procession each autumn and visits the wider Sussex bonfire circuit.
Joining link available on profile →Battel Bonfire Boyes
Claims to be the oldest Sussex bonfire society, with records of gunpowder treason rejoicing in St Mary's churchwarden accounts from 1646. Procession now ends at the 1066 battlefield.
Joining link available on profile →Burgess Hill Bonfire Society
Mid Sussex society that runs Burgess Hill's torchlit procession and fireworks; non-profit raising funds for local charities. Year-round costume and tableau work feed the autumn torchlit processions on the Sussex bonfire circuit.
Joining link available on profile →Chailey Bonfire Society
Mid-Sussex village society running the Chailey torchlit procession and one of the smaller visiting societies at Lewes. Year-round costume and tableau work feed the autumn torchlit processions on the Sussex bonfire circuit.
Joining link available on profile →Cliffe Bonfire Society
One of the two oldest Lewes societies; smugglers wear black-and-white striped jumpers. Known for its uncompromising 'No Popery' tradition and for burning topical effigies (Pope Paul V, Osama bin Laden, etc.).
Joining link available on profile →Commercial Square Bonfire Society
Smugglers in gold-and-black stripes. Famous American Indian and American Civil War pioneer fronts; HQ at the Elephant & Castle on White Hill.
Joining link available on profile →Crowborough Bonfire & Carnival Society
High Weald society combining bonfire and carnival traditions; reformed by the Royal British Legion and Whitehill Sport Club after the war.
Joining link available on profile →East Hoathly & Halland Bonfire Society
Joint-parish society in the Wealden district; runs East Hoathly's bonfire on the Saturday before 5 November as a popular opener to the season.
Joining link available on profile →Edenbridge Bonfire Society
Kent's most famous bonfire society, a regular visiting society in Sussex. Best known for its 11-metre 'Celebrity Guy' effigy alongside Guy Fawkes past targets include Trump, Boris Johnson, Katie Hopkins and Harvey Weinstein.
Joining link available on profile →Firle Bonfire Society
South Downs village society famous for its provocative themed tableaux; a long-standing visiting society at Lewes. Year-round costume and tableau work feed the autumn torchlit processions on the Sussex bonfire circuit.
Joining link available on profile →Hailsham Bonfire Society
Reformed on the 400th anniversary of the Gunpowder Plot after a 16-year gap; smugglers wear black-and-grey stripes alongside Victorian-era costume.
Joining link available on profile →Hastings Borough Bonfire Society
Coastal society that runs the Hastings Old Town bonfire and the visiting-society circuit listings for East Sussex. Year-round costume and tableau work feed the autumn torchlit processions on the Sussex bonfire circuit.
Joining link available on profile →Heathfield & District Bonfire Society
Wealden society whose smugglers wear green-white-and-black stripes. Hosts the annual Heathfield bonfire and is a frequent visitor to Lewes and Hastings.
Joining link available on profile →Isfield & Little Horsted Bonfire Society
Small joint-village society on the Ouse; pre-war origins and an active member of the East Sussex visiting circuit. Year-round costume and tableau work feed the autumn torchlit processions on the Sussex bonfire circuit.
Joining link available on profile →Lewes Borough Bonfire Society
Joint-oldest Lewes society. Smugglers wear blue-and-white striped jumpers; pioneer front of Vikings and Tudors leads the procession through the town centre.
Joining link available on profile →Lindfield Bonfire Society
Mid-Sussex village society dating to the 1890s; runs the famous Lindfield Bonfire on the High Street with a flaming-tar-barrel run.
Joining link available on profile →Mayfield Bonfire Society
The Mayfield 'Boyes and Belles' commemorate four Protestant martyrs burned in the village in 1556. Stripes in black-and-turquoise nod to the local Sussex smuggler heritage of Gabriel Tomkins.
Joining link available on profile →Nevill Juvenile Bonfire Society
The town's juvenile society for the Nevill estate; runs its own torchlit procession a couple of Saturdays before the Fifth so younger members can take part safely.
Joining link available on profile →Newick Bonfire Society
Village society with the motto 'Wun't be Druv' (Sussex dialect for 'won't be pushed around'). Marches on the village green with full Sussex-style torchlit procession.
Joining link available on profile →Northiam Bonfire Society
Rother village society that documents the wider Sussex bonfire tradition on its site; runs the Northiam procession and fireworks each autumn.
Joining link available on profile →Robertsbridge Bonfire Society
Rother village society active for over 140 years; a regular host on the East Sussex visiting-society circuit. Year-round costume and tableau work feed the autumn torchlit processions on the Sussex bonfire circuit.
Joining link available on profile →Rotherfield & Mark Cross Bonfire Society
High Weald village society covering Rotherfield and neighbouring Mark Cross; a regular visiting society on the Sussex circuit from September to November.
Joining link available on profile →Rye & District Bonfire Society
Cinque-Port society whose 'Rye Fawkes' weekend with a giant boat-burning is a fixture of the Sussex bonfire calendar. Year-round costume and tableau work feed the autumn torchlit processions on the Sussex bonfire circuit.
Joining link available on profile →Seaford Bonfire Society
Coastal society that revived the Seaford bonfire tradition; runs the town's torchlit procession and fireworks each October. Year-round costume and tableau work feed the autumn torchlit processions on the Sussex bonfire circuit.
Joining link available on profile →South Street Bonfire Society
Lewes's sixth society, based at the foot of the Cliffe. Brown-and-cream striped smugglers; smallest of the adult Lewes societies but fiercely local.
Joining link available on profile →Southover Bonfire Society
Originally formed at the request of the Lord of Southover, lapsed in the 20th century and reformed in 2005. Pioneer fronts include Mongols and Tudors.
Joining link available on profile →Uckfield Carnival & Bonfire Society
Long-established Wealden society combining a town carnival with a torchlit bonfire procession; visiting society at Lewes. Year-round costume and tableau work feed the autumn torchlit processions on the Sussex bonfire circuit.
Joining link available on profile →Waterloo Bonfire Society
Reformed in 1954 to represent the area east of Commercial Square. Smugglers wear red-and-white stripes; Zulu warrior pioneer front is a signature.
Joining link available on profile →Herräng Dance Camp
The world's largest annual Lindy Hop camp, turning a small Swedish village into a multi-week swing city each summer. Beyond the camp, it seeds year-round local scenes as dancers return home with skills, partners, and club-organizing energy.
Joining link available on profile →Lindy Hop LA / Southern California swing nights
Los Angeles swing ecosystem of weekly Lindy, Balboa and blues dances with drop-in classes and weekend exchanges. Local organizers keep recurring social rooms rather than one-off concerts.
Joining link available on profile →Marcha da Bica
The marcha of the steep funicular hill between Bairro Alto and Cais do Sodre. A tight, intensely local quarter famous for its Elevador da Bica and Santo Antonio altarinhos. 2025 theme 'Um Coracao em cada Porto' (A Heart in Every Port), rehearsed at the historic Liceu Passos Manuel under ensaiador Marco Mercier, with padrinhos Ricardo Guedes and socialite Lili Canecas. Finished 3rd in 2025.
Joining link available on profile →Marcha da Mouraria
Birthplace of fado, the old Moorish quarter behind Martim Moniz now home to Lisbon's most diverse community. 2025 theme 'A Oracao da Mouraria' (The Prayer of Mouraria) rehearsed at Grupo Desportivo da Mouraria under ensaiadores Gerald Oliveira and Ricardo Marujo. Padrinhos: Duarte Siopa and Joana Alvarenga. Finished 9th in 2025.
Joining link available on profile →Marcha da Santa Casa da Misericordia
Extra-concurso marcha added in 2017 to represent the 500-year-old Santa Casa da Misericordia de Lisboa charity. 2025 theme 'Santa Casa e o Manto que Cobre a Cidade' (Santa Casa Is the Cloak That Covers the City) under ensaiador Paulo Jesus; padrinhos Pedro Crispim and Liliana Santos.
Joining link available on profile →Marcha de Alcantara
Riverside dockworkers' bairro on Lisbon's western waterfront, one of the original 1932 marchas. Co-winner of the 2025 edition (ex aequo with Bairro Alto) with the theme 'Num Toque de Mestre, Alcantara traz a mistica do Sete', under ensaiadores Mafalda Matos and Vitor Kpez. Padrinhos: Pedro Granger and Ana Sofia Martins.
Joining link available on profile →Marcha de Alfama
One of the six original 1932 marchas and the spiritual heart of Santo Antonio. Alfama is the oldest surviving Moorish quarter of Lisbon, a tangle of vielas above the Tejo where the saint was born. The marcha's 2025 theme 'Agora Somos Nos' (Now It Is Us) rehearsed at Centro Cultural Magalhaes Lima under ensaiadora Vanessa Rocha, with padrinhos Jose Figueiras and fado star Raquel Tavares. Finished 4th in 2025.
Joining link available on profile →Marcha de Marvila
The eastern industrial-turned-creative riverside parish, home to old wine warehouses and large social housing estates. 2025 theme 'Marvila, Bairro dos Sonhos Simples' (Bairro of Simple Dreams), rehearsed at Polidesportivo Vale do Fundao. Padrinhos: Matay and Luciana Abreu. Finished 6th in 2025.
Joining link available on profile →Marcha de Sao Domingos de Benfica
Marcha of the leafy northwestern parish around Parque Florestal de Monsanto and Sete Rios. 2025 theme 'Sao Domingos Em Flor: Amor no Laranjal' (Sao Domingos in Bloom: Love in the Orange Grove), rehearsed at Externato Maristas Lisboa under ensaiadores Ines Correia and Bruno Frazao. Padrinhos: Heitor Nunes and Jessica Vieira. Finished last (20th) in 2025.
Joining link available on profile →Marcha de Sao Vicente
Marcha of the hilltop parish around Sao Vicente de Fora monastery and the Feira da Ladra in Campo de Santa Clara. 2025 theme 'Primeiro Estremece, Depois Floresce' (First It Trembles, Then It Blooms), rehearsed at Pavilhao Manuel Castelo Branco under ensaiadora Sofia Pereira. Padrinhos: Vasco Pereira Coutinho and Ana Brito e Cunha. Finished 7th in 2025.
Joining link available on profile →Marcha do Alto do Pina
One of the six original 1932 marchas, from the working-class hill east of Areeiro. The 2025 theme 'Regas-me a Alma' (You Water My Soul) was directed by ensaiadora Rita Spider, with padrinhos Diogo Fernandes and rapper Blaya. Finished 8th in 2025.
Joining link available on profile →Marcha do Bairro Alto
A founding 1932 marcha from the bohemian hill of fado houses, tascas and night life above Chiado. Co-winner of the 2025 contest (ex aequo with Alcantara) with the theme 'Onde o Tempo Guarda Historias' (Where Time Keeps Stories), rehearsed at the Polidesportivo de Santa Catarina under ensaiadores Dino Carvalho and Carla Fonseca. Padrinhos: Luis Borges and Sonia Brazao.
Joining link available on profile →Marcha do Bairro da Boavista
Marcha of the Bairro da Boavista municipal housing estate in the west of the city. 2025 theme 'Casa Sem Pao Todos Ralham e Ninguem tem Razao' (In a House Without Bread Everyone Argues and No One Is Right), rehearsed at Pavilhao Municipal do Bairro da Boavista under ensaiador Rafael Ribeiro Rodrigues. Padrinhos: Daniel Gregorio and Liliana Filipa. Finished tied-13th in 2025.
Joining link available on profile →Marcha do Castelo
The tiny medieval village still living inside the walls of Castelo de Sao Jorge. 2025 theme 'Castelo de Cartas o Baralho da Nossa Gente' (Castle of Cards, the Deck of Our People), rehearsed at Complexo Desportivo da Verbena under ensaiadora Ana Raquel. Padrinhos: Goncalo Quinaz and Joana Madeira. Finished tied-13th in 2025.
Joining link available on profile →Marcha dos Mercados de Lisboa
Extra-concurso marcha founded in 2005 by the vendors of Lisbon's municipal food markets (Ribeira, 31 de Janeiro, Arroios, Campo de Ourique etc.). 2025 theme 'Do Tejo a Ribeira, Para Lisboa Inteira' (From the Tejo to the Ribeira, For All of Lisbon), under ensaiadores Sandro Canossa and Vera Gromicho.
Joining link available on profile →Marcha dos Olivais
Marcha of the eastern post-war housing estate parish near the airport. 2025 theme 'Olivais Cale, Parte 2 - 25 Anos Depois' (Olivais Cale Part 2, 25 Years Later). A sequel to their famous 2000 marcha. Rehearsed at Escola Basica Sarah Afonso under ensaiadora Sara Brandao. Padrinhos: Paulo Batista and Sara Norte. Finished 16th in 2025.
Joining link available on profile →Marcha Infantil da Voz do Operario
Children's marcha attached to the historic Sociedade de Instrucao Voz do Operario in Graca, added to the parade extra-concurso in 1988. 2025 theme 'A Paz' (Peace) under ensaiadora Sofia Cruz; padrinhos actor Jose Raposo and Custodia Galego. Non-competitive but a fixture of the Avenida da Liberdade procession.
Joining link available on profile →Marcha Infantil das Escolas de Lisboa
Extra-concurso children's marcha launched in 2022 with marchantes from Lisbon's municipal primary schools. 2025 theme 'Lisboa Cidade de Tradicoes - A Alma de Lisboa' (Lisbon City of Traditions, the Soul of Lisbon), with padrinhos Francisco Rebelo Andrade and Sofia Athayde.
Joining link available on profile →Casserole Club
Pairs cooks who make an extra portion with older neighbours who would otherwise eat alone. Run as a council/social-impact partnership across multiple London boroughs and elsewhere. The meal is the wedge; the visit is the point.
Joining link available on profile →The Big Lunch (Eden Project Communities)
An annual UK-wide initiative inviting neighbors to host a shared meal on their street, in a community garden or hall. Every June. Run by Eden Project Communities; over 7 million people take part each year. Free, hyperlocal, organized by anyone who registers; chapter handbook open.
Joining link available on profile →The Chatty Cafe Scheme
A national network of designated Chatter and Natter tables in cafes, pubs and community venues. Trained volunteers host a regular table, welcome anyone who wants company and help the same public space become a predictable place for light conversation and new local connections.
Joining link available on profile →The Long Table Stroud
A community dining room serving pay-as-you-can meals six days a week around shared tables. Diners choose what they can contribute and sit down with other people rather than eating alone, while volunteers, cooks and local suppliers sustain a dependable place for food and conversation.
Joining link available on profile →The People's Supper (U.S. hosted dinners)
Guided community dinner format seating strangers across political and social difference for a structured meal. Local hosts use an open playbook; each supper is a concrete table in a concrete room, not a brand page alone.
Joining link available on profile →Airoli Koliwada Govinda Pathak
Aagri-Koli community Govinda group from the old fishing village of Airoli, one of the few pathaks that owns and runs a dedicated practice ground year-round.
Joining link available on profile →Aryans Govinda Pathak
Jogeshwari pathak that has become a 9-thar specialist, completing the formation seven times in 2024 - a feat no Govinda group had previously managed in one season.
Joining link available on profile →Ashtavinayak Govinda Pathak
Wadala-based pathak that put the Mumbai mainland on the map by winning the first Pro Govinda title in Thane (2018), beating Konkan teams that had long dominated the circuit.
Joining link available on profile →Bal Gopal Mitra Mandal
Lalbaug neighbourhood mandal that runs a high-prize Dahi Handi event alongside the area's famous Ganeshotsav. A staple stop on Mumbai's Janmashtami route.
Joining link available on profile →Bal Utsahi Govinda Pathak
Mira-Bhayandar's leading Govinda pathak, lifted out of suburban anonymity by selection into the Pro Govinda League where it represents the northern MMR belt.
Joining link available on profile →Jai Jawan Govinda Pathak
One of Mumbai's most decorated Govinda pathaks, based in Jogeshwari. Held the world record for the tallest dahi-handi human pyramid (9 tiers) from 2012, beating a Spanish casteller record, and won the inaugural Pro Govinda League trophy at Worli.
Joining link available on profile →Jolly Mahila Govinda Pathak
Vile Parle East mahila Govinda group, regularly profiled in Mumbai press as one of the suburb's pioneers in women-only human-pyramid attempts.
Joining link available on profile →Kokan Nagar Govinda Pathak
Jogeshwari East troupe that in 2025 broke the long-standing 9-tier ceiling by completing a clean 10-thar (10-tier) pyramid in Thane, a feat Spanish castellers had attempted and collapsed on.
Joining link available on profile →Mazgaon Tadwadi Sarvjanik Govinda Pathak
Historic Mazgaon troupe (part of Mazgaon Dakshin Vibhag Sarvajanik Ganeshutsav Mandal) regarded as one of the oldest Govinda pathaks in India and the original architects of progressively taller human pyramids.
Joining link available on profile →Moraya Mahila Govinda Pathak
Santacruz mahila pathak, part of the post-2012 wave of women's teams that turned the western suburbs into a competitive women's Govinda circuit.
Joining link available on profile →Nirbhaya Mahila Govinda Pathak
Mumbai women's Govinda group that frames its participation as a gender-equality statement, naming itself after the 2012 Nirbhaya case and pushing into a traditionally male festival.
Joining link available on profile →Om Brahmand Sai Govinda Pathak
Central-Mumbai pathak that anchors the city-central franchise in the Pro Govinda League, the league's nod to the historic Parel-Lalbaug-Mazgaon dahi-handi corridor.
Joining link available on profile →Om Sai Seva Govinda Pathak
Navi Mumbai's flagship Govinda pathak in the franchise era, picked up by the Navi Mumbai Strikers for the 2024 Pro Govinda League.
Joining link available on profile →Sangharsh Pratishthan Dahi Handi
Jitendra Awhad's Sangharsh Pratishthan stages a marquee Thane dahi-handi famous for inviting international guest teams, including Catalan castellers, and posting some of the largest cash prizes in Maharashtra.
Joining link available on profile →Sankalp Pratishthan Govinda Mandal
Worli's biggest Janmashtami event, hosted by Sachin Ahir's Sankalp Pratishthan at Jamboree Maidan. A magnet for the city's elite Govinda pathaks and Bollywood guest appearances.
Joining link available on profile →Sanskruti Yuva Pratishthan Dahi Handi
Thane mandal whose annual contest has become the de-facto world championship of Govinda - the venue where the 10-thar record was finally set in 2025.
Joining link available on profile →Shiv Sai Govinda Pathak
Borivali troupe with a reputation for risky 9-tier attempts at MNS and Sanskruti dahi-handis - a fixture on every televised Govinda highlight reel.
Joining link available on profile →Shivshakti Mahila Govinda Pathak
Konkan's lone all-women Govinda troupe from Rajapur, one of the few mahila pathaks in Maharashtra to clear 6 thars - a milestone usually reserved for senior men's teams.
Joining link available on profile →Shree Aagreshwar Govinda Pathak
Nashik's anchor Govinda pathak in the national Pro Govinda League, representing the Godavari-belt scene against the older Mumbai/Thane circuit.
Joining link available on profile →Shree Sarvajanik Ganeshotsav Mandal (G.S.B.) King's Circle
GSB community's King's Circle mandal, better known for its gold-bedecked Ganpati, also stages one of the city's longest-running Dahi Handi competitions on Janmashtami.
Joining link available on profile →Makerspaces / Hackerspaces / Fab Labs
24/tmp/lab
Independent Parisian hackerspace founded 2007. Hosts the Hacker Space Festival and a key node of the European hacker culture south of the Rhine.
Joining link available on profile →Artisan's Asylum
Founded May 2010 by ex-Boston Dynamics engineer Gui Cavalcanti and costume designer Jenn Martinez. Robotics, blacksmithing, costume, fabrication and more under one giant roof.
Joining link available on profile →c-base
c-base e.V. is a non-profit hackerspace founded by 17 members on 12 August 1995. Built around a long-running sci-fi narrative (the 'Raumstation' under Berlin), it pioneered the open hackerspace model years before the term was global.
Joining link available on profile →Chaos Computer Club (CCC)
Europe's largest association of hackers, with local Erfa-Kreis chapters, the annual Congress, and camps. Part political, part technical, part social club for people who take computers and civil liberties seriously.
Joining link available on profile →Chaos Computer Club Hamburg (CCCHH)
Hamburg Erfa-Kreis of the Chaos Computer Club, founded 1984 - just three years after the CCC itself. Long-running political-hacker and security-research base in northern Germany.
Joining link available on profile →Chaosdorf (CCC Duesseldorf)
Duesseldorf chapter of the Chaos Computer Club, with a public hackspace in Bilk hosting weekly talks, CTFs and crypto-parties. Member-run workshop culture: tools, inductions, and late-night projects shared among dues-paying regulars.
Joining link available on profile →Dim Sum Labs
Founded 2011 by Jonas, Jonathan, Julian, William and others as Hong Kong's first hackerspace, modeled on the Mitch Altman lineage. Same Sheung Wan office since day one - a rarity in HK.
Joining link available on profile →Fab Lab Barcelona
Founded 2007 by the Institute for Advanced Architecture of Catalonia (IAAC) in a former ceramics factory in Poblenou. Anchor of a 2,500+ Fab Lab global network and the Fab City pledge.
Joining link available on profile →Fablab Amsterdam (Waag)
Opened temporarily during the El HEMA exhibit at Mediamatic on 24 August 2007; moved into the iconic Waag building on Nieuwmarkt in 2010. Run by the non-profit Waag Futurelab.
Joining link available on profile →HacDC
Incorporated 26 March 2008 by Nick Farr, Andrew Righter, Alli Treman and Eric Michaud after the Hackers on a Plane tour. Tagline: 'The Capital Hackerspace.'
Joining link available on profile →Hack42
Founded April 2010 after Hacking at Random 2009. One of the larger European hackerspaces; long resident of a decommissioned military barracks before moving to a purpose-built home in 2020.
Joining link available on profile →Hackerspace Brussels (HSBXL)
Non-profit (ASBL) founded 14 July 2009. 170 m2 collaborative space for tech, art and tinkering open to all stripes of hacker. Member-run workshop culture: tools, inductions, and late-night projects shared among dues-paying regulars.
Joining link available on profile →Hackerspace Singapore
Hackerspace.sg launched 2009 as Singapore's first community hackerspace, doubling as an early co-working / startup hub in Kampong Glam before subsequent moves.
Joining link available on profile →i3Detroit
Member-run Detroit-area hackerspace with wood and metal shops, electronics, and a 24/7 access culture for dues-paying members. Open nights welcome visitors who want to see if the room fits before joining.
Joining link available on profile →London Hackspace
Non-profit hackerspace established at the Olde Cheshire Cheese pub on 10 February 2009. Multi-discipline shop with electronics, 3D printing, laser, woodwork, metalwork, textiles, amateur radio and bio.
Joining link available on profile →Maker's Asylum
Started 2013 in Mumbai inspired by Artisan's Asylum and CCC. Has trained 100,000+ in hardware design and digital fabrication; alumni in 30+ countries.
Joining link available on profile →Makespace Cambridge
Large member-led makerspace in Cambridge, UK, offering workshops from electronics to textiles and a dense calendar of inductions and member projects. A bridge between university tinkerers and town makers.
Joining link available on profile →Metalab
Founded 2006 by Paul Boehm and friends inspired by CCC and c-base. Generally credited as the funding/organizational template that triggered the global hackerspace explosion of 2007-2010.
Joining link available on profile →Noisebridge
Volunteer-run, donation-funded hackerspace founded after Chaos Communication Camp 2007. Famous for its 'do-ocracy', open Tuesday meetings, and the slogan 'be excellent to each other'. Moved to 272 Capp Street in the Mission in 2020.
Joining link available on profile →NYC Resistor
Hacker collective formed on Halloween 2007 by Bre Pettis, George Shammas and friends after the 'Hackers on a Plane' Euro tour. Alongside Noisebridge, one of the seed US hackerspaces.
Joining link available on profile →Pumping Station: One
Bottom-up, 100% volunteer-run hackerspace started 2009 by Chicagoans returning from Chaos Communication Camp. Now 11,000 sq ft with 450+ members.
Joining link available on profile →RevSpace
24/7 member-run hackerspace in the basement of an industrial building; weekly Tuesday-night BBQ has run for years. Strong tradition of homemade tools and shop automations.
Joining link available on profile →Robots and Dinosaurs
Member-run makerspace in Rockdale with rooms for laser/CNC, electronics and textiles plus a back shed with kiln and gas furnace. One of the original Australian hackerspaces.
Joining link available on profile →Tokyo HackerSpace
Tokyo's flagship English-speaking hackerspace, started July 2009. Famous for the post-3/11 Safecast project, an open citizen-science radiation sensor network.
Joining link available on profile →Maracatu Cambinda Brasileira
Headquartered at Engenho Cumbe in the zona da mata norte of Pernambuco. While technically a maracatu rural/baque solto, it is one of the matriarch groups historically grouped with the nações tradition; debuted on Carnival Sunday 1918.
Joining link available on profile →Maracatu Nação Almirante do Forte
Founded by brothers Chico Grosso and Manoel Grosso (uncles of the long-time mestre Teté). Based on Estrada do Bongi, 1319. One of the classic baque-virado nações of Recife.
Joining link available on profile →Maracatu Nação Axé da Lua
Emerged in the 1990s with a focus on social inclusion and valorisation of Black culture in Casa Amarela. Active in Carnaval do Recife concursos and community work.
Joining link available on profile →Maracatu Nação Cambinda Africano
Founded by Natércio dos Santos in Água Fria. One of the long-running nações of the Recife northern zone; patrons are the orixás Iansã and Oxum.
Joining link available on profile →Maracatu Nação Elefante
Founded in the old Ribeira da Boa Vista by Manuel Santiago after a split from Maracatu Brilhante. Famously led by Rainha Dona Santa (1947-1962). Unique for carrying three calungas - Dona Leopoldina, Dom Luís and Dona Emília - representing Iansã, Xangô and Oxum.
Joining link available on profile →Maracatu Nação Encanto da Alegria
Founded on Rua Aurilândia in Bomba do Hemetério by ialorixá Ivanize de Xangô and Clóvis de Oxum; first paraded in Carnival 2001. Strong terreiro ritual base linking candomblé and the street cortejo.
Joining link available on profile →Maracatu Nação Estrela Brilhante de Igarassu
Historic nação from the colonial town of Igarassu (Recife metro), with oral history reaching back to the 18th century. Recognized as Patrimônio Vivo de Pernambuco (2009) and one of the two oldest maracatus in Brazil.
Joining link available on profile →Maracatu Nação Estrela Brilhante do Recife
Founded by Cosme Damião Tavares (Seu Cosmo) from Igarassu. Moved through Campo Grande, Alto do Pascoal/Água Fria and since 1995 sits in Alto José do Pinho. Long led by Rainha Marivalda Maria dos Santos.
Joining link available on profile →Maracatu Nação Gato Preto
Olinda-based nação that emerged in the 1980s revival of maracatu de baque virado in the Recife/Olinda border communities. Nação structure includes court characters, baque virado drumming and carnival-season public processions rooted in Afro-Brazilian community life.
Joining link available on profile →Maracatu Nação Leão Coroado
Oldest continuously active maracatu nação in Brazil, founded on the day of Iemanjá/Nossa Senhora da Conceição by leaders devoted to Xangô. Long led by Mestre Luís de França; now headquartered at a terreiro in Águas Compridas.
Joining link available on profile →Maracatu Nação Leão da Campina
Founded in the peripheral Ibura district of Recife. Distinct for developing a baque Angola, rooted in Candomblé Angola religious tradition rather than the more common Nagô.
Joining link available on profile →Maracatu Nação Linda Flor
Founded by Babalorixá Gago. Long-standing community nação with strong religious identity, headquartered on the Olinda side of the Recife/Olinda border.
Joining link available on profile →Maracatu Nação Pernambuco
Founded at the Clube Vassourinhas in Olinda by Bernardino José and Amélia Veloso. Bridges traditional cortejo with stage production - 33 artists mixing maracatu with frevo, coco, ciranda, afoxé and cavalo-marinho.
Joining link available on profile →Maracatu Nação Raízes de Pai Adão
Created by descendants of Pai Adão (4th babalorixá of Ilê Obá Ogunté). Repertoire mixes public-domain toadas with originals about the Sítio de Pai Adão and Xangô Nagô tradition. Protected by Iemanjá.
Joining link available on profile →Nação de Maracatu Cambinda Estrela
Founded in Alto Santa Isabel (Casa Amarela) in 1935; based since 1997 at Rua Marcílio Dias, 420 in Chão de Estrelas on the Recife/Olinda border. Runs the Centro Cultural Cambinda Estrela with percussion, dance and embroidery oficinas.
Joining link available on profile →Nação do Maracatu Aurora Africana
Founded by Fábio Sotero and Mãe Gilva de Otopé together with dancers from Form & Art Balé de Cultura Popular do Jaboatão. Bridges terreiro and street with strong dance component.
Joining link available on profile →Nação do Maracatu Encanto do Pina
Founded by ialorixá Mãe Maria de Sônia at the Ylê Axé Oxum Deym terreiro in the Bode community of Pina. First maracatu nação to be led by a woman (Mestra Joana D'Arc da Silva Cavalcante); devoted to Yemanjá and Oxum.
Joining link available on profile →Nação do Maracatu Porto Rico
Originally from Palmares (PE); refounded in Recife in 1967 and headquartered since 1980 at the Macaia de Oxóssi on Rua Eurico Vitrúvio, Pina. Led for decades by Mestre Eudes Chagas, babalorixá of nação Nagô; devoted to Ogum.
Joining link available on profile →Gracie Jiu-Jitsu Academy (Torrance)
Flagship U.S. academy of the Gracie family lineage that globalized Brazilian jiu-jitsu. Belt progression, fundamentals programmes, and a strong academy identity create multi-year membership communities far beyond sport competition.
Joining link available on profile →Kodokan Judo Institute
The spiritual and institutional home of judo, founded by Jigoro Kano. Daily keiko, ranks, and international visiting practice make the Kodokan both a headquarters and a living dojo community with a clear etiquette and mutual-improvement ethic.
Joining link available on profile →Insight Meditation Society (IMS)
One of the West's foundational insight-meditation centers, offering retreats and a residential community rhythm that has seeded countless local sitting groups. Alumni often return home and start weekly sanghas in borrowed rooms.
Joining link available on profile →Plum Village Monastery (root sangha)
Root monastery of Thich Nhat Hanh's Plum Village Tradition in southern France. Retreatants practice sitting, walking meditation and shared work; many return home and join or found weekly local sanghas.
Joining link available on profile →Mexican Carnival, Mojigangas & Mariachi Groups
32Bastoneras de Alejandra
One of the oldest and most representative bastonera comparsas of Carnaval de Veracruz, in continuous activity since 1986. Comparsa and mariachi groups train and costume for carnival and civic calendars that keep neighborhood identity public.
Joining link available on profile →Bastoneras de Susy
Iconic baton-twirling troupe directed by Susana Ortiz Flores; celebrated 48 years in 2024; traditionally opens the parade of floats and comparsas of the Carnaval de Veracruz.
Joining link available on profile →Bastoneras Estilos Liliana
Long-standing baton-twirling troupe of the Carnaval de Veracruz; regular opening group alongside Bastoneras de Susy and Bastoneras de Alejandra.
Joining link available on profile →Caballeros Águila de Copila (Naupan)
Volador group from the community of Copila in Naupan, Puebla; listed in the official federal inventory of volador-ceremony bearers in the Sierra Norte.
Joining link available on profile →Compañía de Mojigangas Hermes Arroyo
Studio and troupe led by Hermes Arroyo, the most important contemporary mojiganga maker in San Miguel de Allende; produces the giant figures used in callejoneadas, weddings and patron-saint processions.
Joining link available on profile →Comparsa Cachalotes Empleados Aduanales
Workplace-based comparsa formed by employees of the customs (aduana) of the Port of Veracruz; participates in the annual Carnaval de Veracruz parade.
Joining link available on profile →Comparsa Estrellas del Barrio de La Huaca
Founded in 1988 by a group of 10-12 year-olds in Barrio de La Huaca (then called 'Los Salseritos de Mondragón') and renamed after the neighborhood; directed for 36+ years by Bernardo Cruz.
Joining link available on profile →Comparsa Estrellas Retro de La Huaca
Sister/offshoot comparsa of Estrellas del Barrio de La Huaca specialising in retro-themed choreographies for the Veracruz carnival parade.
Joining link available on profile →Comparsa Juventud Ferrocarrilera
Veracruz carnival comparsa rooted in the railway-workers' neighborhood; partners with 'Comparsa La Banda del Riel' in the official parade order.
Joining link available on profile →Comparsa Los Cañeros (Camilo Valdés)
Historically documented as the very first costume comparsa registered for the Veracruz 'Fiesta de las máscaras' under the Maximilian government in 1866, organized by Camilo Valdés.
Joining link available on profile →Comparsa Los Dandys
Long-running salsa comparsa of the Carnaval de Veracruz; appears every year in the official parade order alongside Los Elegantes and Los Auténticos de la Salsa.
Joining link available on profile →Comparsa Salseros del Médano
Neighbourhood salsa comparsa from the Médano area of Veracruz Puerto; regular fixture of the official Carnaval de Veracruz parade order.
Joining link available on profile →Hermanos Águila (Voladores de Huauchinango)
Family-based volador team from Huauchinango, Puebla; one of the documented groups in the federal inventory of the Volador ceremony in Pahuatlán, Cuetzalan, Tenampulco, Huauchinango, Naupan and Honey.
Joining link available on profile →Hermanos Águila de Chila de Juárez (Honey)
Volador team from Chila de Juárez in the municipality of Honey, Puebla; documented by Mexico's federal Sistema de Información Cultural as an active bearer of the volador rite.
Joining link available on profile →Mariachi Cobre
Founded in Tucson in 1971 by Randy Carrillo (alumnus of Mariachi Juvenil Los Changuitos Feos) with his brother Steve and Mack Ruiz; resident mariachi at the Mexico Pavilion of Walt Disney World EPCOT since 1982.
Joining link available on profile →Mariachi Coculense de Cirilo Marmolejo
Pioneer mariachi led by Cirilo Marmolejo, the first mariachi group to make electrical recordings and one of the earliest to bring rural Jalisco mariachi to Mexico City stages and radio.
Joining link available on profile →Mariachi Estrella de Topeka
Pioneering all-women mariachi formed in the late 1970s out of an Our Lady of Guadalupe church group in Topeka; among the first all-female mariachis in the United States.
Joining link available on profile →Mariachi Femenil Nuevo Tecalitlán
Founded 1 May 2006 in Guadalajara as the all-female sister ensemble of Mariachi Nuevo Tecalitlán; international touring group with three album productions.
Joining link available on profile →Mariachi Juvenil Los Changuitos Feos de Tucson
First mariachi youth group in the United States; founded in 1964 in Tucson and has served as the training ground for generations of mariachi musicians, including the founders of Mariachi Cobre.
Joining link available on profile →Mariachi Las Adelitas
Formed in 1946 in Mexico City and recognized as the first all-female mariachi band; opened the door for groups like Las Estrellas de México and Las Coronelas.
Joining link available on profile →Mariachi Los Camperos de Nati Cano
Founded by Jose 'Nati' Cano Ruiz, originally in Mexicali then relocated to Los Angeles around the restaurant 'La Fonda de Los Camperos'; performed at Lincoln Center, Kennedy Center, Disney Concert Hall.
Joining link available on profile →Mariachi Los Galleros de Pedro Rey
Founded in Los Angeles in 1968 by Don Pedro Rey and Don Esteban Hernández, later relocated to Guadalajara; one of the longest-running mariachis crossing the US-Mexico circuit.
Joining link available on profile →Mariachi México de Pepe Villa
Founded by Pepe Villa on 2 February 1953 after leaving Mariachi Pulido; famous for being one of the first mariachis to feature two trumpets, signed exclusively to Discos Musart.
Joining link available on profile →Mariachi Nuevo Tecalitlán
Founded 14 March 1965 in Guadalajara by the Martínez Barajas brothers; under directors Pepe, Fernando and Ángel Martínez has been pivotal in conserving traditional mariachi while pioneering new repertoire.
Joining link available on profile →Mariachi Reyna de Los Ángeles
Conceived in 1994 by José Hernández as the first all-female mariachi show group in the United States; debuted that year and made history in 1998 as the first all-women mariachi signed to a major label.
Joining link available on profile →Mariachi Sol de México de José Hernández
Founded by José Hernández in 1981; ranked among the top three mariachis in the world; six-generation mariachi family; four-time Grammy winner.
Joining link available on profile →Mariachi Tapatío de José Marmolejo
Founded by José Marmolejo Ramírez after leaving his uncle Cirilo's group; pioneer in adding the trumpet to the mariachi ensemble and the first to record under the slogan 'El Auténtico'.
Joining link available on profile →Mariachi Vargas de Tecalitlán
Founded by Gaspar Vargas in Tecalitlán, Jalisco, widely considered 'the best mariachi in the world' and the reference point for modern mariachi style; has accompanied virtually every major Mexican ranchera singer.
Joining link available on profile →Mojigangas Allende
National-level mojiganga company originating in San Miguel de Allende; operates the famous wedding callejoneadas with giant puppets, mariachis and burritos de tequila.
Joining link available on profile →Mojigangas y Callejoneadas San Miguel de Mis Amores
Mojiganga and callejoneada troupe of San Miguel de Allende; bookable group of giant puppets, donkey, mariachi and estudiantina for weddings and parish processions.
Joining link available on profile →Voladores de Atla
Otomí-Totonac volador team from the village of Atla in the municipality of Pahuatlán, Puebla; one of the canonical groups inventoried in the federal Patrimonio Cultural Inmaterial registry.
Joining link available on profile →Voladores de Cuetzalan Caballeros Águila
Mixed-gender Totonac group of Cuetzalan del Progreso that has practiced and transmitted the Ritual Ceremony of the Voladores for more than 17 years; registered with Mexico's Sistema de Información Cultural.
Joining link available on profile →Aldar Sports Committee (Mongolian Army)
Wrestling and freestyle club of the Mongolian Ministry of Defence; one of the two dominant Naadam-feeder sports committees. Wrestlers competing under Aldar swept the 2025 Naadam (Batmagnai Enkhtuvshin won 'Ulsyn Arslan' for Aldar/Terguun Bogd) and the Aldar squad regularly competes at the World Military Wrestling Championship.
Joining link available on profile →Bokh Bilegt Devjee
Wrestling stable from Bulgan soum, Arkhangai aimag, led by national champion D. Monkh-Erdene. Specialises in Khalkha bokh of the Arkhangai school; a competitive force at the national Naadam.
Joining link available on profile →Bulgankhangain Khuchten Devjee
Wrestling stable representing Bulgan aimag; led by national champion D. Azjargal. Silver medallists at the inter-devjee championship; multiple state-titled wrestlers from Bulgan soums.
Joining link available on profile →Dornyn Khuchten (Eastern Strongmen) Club
Eastern-Mongolia wrestling club based in Dashbalbar soum, Dornod aimag; affiliated with the Border Troops/Khilchin pipeline. The name means 'Strongmen of the East' and the club represents Buryat-Mongol wrestling heritage in the Onon basin.
Joining link available on profile →Dunjingarav Bokhin Devjee
Capital-city wrestling stable based around the Dunjingarav commercial complex in eastern Ulaanbaatar; led by national-rank D. Amgalanbaatar. Sponsor and host of the Pepsi Altan Tsom (Golden Cup) inter-aimag wrestling tournaments.
Joining link available on profile →Goviin Khuchten (Gobi Strongmen) Devjee
Wrestling stable representing the southern Gobi; based in Khankhongor soum, Omnogovi aimag. Develops wrestlers across the herder-heavy south and competes at the Omnogovi provincial Naadam as well as the national event.
Joining link available on profile →Ikh Bogd Devjee
Wrestling stable named for Ikh Bogd Uul, the highest peak of the Gobi-Altai range; based in Bayankhongor aimag and led by national-rank J. Chuluunbat. Trains wrestlers from the Bayankhongor steppes.
Joining link available on profile →Ikh Mongoliin Khuchten (Great Mongolian Strongmen) Devjee
Wrestling stable based in Zuunbayan-Ulaan soum, Ovorkhangai aimag, led by national champion D. Gankhuyag. One of the strongest provincial devjee, winners of the inter-stable basketball/training championship and regular Naadam contenders.
Joining link available on profile →Javkhlant Devjee
Eastern Mongolian training stable rooted in Sukhbaatar aimag; feeds wrestlers into the Khilchin Sports Committee and the Negdel club. Produced the 2025 Naadam runner-up.
Joining link available on profile →Khan Khentii Avarga Devjee
Wrestling stable of Khentii aimag (Chinggis Khaan's birthplace) named after the Khan Khentii mountain range. Mission is to 'nurture the legacy of strong wrestlers from Khentii' and pass on national traditions; participants in the All-Military Naadam.
Joining link available on profile →Khantaishir Devjee
Wrestling stable named for the Khan Taishir mountain in Govi-Altai; led by national-rank wrestler N. Ganbaatar. Trains western-Mongolia wrestlers and represents Govi-Altai at the state Naadam.
Joining link available on profile →Khilchin Sports Committee (Border Troops)
Wrestling sports committee of Mongolia's Border Troops (Khilchin = 'border guard'). The second great state stable after Aldar; routinely fields runners-up at Naadam. Affiliated sub-clubs include Negdel and Dornyn Khuchten.
Joining link available on profile →Negdel Club
Historic Mongolian wrestling club operating under the Khilchin sports committee; the name (Negdel = 'collective') is a holdover from the cooperative era and the club remains a major Naadam contender.
Joining link available on profile →Tavan Khan Devjee
Capital wrestling stable ('Five Khans') affiliated with the Aldar Sports Committee training pipeline; one of the modern devjee opened in the 2000s alongside Dunjingarav and Bokh Bilegt to develop young wrestlers.
Joining link available on profile →Terguun Bogd Devjee
Private training stable ('davjaa') named after the sacred Terguun Bogd mountain in Bayankhongor; producer of multiple Naadam title-holders. Operates inside the Aldar Sports Committee pipeline and trained the 2025 State Lion Batmagnai Enkhtuvshin.
Joining link available on profile →Uvs Nuur Devjee
Wrestling stable representing Uvs aimag (named for Lake Uvs Nuur, a UNESCO World Heritage site); led by national champion S. Munkhbat. Source of 2020 Naadam champion Burentugs.
Joining link available on profile →Agarrate Catalina
Renewing-generation murga founded in April 2001 by Yamandú and Tabaré Cardozo with Carlos Tanco out of the older 'Eterna Madrugada'. Champion of the Concurso Oficial in 2005, 2006, 2008, 2011 and 2020; the most internationally toured Uruguayan murga.
Joining link available on profile →Araca la Cana
Founded February 1934 by canillitas (newspaper sellers) at the corner of Benito Riquet and Carlos Tellier in Paso Molino; first director 'Manolo' Lemos. Cipriano 'Pianito' Castro took over the scenic direction in 1941 and built its golden era.
Joining link available on profile →Asaltantes con Patente
Founded in 1928 at the Bar de Nieto on Yaguarón y Asunción in Aguada; named by Antonio 'Cachela' Casaravilla after the 25 October 1928 anarchist heist on the Cambio Messina. Debuted in the official contest 24 Feb 1929.
Joining link available on profile →Cayó la Cabra
Created in 2007 for the Encuentro de Murga Joven (originally 'Cabrá la cabra'); core lineup solidified in 2008 and has remained stable. Rehearses at Club Colón. Promoted to the Carnaval Mayor in 2012; scenic direction by Camilo Routin.
Joining link available on profile →Contrafarsa
Founded 10 August 1980 by Enrique José González Rizzo as the children's murga 'El Firulete' at the housing cooperative Mesa 3 in Sayago; renamed Contrafarsa to enter the official 1987 contest. Long associated with Edú 'Pitufo' Lombardo.
Joining link available on profile →Curtidores de Hongos
Second-oldest murga in Uruguay; born among workers near a tannery (curtiembre) where stacked hides grew mushrooms (hongos). hence the name, chosen by Juan Pastorino. Reintroduced wind instruments alongside bombo, platillo and redoblante in the 1950s.
Joining link available on profile →Don Timoteo
Historic La Unión-identified murga (8 de Octubre e Industria area, with roots at Bar Hércules and Café Pedrito). Peak era under Miguel Bódola and Fermín Correa in the 1960s; reborn in 2013 when ex-footballers Álvaro Recoba and Antonio Pacheco acquired the title and put it back on the contest stage.
Joining link available on profile →Doña Bastarda
Contemporary murga that emerged from the Murga Joven circuit and rose to the elite of the Concurso Oficial. Won the 2025 Concurso Oficial de Agrupaciones Carnavalescas with 2757 points and defended the title in the 2026 Liguilla at the Teatro de Verano Ramón Collazo.
Joining link available on profile →Falta y Resto
Founded 10 June 1980 by Raúl Castro, Piruja Brocos and Carlos Viana from artists nucleated in the resistance to the military dictatorship. Pioneered the politically engaged, lyrically dense modern murga; led by Raúl Castro for decades.
Joining link available on profile →La Gran Muñeca
Founded 10 February 1921 by Ernesto 'Porteño' Nogara and Pedro Morigia. The Mega family (José, Eduardo, then grandson Eduardo Jr.) has carried the directorship for generations; current director responsable Eduardo Mega. Known for collective musicality over star soloists.
Joining link available on profile →La Mojigata
Born in 1999 out of a Pitufo Lombardo workshop at the Taller Uruguayo de Música Popular (TUMP); debuted at Encuentro de Murga Joven that year, joined the official Concurso in 2001. Director responsable Ignacio Alonso; scenic direction by Darío Prieto (2001-2008) then Fernando Paleo.
Joining link available on profile →Los Auténticos Rayados de Lugano
Villa Lugano centro murga listed in the GCBA 2023 official selection. Visual identity built around the rayado (striped) tailcoats that give the troupe its name.
Joining link available on profile →Los Auténticos Reyes del Ritmo
Neighbourhood murga of Villa 1-11-14 in Bajo Flores, formed in January 2016. Gained national attention on 29 January 2016 when Gendarmería Nacional fired on the troupe during a street rehearsal, wounding a child with a lead bullet. a case that became emblematic of police violence against barrio carnival.
Joining link available on profile →Los Caprichosos de Mataderos
Centro murga of the Mataderos barrio, listed in the official 2023 City of Buenos Aires carnival selection alongside Los Graciosos de Mataderos.
Joining link available on profile →Los Chiflados de Boedo
Born in 1998 as a split from the older Los Cometas de Boedo. Identity tightly fused with Club Atlético San Lorenzo de Almagro and the Boedo barrio; colours and symbology echo the club. Multi-generational structure from mascotas and pre-murgueros up to senior dancers and bombo percussion.
Joining link available on profile →Los Cometas de Boedo
Historic 'murga madre' of Boedo from which Los Chiflados split in 1998. Remains one of the canonical Boedo centros murga in the City of Buenos Aires carnival circuit.
Joining link available on profile →Los Diablos Verdes
Founded in 1939 on Dionisio Coronel street in La Teja by a group of kids dressed in burlap costumes sewn by neighbour Doña Carlota, who called them 'diablos'. The green color comes from the Club Tellier football jersey.
Joining link available on profile →Los Elegidos del Dios Momo de Saavedra
Saavedra-based centro murga with 150+ members, all from the barrio; rehearses at La Copita green space next to Barrio 1 de Marzo de 1948. Directed by Verónica Mariño. Registered as an Asociación Civil after receiving its matrícula at Casa Rosada.
Joining link available on profile →Los Herederos de Lugano
Centro murga (with two cohorts, 1 and 2) from Villa Lugano, included in the official Carnaval Porteño 2023 selection alongside Los Auténticos Rayados, Los Bohemios and Esquinazo de Lugano.
Joining link available on profile →Los Linyeras de La Boca
Centro murga of La Boca, listed in the official 2023 City of Buenos Aires carnival selection. Part of the cluster of La Boca murgas (alongside Desvelados, Los Amantes and Los Príncipes de la Boca) that animate the riverfront corsos.
Joining link available on profile →Los Mocosos de Liniers
Classic centro murga formed during the 1980s-90s reconstitution of the murga porteña; widely cited as the textbook example of a name that fuses the troupe with its barrio (Liniers).
Joining link available on profile →Los Reyes del Movimiento de Saavedra
Legendary centro murga founded in 1986 in the Saavedra barrio. Embodies the Saavedra style. more candombero than tanguero, with strong hip movement learned from Afro-Argentine families. and is treated as a canonical example of barrio-rooted murga porteña.
Joining link available on profile →Patos Cabreros
Born in 1910 among newspaper sellers around the old Teatro Artigas (Andes y Colonia). José 'Pepino' Ministeri, who joined soon after, codified the classic murga drum kit (bombo, platillos, redoblante) in 1918 and the frac-tailcoat costume.
Joining link available on profile →Queso Magro
Founded 1999 by a group of friends from the Asociación Cultural Israelita Jaime Zhitlovsky. Famously self-described as 'a murga without a barrio'. Won the Murga Joven encounter 2001, 2002, 2003; later joined the Concurso Oficial. 2019 lineup: director responsable Diego Waisrub, artistic direction Jorge Esmoris, scenic direction Pablo Vidal.
Joining link available on profile →Bed-Stuy Strong
A neighborhood mutual-aid network where people with strong ties to Bedford-Stuyvesant exchange requests, offers, supplies, social support and volunteer opportunities. Members organize through an online hub, Slack and local activities while treating everyone as someone who can both need and provide care.
Joining link available on profile →Trans Aid Cymru
A volunteer mutual-aid community supporting trans, intersex and non-binary people across Wales. Members share small grants, meals, resources, hobby meetups, online community and practical signposting through a non-hierarchical model in which service users are encouraged to help run projects too.
Joining link available on profile →New Orleans Mardi Gras Krewes
30Black Men of Labor Social Aid & Pleasure Club
Founded in 1993 to preserve traditional jazz culture and honor working-class Black New Orleans. Their Labor Day weekend second line features only traditional brass band music.
Joining link available on profile →Congo Nation (formerly White Eagles)
Downtown tribe led by saxophonist Big Chief Donald Harrison Jr, who renamed his late father's White Eagles tribe to Congo Nation to honor the African origins of the Black Masking tradition at Congo Square.
Joining link available on profile →Creole Wild West
Widely regarded as the oldest Mardi Gras Indian tribe, founded in 1885 by Becate Batiste in the Seventh Ward. Established many of the tribal roles (Big Chief, Spy Boy, Flag Boy) that all tribes still use.
Joining link available on profile →Golden Eagles
Uptown Mardi Gras Indian tribe led for decades by Big Chief Monk Boudreaux. One of the most musically prolific tribes, frequently collaborating with the Wild Magnolias.
Joining link available on profile →Guardians of the Flame
Mardi Gras Indian tribe founded in 1988 by Big Chief Donald Harrison Sr. and continued by his daughter Cherice Harrison-Nelson. Known for cultural preservation work and for being featured in HBO's 'Treme'.
Joining link available on profile →Krewe du Vieux
Founded in 1987 from the remnants of the Krewe of Clones, Krewe du Vieux is the raunchy, satirical walking parade that kicks off the Mardi Gras parade season through the Marigny and French Quarter.
Joining link available on profile →Krewe of Bacchus
Founded in 1968 by twelve businessmen, Bacchus revolutionized Carnival by introducing celebrity kings and breaking from the traditional ball format. Parades Sunday before Mardi Gras.
Joining link available on profile →Krewe of Carrollton
Formed in 1924 by Oak Street merchants from the Seventh District Carnival Club. The fourth-oldest Mardi Gras krewe in New Orleans.
Joining link available on profile →Krewe of Endymion
Founded in 1967 as a small Bayou St. John-Gentilly neighborhood krewe, Endymion is now the largest super-krewe with over 3,200 riders and the famous Extravaganza in the Superdome.
Joining link available on profile →Krewe of Hermes
Founded in 1937 to promote tourism during the Great Depression, Hermes is known for its electric-lit floats. Kicks off the Friday-night parade triple-header before Mardi Gras Day.
Joining link available on profile →Krewe of Iris
Founded in 1917 and first paraded in 1959, Iris is the oldest and largest all-female Carnival krewe in New Orleans. Members wear white gloves and masks during the parade.
Joining link available on profile →Krewe of Mid-City
Founded in 1933, Mid-City is famous for its floats decorated entirely in colorful aluminum foil that reflects sunlight. Parades Sunday afternoon before Mardi Gras.
Joining link available on profile →Krewe of Muses
Founded in 2000, Muses is the all-female super-krewe known for its hand-decorated, glittered high-heel shoe throws and satirical floats. Parades Thursday night before Mardi Gras.
Joining link available on profile →Krewe of Orpheus
Co-founded by musician Harry Connick Jr. and his father in 1993, Orpheus made history in 1994 with its first parade of 700 members. Parades Lundi Gras night and features the famed Leviathan and Smokey Mary floats.
Joining link available on profile →Krewe of Proteus
Founded in 1882, Proteus is the second-oldest krewe still parading. Their floats are still pulled by mules and are some of the oldest in continuous use in any parade.
Joining link available on profile →Krewe of Tucks
Started in 1969 by Loyola University students at the now-defunct Friar Tuck's pub. Known for irreverent potty humor, a giant toilet-shaped float, and parades Saturday before Mardi Gras.
Joining link available on profile →Mistick Krewe of Comus
Founded in 1856, Comus is the original Mardi Gras krewe that established the modern parade tradition. Ceased public parading in 1991 over the city's anti-discrimination ordinance but continues its tableau ball.
Joining link available on profile →Money Wasters Social & Pleasure Club
One of the oldest continuously active Social Aid and Pleasure Clubs, founded in 1920 in the Sixth Ward. Known for its Treme second-line parade.
Joining link available on profile →Monogram Hunters
Downtown Mardi Gras Indian tribe based in the 9th Ward, led by Big Chief Tyrone Casby. Active participant in Mardi Gras Day, St. Joseph's Night, and Super Sunday parades.
Joining link available on profile →Mystic Krewe of Nyx
Founded in 2011 by Julie Lea, Nyx is an all-female krewe famous for hand-decorated purse throws. First paraded February 2012 down St. Charles Avenue.
Joining link available on profile →Northside Skull and Bone Gang
The skeleton-masking gang that wakes the Treme neighborhood before dawn on Mardi Gras Day, reminding residents that 'you next.' One of the oldest continuous masking traditions in New Orleans, currently led by Bruce 'Sunpie' Barnes.
Joining link available on profile →Original Pigeon Town Steppers Social Aid & Pleasure Club
Founded in 1994 in the Pigeon Town neighborhood of Carrollton, the Original Pigeon Town Steppers host the iconic Easter Sunday second line in pastel suits, ending the second-line season.
Joining link available on profile →Rex, the School of Design
The historic 'King of Carnival' krewe, founded in 1872 for the visit of Grand Duke Alexei. Rex established the official Mardi Gras colors (purple, green, gold) and parades down St. Charles Avenue on Fat Tuesday morning.
Joining link available on profile →Spirit of Fi Yi Yi & the Mandingo Warriors
Founded in 1984 when the spirit 'Fi Yi Yi' came to Big Chief Victor Harris. Distinctive among tribes for emphasizing African rather than Native American iconography in suits and masks.
Joining link available on profile →Treme Sidewalk Steppers Social Aid & Pleasure Club
Founded in 1994 in the Treme by Sean Martin and friends, the Sidewalk Steppers host the 'Greatest Show on Earth' second line every Super Bowl Sunday, famed for designer fashion and partnerships with Rebirth and New Birth Brass Bands.
Joining link available on profile →Wild Magnolias
Pioneering Mardi Gras Indian tribe led for decades by Big Chief Theodore 'Bo' Dollis. In 1970 they became the first Indians to commercially record their music with 'Handa Wanda'.
Joining link available on profile →Wild Tchoupitoulas
Mardi Gras Indian (Black Masking) tribe formed in the early 1970s by Big Chief George 'Jolly' Landry. Their 1976 self-titled album with The Meters introduced Mardi Gras Indian music to the world.
Joining link available on profile →Yellow Pocahontas
Historic Seventh Ward downtown tribe led for over 50 years by the legendary Big Chief Allison 'Tootie' Montana, whose elaborate three-dimensional suits and call to 'stop fighting and start sewing' transformed the entire tradition.
Joining link available on profile →Young Men Olympian Jr. Benevolent Association
Founded in 1884 as a benevolent society, the YMO is the oldest continuously parading second-line club in New Orleans. Operates from its own building with six divisions and maintains tombs at Lafayette Cemetery No. 2.
Joining link available on profile →Zulu Social Aid & Pleasure Club
Predominantly African American krewe founded in 1909 from benevolent societies. Parades on Mardi Gras Day with iconic hand-decorated coconut throws and grass-skirted costumes.
Joining link available on profile →Centro Cultural Rikjchary Llajta
Mixed Andean-folklore fraternity founded in 1983 and documented in the 2001 UNESCO candidacy file; rotates among indigenous dances (Sicuris, Kantus, autochthonous styles).
Joining link available on profile →Centro Tradicional Folklórico Cultural Negritos del Pagador
Founded Oct 12, 1956; pioneer of the Tundiqui / Negritos dance in Oruro, parent of later offshoots Negritos de la Saya and Negritos Centralistas.
Joining link available on profile →Conjunto Folclórico Morenada Zona Norte
Founded March 9, 1913 as 'Morenada Oruro' with only 20 dancers; oldest Morenada fraternity of the Oruro Carnival, rooted in north-zone communities of Sillota, Caracollo and Paria.
Joining link available on profile →Conjunto Folklórico Antawara
Stylized Andean folklore fraternity founded 1974; rotates dance themes (Llamerada, Kullawada, Pujllay) for the Carnaval entrance and is among the most photogenic stylized conjuntos.
Joining link available on profile →Conjunto Folklórico Pujllay Oruro
Founded Sept 26, 1982 by workers of the Rockette Textile Company; performs the Pujllay (Carnival fertility dance of Tarabuco/Chuquisaca) inside the Oruro Carnaval procession.
Joining link available on profile →Conjunto Tinkus Tolkas
Founded Aug 22, 1981; first Tinkus fraternity admitted to the Carnaval de Oruro, performing the ritual combat dance from Macha/Norte Potosí. Motto: 'Primeros en Tinku!'
Joining link available on profile →Conjunto Tradicional Folklórico Diablada Oruro
Diablada fraternity founded July 8, 1943; one of the four canonical Diablada conjuntos of the Oruro Carnival listed in the UNESCO 2001 candidacy file.
Joining link available on profile →Conjunto Tradicional Llamerada Zona Norte
Founded Feb 13, 1921 as 'Llameros de Oruro del Norte' by Emeterio Condori, Ceprian Rodríguez and others; oldest Llamerada fraternity, representing Andean llama-herding caravans.
Joining link available on profile →Conjunto Tradicional Tobas Zona Central
Tobas dance fraternity founded July 1, 1911 from the 'Los Carreritos' guild; reorganized 1914 at the Colorada San José mine, with 650-700 dancers performing warrior-style acrobatic Tobas.
Joining link available on profile →Diablada Artística Urus
Founded March 30, 1960 by 15 young men in the house of Juan Herbas after their expulsion from the Círculo de Artes y Letras; nicknamed 'La Diablada del Fuego' for its fire-breathing dancers.
Joining link available on profile →Diablada Ferroviaria Oruro
Founded Oct 6, 1956 by workers of the Ferrocarril Antofagasta-Bolivia (railway union); pioneered gold and silver thread costumes, parades a locomotive float and unicycling bears since 1970.
Joining link available on profile →Fraternidad Artística y Cultural La Diablada
Founded Feb 25, 1944 by middle-class 'Pijes' youth who broke away from the Mañazos Diablada; debuted angels, condors and new Lucifers in 1945 and launched the first Gran Velada de Arte Vernacular.
Joining link available on profile →Fraternidad Caporales Centralistas
Founded Dec 6, 1975; the most established Caporales fraternity that dances exclusively in Oruro (as opposed to the Cochabamba-based San Simón block), backed by Banda Lealtad.
Joining link available on profile →Fraternidad Folklórica Artística y Cultural Pujllay
Second Pujllay fraternity inside the Oruro Carnaval, founded Sept 23, 2005; performs the Tarabuco-origin Pujllay with characteristic ojotas (spurred sandals) and montera helmets.
Joining link available on profile →Fraternidad Folklórica Kullawada Oruro
Founded Dec 8, 1968 in Vinto by residents of Totora with cholas and domestic workers; performs the Aymara Kullawada featuring imilla, guapuri and wila characters of the weavers' guild.
Joining link available on profile →Fraternidad Hijos del Sol Los Incas
Centennial fraternity founded March 19, 1906 by traveling merchants; dramatizes the conquest and fall of the Inca Empire with characters including Atahuallpa, Pizarro and Spanish soldiers.
Joining link available on profile →Fraternidad Morenada Central Oruro 'Fundada por la Comunidad Cocani'
Founded Nov 29, 1924 by the Cocani community (coca-leaf merchants who migrated from Aroma, La Paz); the six stars on its shield honor the founding families. Split in 1992 and re-emerged as the Cocani-founded Central.
Joining link available on profile →Gran Tradicional Auténtica Diablada Oruro
Oldest devil-dance fraternity, founded Nov 25, 1904 by the butchers' guild (matarifes); known historically as the Diablada de los Mañazos, the matrix from which the Oruro Diablada tradition grew.
Joining link available on profile →Grupo de Danza Estilizada Suri Sicuri
Founded Aug 2, 1974; stylized Suri Sicuri dance inspired by the elegant gait of the Andean suri (ñandú) ostrich, of Aymara religious origin as a cult to suri/kunturi.
Joining link available on profile →Morenada Mejillones
Founded April 2, 1977 by transport-truck owners working the Arica and Matarani ports; their matraca is shaped like a truck, symbolizing transport-driven economic integration of Bolivia.
Joining link available on profile →7 de Julio San Fermín
Carries the patron-saint name and date in its title; refounded with notable participation of women in leadership. Peñas are lifelong membership clubs that animate Sanfermín with their own brass, bars, and colour-coded kits, then keep social life going the rest of the year from a permanent peña house.
Joining link available on profile →Aldapa
Took its name from the Aldapa bar in Navarrería where the founders first met. Around 250-275 members today. Peñas are lifelong membership clubs that animate Sanfermín with their own brass, bars, and colour-coded kits, then keep social life going the rest of the year from a permanent peña house.
Joining link available on profile →Alegría de Iruña
Born from the merger of two groups at the Moto Club bar. Its premises at Jarauta 8 were bombed during the violent Sanfermin of 19 July 1978; it then moved to Jarauta 61. Runs a charity wing since 1960.
Joining link available on profile →Anaitasuna
Born in 1948 at the 'La Perrera' bar from members of the Anaitasuna football club; officially recognised June 1949. Peñas are lifelong membership clubs that animate Sanfermín with their own brass, bars, and colour-coded kits, then keep social life going the rest of the year from a permanent peña house.
Joining link available on profile →Armonía Txantreana
First peña founded outside the Casco Viejo, rooted in the working-class Txantrea neighborhood. Helped popularise the all-white Sanfermin uniform.
Joining link available on profile →Donibane
Neighborhood peña of San Juan/Donibane; today the peña with the largest membership of the Federación. Year-round peña house culture, not only the July festival week.
Joining link available on profile →El Bullicio Pamplonés (Iruñeko Algara)
Founded by a group of friends purely to celebrate Sanfermin; established the trend of wearing all-white without a blusón. Year-round peña house culture, not only the July festival week.
Joining link available on profile →El Txarko
One of two peñas founded in 1977 amid a wave of new associations after the Transition; member of the Federación and active on the July 8 Patio de Caballos route.
Joining link available on profile →Irrintzi
Co-organised the Jito-Alai dances (1964-79). Invented the 'Struendo' (1965), the silent gathering in Plaza Consistorial that bursts into noise.
Joining link available on profile →La Jarana
Founded by youths from Calle del Carmen; co-organizer (1964-1979) of the legendary Jito-Alai open-air dances. Headquartered above a 14th-century crypt.
Joining link available on profile →La Única
Oldest peña of the Federación de Peñas de Pamplona and the first to be led by a woman. The green colour references the first historic flag of Pamplona.
Joining link available on profile →Los del Bronce
Conceived in 1900 by metal-workers (hence 'Bronce') but only formalised in 1950. Runs a well-known rugby section since 1988. Peñas are lifelong membership clubs that animate Sanfermín with their own brass, bars, and colour-coded kits, then keep social life going the rest of the year from a permanent peña house.
Joining link available on profile →Muthiko Alaiak
Founded by Ignacio Baleztena as 'Zaldiko Maldiko'; sited on the bull-run route along Calle Estafeta. Runs a fanfare, dance group and the closing volleyball match on July 15.
Joining link available on profile →Oberena
Peña linked to the Oberena sports and cultural club (originally clergy-sponsored). Its Sanfermin HQ occupies the old Lantzale restaurant on San Lorenzo.
Joining link available on profile →Rotxapea
Created on 24 March 1979 as a youth section of the Unión Cultural y Deportivo Rotxapea sports club to give the neighbourhood its own peña. First president Bernardo Apesteguía.
Joining link available on profile →Sanduzelai
Neighbourhood peña of Sanduzelai/San Jorge. Highly active year-round: cultural coordinator, neighbourhood festivals, Olentzero parade and Santa Águeda choirs.
Joining link available on profile →Parkour Generations London
A London parkour community offering daily classes, open gym sessions, jams and social events for children and adults. Coaches and experienced practitioners help newcomers learn to jump, vault, climb and move safely through both indoor and outdoor spaces.
Joining link available on profile →Parkour Visions Seattle
A nonprofit parkour community that runs year-round outdoor classes for children, families and adults around Seattle. Its programs pair movement skills with confidence, peer support and leadership development, while open jams and service events connect participants beyond class.
Joining link available on profile →Pipe & Brass Bands
1578th Fraser Highlanders Pipe Band
Grade 1 pipe band formed from members of the disbanded General Motors Pipe Band with support from a 78th Fraser Highlanders re-enactment group. The first non-Scottish band ever to win the Worlds.
Joining link available on profile →Black Dyke Band
One of the world's most famous British brass bands, rooted in the mill village of Queensbury. Continues the northern industrial brass tradition of workplace and town bands that rehearse weekly and contest nationally.
Joining link available on profile →Boghall & Bathgate Caledonia Pipe Band (Peoples Ford)
Grade 1 pipe band formed by Boghall townspeople via a local-newspaper ad for young pipers and drummers; now sponsored by Peoples Ford. Took its first World title in 2023 under Tom Brown MBE and son Gordon.
Joining link available on profile →Brighouse and Rastrick Band
Founded as the Brighouse and Rastrick Temperance Band via public subscription by the people of the two villages facing each other across the River Calder. Famous as the 'public-subscription band' that never had a corporate sponsor.
Joining link available on profile →Dysart & Dundonald Pipe Band
Fife pipe band founded with Bob Mackay as pipe major. Won back-to-back World Pipe Band Championships in 1977 and 1978 under Bob Shepherd. Disbanded 2007, reformed in 2010.
Joining link available on profile →Fairey Band (KNDS Fairey Band)
Works band founded by employees of the Fairey Aviation Works in Stockport (builders of the Fairey Delta 2). Still rehearses at the original Heaton Chapel factory.
Joining link available on profile →Field Marshal Montgomery Pipe Band
Grade 1 competitive pipe band named after Field Marshal Bernard Montgomery; founded by farmers' sons in the townland of Drumalig. One of the world's most successful pipe bands, with multiple World Pipe Band Championship titles.
Joining link available on profile →Greater Glasgow Police Scotland Pipe Band (formerly Strathclyde Police)
Originally the Burgh of Govan Police Pipe Band, the oldest civilian pipe band in the world. Became City of Glasgow Police (1912), Strathclyde Police (1975), and Police Scotland (2013). Won 20 World Pipe Band Championships.
Joining link available on profile →Grimethorpe Colliery Band
Formed as a leisure activity for coal miners at Grimethorpe Colliery using members of the disbanded Cudworth Colliery Band. Survived the 1993 pit closure that inspired the film 'Brassed Off'.
Joining link available on profile →Inveraray & District Pipe Band
Grade 1 pipe band founded by Stuart Liddell after coaching pupils at Inveraray Primary School. Rose from a Novice Juvenile band to four-time World Champions.
Joining link available on profile →ScottishPower Pipe Band
Grade 1 competitive pipe band that has carried three corporate sponsors in turn: British Caledonian Airways, then Power of Scotland (1989), and finally ScottishPower. Based in the Glasgow area and a regular on the major championship circuit.
Joining link available on profile →Shotts and Dykehead Caledonia Pipe Band
Grade 1 pipe band formed in a mining village by Pipe Major Dugald MacFarlane, who first held practices in his 'But and Ben' miner's cottage kitchen. Sixteen-time World Pipe Band Champions.
Joining link available on profile →Simon Fraser University Pipe Band
Grade 1 pipe band affiliated with Simon Fraser University. Transformed in 1981 when brothers Terry and Jack Lee took over. The first pipe band from outside the UK to win the Worlds more than once.
Joining link available on profile →St. Laurence O'Toole Pipe Band
Grade 1 pipe band founded at a meeting of the St. Laurence O'Toole GAA Club; attendees reportedly included Pádraig Pearse, Thomas Clarke, Sean MacDermott, Arthur Griffith, Douglas Hyde and Seán O'Casey.
Joining link available on profile →Tredegar Town Band
South Wales valleys town band formally constituted after winning the Welsh National Eisteddfod in 1876. One of the world's top-ranked brass bands.
Joining link available on profile →Edmonton Federation of Community Leagues
An umbrella network supporting Edmonton's self-governing, volunteer-run neighborhood community leagues. Local members maintain halls and amenities, organize recreation and social programs, advocate for neighborhood interests and elect boards, while the federation supplies training and shared civic support.
Joining link available on profile →London Renters Union
A member-led tenants union organized through local branches across London. Renters attend branch meetings, support one another through housing problems, plan collective campaigns and elect representatives, turning people who share the same housing pressures into an organized neighborhood base.
Joining link available on profile →1st Richmond Scout Group
Local UK Scout Group running Beaver, Cub and Scout section nights with adult volunteers. Weekly meetings, camps and badges create mixed-age community that often retains leaders for decades.
Joining link available on profile →Ham Scout Group
A neighborhood Scout group offering weekly term-time sections for girls and boys from early childhood through age eighteen. Young people move through age-based teams, learn practical skills and take part in outdoor activities, while adult volunteers provide the continuity and mentoring that connects each section.
Joining link available on profile →Pathway To Adventure Council (Chicago-area Scouting)
Local Scouting America council covering Chicago and nearby Indiana communities. Families find Cub Scout packs and Scouts BSA troops through the council, then live the weekly unit meeting as their real community.
Joining link available on profile →Hermandad de la Esperanza de Triana
A neighborhood-rooted sacramental brotherhood that prepares the Esperanza de Triana procession while running elections, member assemblies, youth participation and social programs. Its members rehearse carrying teams, maintain regalia and coordinate the long overnight return to Triana as a collective act of devotion.
Joining link available on profile →Hermandad de la Macarena
A centuries-old Holy Week brotherhood rooted in Seville's Macarena district. Members sustain year-round worship, training, charity and neighborhood life, then work together to carry the brotherhood's images and identity into the city's Semana Santa processions.
Joining link available on profile →Hermandad de los Gitanos
A sacramental brotherhood centered on the Santuario de los Gitanos, with member-led worship, processional preparation, youth activity, music and social support. New members swear the shared rules, volunteers take responsibility for practical sections and the community prepares together for its Madrugá procession.
Joining link available on profile →Hermandad del Gran Poder
A lay Catholic brotherhood whose members sustain year-round worship, governance, charity and the preparation of a major Holy Week procession. Volunteers organize the pasos, robes, music, route and thousands of participants needed for the Madrugá station of penance.
Joining link available on profile →Hermandad del Santo Entierro de Sevilla
A member brotherhood that maintains the Holy Week rites and processional heritage of the Santo Entierro. Elected officers, worship teams and participating hermanos manage a recurring calendar of services, meetings, restoration work and the detailed preparation of the Good Friday procession.
Joining link available on profile →Hermandad del Silencio de Salamanca
A Holy Week brotherhood whose members organize processions, appoint section leaders, rehearse its drum band and run charitable and devotional activities through the year. Shared preparation gives participants defined responsibilities for the pasos, music and quiet ceremonial identity of the group.
Joining link available on profile →Service & Civic Volunteer Clubs
15Border Cities Lions Club
Chartered in 1920 as the first Lions club outside the United States, making Lions an 'International' association overnight. Still active across the Windsor/Detroit border region.
Joining link available on profile →GoodGym Bristol
Local chapter of GoodGym, the UK network that combines a group run with a practical community mission (helping isolated older people, community gardening, moving furniture for charities). Meets from Workout Bristol; activated by Melanie Young. Sessions usually last about 90 minutes: warm-up, a purposeful task, then a social cooldown.
Joining link available on profile →GoodGym Camden
Local chapter of GoodGym, the UK network that combines a group run with a practical community mission (helping isolated older people, community gardening, moving furniture for charities). Central London group inside GoodGym's densest city network. Sessions usually last about 90 minutes: warm-up, a purposeful task, then a social cooldown.
Joining link available on profile →GoodGym Manchester
Local chapter of GoodGym, the UK network that combines a group run with a practical community mission (helping isolated older people, community gardening, moving furniture for charities). Largest non-London GoodGym area in the North West. Sessions usually last about 90 minutes: warm-up, a purposeful task, then a social cooldown.
Joining link available on profile →GoodGym Sheffield
Local chapter of GoodGym, the UK network that combines a group run with a practical community mission (helping isolated older people, community gardening, moving furniture for charities). Meets from the Showroom Cinema; activated by Tom Mutton. Sessions usually last about 90 minutes: warm-up, a purposeful task, then a social cooldown.
Joining link available on profile →GoodGym York
Local chapter of GoodGym, the UK network that combines a group run with a practical community mission (helping isolated older people, community gardening, moving furniture for charities). Flagship Yorkshire group led by area activator Vicky Hearson. Sessions usually last about 90 minutes: warm-up, a purposeful task, then a social cooldown.
Joining link available on profile →JCI Nagoya
Long-running Aichi-prefecture Junior Chamber (Jaycees) chapter, now past its 69th year. One of the cornerstone city-level Junior Chambers in central Japan, running leadership programmes, regional projects, and civic campaigns for members roughly aged 20 to 40.
Joining link available on profile →Kiwanis Club of Cleveland
Second-oldest Kiwanis club (chartered October 1915 with 135 members) and host of the first National Convention in May 1916, where the 16 existing clubs decided to form an international organization.
Joining link available on profile →Repair Café Amsterdam-West (Fijnhout)
The original Repair Café - launched by journalist Martine Postma at the Fijnhout Theater on 18 October 2009. Sparked a global movement of 3,800+ Repair Cafés worldwide.
Joining link available on profile →Repair Café Palo Alto
The first Repair Café in the United States, launched October 2012 by Peter Skinner after he read about the Dutch movement. Has now matched fixers with 4,600+ broken items and trained 340+ Stanford engineering students.
Joining link available on profile →Repair Café Pasadena
Flagship Southern California Repair Café linking local handy volunteers with neighbours who bring broken clothing, appliances, electronics, bikes, and jewellery. Open sessions turn fixing into a social afternoon rather than a drop-off service.
Joining link available on profile →Rotary Club of Chicago
The first Rotary club in the world, founded 23 February 1905 by attorney Paul Harris and three friends. Originated the rotating-meeting concept that gave Rotary its name and seeded a global movement of 1.4M+ members.
Joining link available on profile →Rotary Club of Dublin
First Rotary club organized outside North America (first meeting 22 February 1911), though Dublin's charter arrived after London's. Long-running civic club focused on disability and youth causes in the city.
Joining link available on profile →Rotary Club of London
Club #50, chartered 1 August 1912 - the first Rotary club formally chartered outside North America. Lunchtime meetings near the Square Mile; key in spreading Rotary across the British Isles.
Joining link available on profile →Rotary Club of New York
Club #6, founded 1909 and known as the 'Host Club of America' for visiting Rotarians. Helped draft the original constitution of the National Association of Rotary Clubs in 1910.
Joining link available on profile →Midnight Runners London
A volunteer-led urban running crew that combines evening runs, music and bodyweight exercise stops. The group regularly regathers between sections so different paces stay connected, making conversation and friendship part of the workout rather than an activity after it.
Joining link available on profile →November Project Boston
The founding chapter of a free outdoor fitness movement built around early-morning group workouts in all weather. People of varied ages and fitness levels meet on a fixed weekly schedule, exercise together and use verbal commitments to make attendance a social responsibility.
Joining link available on profile →Bushy parkrun
The original parkrun: free, weekly, timed 5k every Saturday in Bushy Park, Teddington, founded by Paul Sinton-Hewitt. Entirely volunteer-run; walkers, runners and spectating families share the same course and post-run coffee culture.
Joining link available on profile →London Hash House Harriers (London H3)
London's first Hash House Harriers kennel: non-competitive trail runs from a different station each Saturday, then a social. Pack size averages around thirty; newcomers are welcome without race fitness.
Joining link available on profile →Swiss Schwingen Clubs
20Schwingclub Appenzell
Founded in 1947 with early training meets at Restaurant Freudenberg in Appenzell. Member of the Appenzeller Kantonal-Schwingerverband (with Gais, Herisau and Wolfhalden) within the Nordostschweizer Schwingerverband. Co-host of the Eidgenössisches Jubiläums-Schwingfest 2024 in Appenzell.
Joining link available on profile →Schwingersektion Adelboden
Schwingen section of Adelboden in the Berner Oberland, member of the Oberländischer Schwingerverband. Celebrated its 100-year anniversary in 2025 and hosted the Oberländisches Schwingfest in Adelboden in June 2025.
Joining link available on profile →Schwingersektion Brienz
Founded 27 August 1905 at a constitutional general assembly in the Restaurant Bellevue in Kienholz/Brienz. Member of the Oberländischer Schwingerverband on the shores of the Brienzersee.
Joining link available on profile →Schwingersektion Grindelwald
Schwingen section of the Eiger village Grindelwald, member of the Oberländischer Schwingerverband within the BKSV. Active in regional Bergschwingfeste in the Jungfrau region.
Joining link available on profile →Schwingklub Burgdorf
Schwingen (Swiss alpine wrestling) club of Burgdorf, member of the Emmentalischer Schwingerverband within the Bernisch-Kantonaler Schwingerverband (BKSV). Notable for a unique double affiliation, as many Burgdorfer Schwinger also count toward the Oberaargauischer Schwingerverband.
Joining link available on profile →Schwingklub Einsiedeln
Founded 1 January 1925 in Restaurant Alpenrösli in Einsiedeln. Member of the Schwyzer Kantonal-Schwingerverband (SKSV) within the Innerschweizer Schwingerverband; co-founder Franz Schönbächler sen. was one of three pioneers of the SKSV.
Joining link available on profile →Schwingklub Entlebuch
Founded 1919 in the Entlebuch UNESCO Biosphere region. With around 800 members it is one of the largest Schwingklubs in the Luzerner Kantonal-Schwingerverband and the Innerschweizer Schwingerverband.
Joining link available on profile →Schwingklub Interlaken und Umgebung
Re-founded on 2 November 1919, with documentary evidence of an earlier Schwingklub in Interlaken since 1893. Hosted the Eidgenössisches Schwingfest on the Höhenmatte in 1905. Member of the Oberländischer Schwingerverband.
Joining link available on profile →Schwingklub Langnau
Youngest of the Emmentalischer Schwingerverband member clubs, founded 18 October 1947. Operates a dedicated Schwinghalle in Langnau and co-hosted the 2025 Emmentalisches Schwingfest.
Joining link available on profile →Schwingklub Lenk und Umgebung
Founded 24 November 1968 in Hotel Kreuz in Lenk. Member of the Oberländischer Schwingerverband within the BKSV; organises Schwingen in the upper Simmental valley.
Joining link available on profile →Schwingklub Luzern und Umgebung
Founded 25 October 1913, the oldest Schwingklub in the Luzerner Kantonal-Schwingerverband. Today has over 500 members and is a flagship club within the Innerschweizer Schwingerverband.
Joining link available on profile →Schwingklub Meiringen
Founding assembly held 26 September 1931 in Hotel Adler, Meiringen. The Schwingklub Meiringen represents the Haslital in the Oberländischer Schwingerverband.
Joining link available on profile →Schwingklub Muotathal
Founded 5 September 1937 by initiator Josef Bürgler; the inaugural Gründungsschwinget was held 3 October 1937. Officially admitted in 1941 as the sixth sub-association of the Schwyzer Kantonal-Schwingerverband. Organises the annual Muotathaler-Schwinget.
Joining link available on profile →Schwingklub Oberseetal
Founded 1919, the Schwingklub Oberseetal represents the Lucerne Seetal region within the Luzerner Kantonal-Schwingerverband and the Innerschweizer Schwingerverband.
Joining link available on profile →Schwingklub Saanenland
Schwingklub of the Saanenland region (Saanen/Gstaad area), member of the Oberländischer Schwingerverband within the BKSV. Represents the French-speaking border region of the Berner Oberland.
Joining link available on profile →Schwingklub Siehen (vormals Schangnau)
Originally founded in 1936 as Schwingklub Schangnau and renamed to Schwingklub Siehen in January 1968. Member of the Emmentalischer Schwingerverband within the BKSV.
Joining link available on profile →Schwingklub Sumiswald
Second-oldest club of the Emmentalischer Schwingerverband, founded in 1928 with Ernst Aebi as initiator alongside Rudolf Roth, Hans Stucki, Gottlieb Lüthi and Ernst Jost. Has produced multiple eidgenössische Kranzschwinger.
Joining link available on profile →Schwingklub Thun und Umgebung
Founded 2 April 1905 in the Bären inn in Thun under first president Christian Fankhauser. Member of the Oberländischer Schwingerverband and the BKSV; one of the oldest Schwingklubs in the Oberland.
Joining link available on profile →Schwingklub Wolhusen und Umgebung
Founded 1927 in Wolhusen, member of the Luzerner Kantonal-Schwingerverband within the Innerschweizer Schwingerverband. Active in regional Kranzfeste and youth Schwingen.
Joining link available on profile →Schwingklub Zäziwil
Founded 22 April 1944, the club is a fixture of the Emmentalischer Schwingerverband and trains young and active Schwinger for cantonal, regional and federal Schwingfeste.
Joining link available on profile →Draughts Board Game Cafe (London)
London board-game café chain with huge libraries, food and drink, and regular open-play and events. A default meetup room for RPG one-shots, eurogame nights and first dates that turn into standing groups.
Joining link available on profile →Snakes & Lattes College (Toronto)
Toronto board-game café and bar with a library of 1,000+ games, food and open-play culture. Regulars form standing tables; staff help newcomers pick a first game. A physical clubhouse for people who met online over cardboard.
Joining link available on profile →Arashi Daiko
Montreal ensemble that began with workshops led by Katari Taiko's Naomi Shikaze, anchoring francophone Canada's taiko. Weekly ensemble practice on nagado and shime drums, with public shows at festivals and community events.
Joining link available on profile →Hibiki Taiko
Midwest community ensemble keeping a regular taiko presence in Wisconsin festivals and Japanese cultural events. Community taiko ensembles typically train weekly on nagado-daiko and shime-daiko, perform at local festivals, and teach beginners through open workshops.
Joining link available on profile →Hinode Taiko
Winnipeg ensemble founded out of a Manitoba JCCA workshop, now Canada's prairie taiko anchor. Weekly ensemble practice on nagado and shime drums, with public shows at festivals and community events.
Joining link available on profile →Hono Daiko
All-women professional ensemble whose fiery O-daiko playing helped open kumi-daiko to women as a profession. Community taiko ensembles typically train weekly on nagado-daiko and shime-daiko, perform at local festivals, and teach beginners through open workshops.
Joining link available on profile →iki-iki TAIKO
Berlin community taiko group and teaching dojo that hosts the city's main taiko performance and class calendar. Community taiko ensembles typically train weekly on nagado-daiko and shime-daiko, perform at local festivals, and teach beginners through open workshops.
Joining link available on profile →Ishindaiko
Londrina ensemble of ~40 drummers who design their own music, costumes and drums and dominate the Brazilian competition circuit. Community taiko ensembles typically train weekly on nagado-daiko and shime-daiko, perform at local festivals, and teach beginners through open workshops.
Joining link available on profile →Kagemusha Taiko
Exeter-based community ensemble building one of the UK's deepest taiko teaching pipelines for young players. Community taiko ensembles typically train weekly on nagado-daiko and shime-daiko, perform at local festivals, and teach beginners through open workshops.
Joining link available on profile →Katari Taiko
Vancouver community ensemble that started Canadian taiko by drumming on spare tires with broomsticks. Community taiko ensembles typically train weekly on nagado-daiko and shime-daiko, perform at local festivals, and teach beginners through open workshops.
Joining link available on profile →Kinnara Taiko
Temple-based ensemble founded by Rev. Masao Kodani that established the do-it-yourself Buddhist taiko model copied by dozens of US temples.
Joining link available on profile →Kodo
Professional Sado Island ensemble that defines modern kumi-daiko on the world stage, touring with the One Earth Tour since the 1980s.
Joining link available on profile →Mugenkyo Taiko Drummers
Scotland-based professional ensemble that pioneered taiko touring in Europe and trains the next generation at the Mugen Taiko Dojo.
Joining link available on profile →MUNEDAIKO
Family-led Italian ensemble blending traditional Japanese repertoire with original compositions, touring Europe and Japan. Community taiko ensembles typically train weekly on nagado-daiko and shime-daiko, perform at local festivals, and teach beginners through open workshops.
Joining link available on profile →Nen Daiko
Ekoji Buddhist Temple ensemble that has carried Japanese American diaspora taiko in the Washington DC metro for three decades. Community taiko ensembles typically train weekly on nagado-daiko and shime-daiko, perform at local festivals, and teach beginners through open workshops.
Joining link available on profile →On Ensemble
LA-based quartet weaving taiko with jazz, rock and Tuvan throat singing; first performed in Hakodate, Japan in 2001. Community taiko ensembles typically train weekly on nagado-daiko and shime-daiko, perform at local festivals, and teach beginners through open workshops.
Joining link available on profile →Ondekoza
The seminal 'demon drum group' that launched the modern taiko ensemble tradition and trained the players who later formed Kodo. Community taiko ensembles typically train weekly on nagado-daiko and shime-daiko, perform at local festivals, and teach beginners through open workshops.
Joining link available on profile →Sacramento Taiko Dan
Sacramento performing ensemble known for powerful odaiko playing and for nurturing women odaiko soloists. Community taiko ensembles typically train weekly on nagado-daiko and shime-daiko, perform at local festivals, and teach beginners through open workshops.
Joining link available on profile →San Francisco Taiko Dojo
The original North American taiko dojo; trained generations of US players and seeded the Cherry Blossom Festival drum tradition. Community taiko ensembles typically train weekly on nagado-daiko and shime-daiko, perform at local festivals, and teach beginners through open workshops.
Joining link available on profile →San Jose Taiko
Long-running San Jose Japantown ensemble that helped codify Japanese American taiko as an art form distinct from Japanese tradition.
Joining link available on profile →Soh Daiko
Manhattan ensemble based at the New York Buddhist Church; named by Rev. Hozen Seki to mean 'peace, harmony, working together'. Community taiko ensembles typically train weekly on nagado-daiko and shime-daiko, perform at local festivals, and teach beginners through open workshops.
Joining link available on profile →Stanford Taiko
Pioneering university taiko group that organized the first ITI, anchoring the West Coast collegiate scene. Community taiko ensembles typically train weekly on nagado-daiko and shime-daiko, perform at local festivals, and teach beginners through open workshops.
Joining link available on profile →TAIKO BASTARDS
Brussels-based ensemble curating the EuroTaikoExpo and pushing a raw, contemporary edge of European taiko. Community taiko ensembles typically train weekly on nagado-daiko and shime-daiko, perform at local festivals, and teach beginners through open workshops.
Joining link available on profile →TAIKOPROJECT
Little Tokyo collective led by Bryan Yamami and Masato Baba creating a distinctly American style of taiko. Community taiko ensembles typically train weekly on nagado-daiko and shime-daiko, perform at local festivals, and teach beginners through open workshops.
Joining link available on profile →TaikOz
Sydney ensemble that almost single-handedly grew taiko in Australia, performing original Australian compositions alongside Japanese repertoire.
Joining link available on profile →Tengu Daiko
Bonn-based ensemble that is a regular presence at European taiko gatherings and Japanese cultural festivals in Germany. Community taiko ensembles typically train weekly on nagado-daiko and shime-daiko, perform at local festivals, and teach beginners through open workshops.
Joining link available on profile →UCLA Kyodo Taiko
UCLA student ensemble that launched the collegiate taiko movement now spanning ~30 US universities. Community taiko ensembles typically train weekly on nagado-daiko and shime-daiko, perform at local festivals, and teach beginners through open workshops.
Joining link available on profile →Wadaiko Sho
São Paulo ensemble that professionalized Brazilian taiko, regular at the Festival Brasileiro de Taiko. Community taiko ensembles typically train weekly on nagado-daiko and shime-daiko, perform at local festivals, and teach beginners through open workshops.
Joining link available on profile →WADOKYO
Düsseldorf-based touring formation known for archaic, powerful beats, performing across Europe and beyond. Community taiko ensembles typically train weekly on nagado-daiko and shime-daiko, perform at local festivals, and teach beginners through open workshops.
Joining link available on profile →Watsonville Taiko
Central California temple-rooted community ensemble performing through the Strawberry Festival/Obon circuit. Community taiko ensembles typically train weekly on nagado-daiko and shime-daiko, perform at local festivals, and teach beginners through open workshops.
Joining link available on profile →Yamato - The Drummers of Japan
Nara-based touring ensemble known for athletic choreography and a theatrical, full-evening concert format. Community taiko ensembles typically train weekly on nagado-daiko and shime-daiko, perform at local festivals, and teach beginners through open workshops.
Joining link available on profile →Zendaiko
Catalan ensemble that anchors taiko teaching and performance in Spain, regular at Japanese cultural festivals like Matsuri Barcelona.
Joining link available on profile →AI Tinkerers Poland
A curated, demo-first community for people shipping real AI: production LLM, agent, and RAG builders, founders, and researchers, with hackathons (some run with partners like DeepMind) and a strict show-the-working-prototype culture. You apply to attend, link your GitHub or portfolio, and a real demo earns priority seating. There is an active Discord between events.
Joining link available on profile →BUILD IT CLUB
A biweekly, English-speaking gathering of Kraków builders: indie hackers, startup founders, people hunting a co-founder, and engineers chasing a side project. Evenings mix short talks (recent editions have run deep on LLMs in production and agentic systems, with senior AI and ML speakers) with a lot of open networking, usually with food and drinks covered by a venue sponsor. Free to attend, no application.
Joining link available on profile →GenAI Cracow
A recurring meetup for people actually building with AI in Kraków: retrieval-augmented generation, local and multimodal LLMs, agents, and production ML, presented as short engineer-led talks and live demos rather than sales pitches. Sessions run roughly monthly (edition 29 and counting) at tech venues like Software Mansion and hub:raum, and a sister strand, Cracow Robotics and AI, gathers the hardware and robotics makers. Free to attend by RSVP.
Joining link available on profile →Latent Space (AI Engineer community)
One of the highest-caliber applied-AI communities going, run by the team behind the Latent Space publication: a free Discord full of serious agent, RAG, and eval builders, founders, and AI engineers, with a weekly LLM Paper Club and regular demo and discussion threads. Contribution-gated in spirit, you get out what you put in, and introducing yourself with a real build or result is the way in.
Joining link available on profile →MicroConf Connect
An application-vetted online community of roughly 2,000 bootstrapped software founders, run with a strict no-pitch culture around masterminds, hot-seat feedback, and go-to-market help. You submit a short application, and once approved you join monthly at around 49 dollars, or yearly, with a 30-day refund window.
Joining link available on profile →OMGKRK
The connective tissue of Kraków's startup scene: a founder network that runs free monthly Hangouts at good venues, a curated GrowthMatch program pairing early-stage founders with mentors and investors, and invite-only investor salons. The Hangouts are open to anyone and are the easiest way to meet the city's founders, operators, and investors in one room.
Joining link available on profile →Ramen Club
A paid online community of around 400 bootstrapped founders, from pre-revenue up to $30k a month and beyond, built around weekly demo days, virtual coworking, member interviews, and mentor tracks in AI, growth, sales, and validation. It is positioned as the closest thing to having coworkers when you work for yourself. Membership is roughly 29 euros a month with a 30-day money-back guarantee, so a first month is effectively a free trial.
Joining link available on profile →Yolk Founders Club
A monthly founders' meetup run out of Yolk, the highest-rated coworking space in Kraków, with a heavily international, English-speaking crowd (well over half from abroad). Each edition brings founders and soon-to-be founders together around a short talk and open conversation, alongside a regular Open Coffee. The meetup itself is free; if the room fits, you can also take a Yolk desk (day pass up to monthly membership) and cowork with the same people the rest of the week.
Joining link available on profile →Thai Songkran & Muay Thai Communities
25Banchamek Gym (Buakaw Village)
Founded by Muay Thai legend Buakaw Banchamek after leaving Por. Pramuk; relocated from Bangkok to a countryside compound in Mae Taeng, Chiang Mai. Self-contained 'Buakaw Village' camp welcoming beginners through pros.
Joining link available on profile →Charn Chai Muay Thai (Pai)
Camp of former Lumpinee/Rajadamnern #1 'Bee' Monkoldej Sitthepitak; he has 35 years' experience as fighter and trainer, with about a decade as head trainer/owner in the mountain town of Pai.
Joining link available on profile →Eminent Air Gym
Long-established camp owned by Mr. Somboon Nirutimettee, known for producing champions both Thai and foreign. One of the classic Bangkok industrial-zone stables on the Bang Khae / Bang Bon side.
Joining link available on profile →Fairtex Gym
Founded in Bangkok in 1975 by Bunjong (Philip Wong) Busarakamwongs; Fairtex Pattaya beachfront training center opened in 2005. One of the most internationally recognized Thai Muay Thai brand-gyms, blending fight camp and equipment empire.
Joining link available on profile →Hongthong Muay Thai Gym
Family-run Chiang Mai camp founded by twin brothers Hongthong Noi and Hongthong Lek (Joe and Gen), with active fighters at Lumpinee and Rajadamnern. Known for traditional Thai pedagogy and tight pad-work.
Joining link available on profile →Jocky Gym (Jocky Sitkanpai Camp)
Founded in 1963 (some sources 1974) in the Bang Pho district by Master Somat Hongsakul, originally called Sofoyo Gym and renamed for star fighter Jocky Sitkanpai. Considered a 'factory of champions' with 27 Lumpinee/Rajadamnern belts, producing Somrak Kamsing, Saenchai, Lerdsila, Kaoklai and more.
Joining link available on profile →Khongsittha Muay Thai
Founded in 2013 by Matthew Deane in Bangkok's Lat Phrao district. Modern high-end camp known for technical precision and integrated strength & conditioning, attracting both Thai pros and serious foreign students.
Joining link available on profile →Kiatphontip Gym
Bangkok-outskirts traditional camp run by English sports correspondent Rob Cox alongside Thai head trainers. Known for a welcoming atmosphere and a steady stream of foreign students mixed with active Lumpinee fighters.
Joining link available on profile →Lanna Muay Thai (Kiatbusaba)
One of Chiang Mai's earliest international-facing Muay Thai gyms, historically run by Andy Thomson with the Kiatbusaba banner. Pioneer of female fighter training in northern Thailand with dedicated women's classes.
Joining link available on profile →Muay Thai Institute (Rangsit) community gym culture
Major Bangkok-metro muay Thai training centre where locals and travelling fighters share pad work, roadwork and fight-family hierarchy under kru coaches. The gym is school and social club at once for many residents and short-stay fighters.
Joining link available on profile →Petchyindee Academy (Petchyindee Kingdom)
Founded in 1975 by promoter 'Sia Nao' Virat Vachirarattanawong in the Charansanitwong area; one of Bangkok's most prolific stables, known as 'The Home of Champions' with fighters like Petchmorrakot and Petchdam.
Joining link available on profile →Por. Pramuk Gym
Traditional provincial Muay Thai camp in Chachoengsao that produced Buakaw Banchamek (then Buakaw Por. Pramuk) during his K-1 World MAX-era peak. Classic rural champion-factory model.
Joining link available on profile →Rompo Muay Thai Gym
Established around 2000 in the Klong Toey area inside the Rompo Mansion compound. Famous for years as the go-to foreigners' camp where many international kickboxers cut their teeth before relaunching as the Muay Thai Academy.
Joining link available on profile →Sangmorakot Muay Thai Academy
Founded by former Royal Thai Air Force flight sergeant 'Jar Tui' Attapong Amanan, the gym grew up in the shadow of Wat Sitaram temple and won 'Best Muay Thai Camp of Thailand' in 2004. Current academy site established 2007 in Pom Prap Sattru Phai.
Joining link available on profile →Santai Muay Thai
Established in 2002, Santai is a countryside training camp east of Chiang Mai that has hosted long lineups of foreign fighters seeking authentic full-time training away from city distractions.
Joining link available on profile →Sasiprapa Gym
One of Bangkok's longest-running traditional camps, established over 40 years ago and run for decades by Mr. Thakoon Phongsupha. Quiet, no-frills neighborhood camp that has produced multiple Thai national champions.
Joining link available on profile →Sinbi Muay Thai
Established in 2007 near Nai Harn Beach, Phuket by former South Thailand champion and K-1 fighter Sing (Sinbi Taewoong). A 9,600 m2 facility with 12 rings, MMA cage and weight room.
Joining link available on profile →Singpatong Sitnumnoi
Founded in 1971 by professional Muay Thai fighter Somsak Junlaka, Singpatong Sitnumnoi is one of Phuket's oldest competitive camps and a longtime supplier of fighters to Patong Boxing Stadium.
Joining link available on profile →Sitsongpeenong Muay Thai Camp
Founded in 2009 at Soi 34 Chaloem Phrakiat Ratchakan Thi 9 Road, Bangkok. Elite stable that has produced K-1 / Glory champions Kem Sitsongpeenong and Sitthichai Sitsongpeenong.
Joining link available on profile →Sityodtong Camp
Legendary Muay Thai camp founded in 1960 by Kru Yodtong Senanan in Mabtaput, Rayong, later moving to Pattaya. Has produced more than 57 world champions and is considered one of the foundational Muay Thai camps; its lineage spawned Sityodtong gyms worldwide.
Joining link available on profile →Sor. Klinmee Muay Thai Gym
Founded in 2009 by former champion Mit Klinmee (Tappaya Sit Or) in Pattaya's Nongprue district. Best known for producing strategist Sudsakorn Sor. Klinmee (278 wins from 330 fights).
Joining link available on profile →Sumalee Boxing Gym
Founded by British former amateur fighter Lyn Harris with Thai head trainer Daoneua in Thalang, Phuket. Distinguished by its holistic approach combining Muay Thai with yoga and nutrition programs.
Joining link available on profile →Suwit Muay Thai Camp
Said to be the first foreign-facing Muay Thai camp in Phuket; open for more than 25 years (founded around 2000) by Suwit Yodkhunpon's family. Classic traditional Phuket stable predating the Chalong boom.
Joining link available on profile →Tiger Muay Thai
Founded in 2003 by US Marine veteran Sean Douglas in Chalong, Phuket. Now Phuket's biggest and most internationally recognized Muay Thai / MMA training camp; sold in 2015 to Thai businessmen led by Viwat Sakulrat.
Joining link available on profile →Yokkao Training Center Bangkok
Yokkao brand founded 1 January 2010 by Philip Villa; the Bangkok training center opened 2016 on Sukhumvit Soi 16 in Asoke as the camp for the Yokkao Thailand Fight Team. Home of Saenchai-era international Muay Thai.
Joining link available on profile →Theyyam Communities (Kerala)
23Adi Muchilottu Kavu, Karivellur
14th-century Adi (original) shrine of Muchilot Bhagavathi, clan deity of the Vaniya trading community. Epicentre of the cult that fans out to 108+ Muchilottu kavus across north Kerala. The Muchilottu Bhagavathy Theyyam here is performed by the Vannan community.
Joining link available on profile →Andalur Kavu
Twin-shrine kavu (Mele Kavu/Ayodhya and Thazhe Kavu/Darika) where the Yuddha kanda of Ramayana is performed through 10+ Theyyams - Daivathar (Rama), Bappuran (Hanuman), Angakkaran (Lakshmana), Athiraalarvum Makkalum (Sita with Lava-Kusha). Believed founded by Parasurama.
Joining link available on profile →Anjoottambalam Veerarkavu
Major Veerarkavu of Nileshwar's old Theru quarter, hosting the Porat festival in Meenam that draws thousands. National news after a 2024 fireworks accident injured 154 during the Theyyam festival, highlighting the shrine's scale.
Joining link available on profile →Aralom Aattinkara Muchilottu Kavu
Riverside Muchilottu Bhagavathi kavu of the Vaniya community at Aralom, one of the 100+ Muchilottu shrines spread across Kannur, Kasaragod and Kozhikode districts.
Joining link available on profile →Azhikode Kanaarath Tharavadu Devasthanam
Lineage-house (tharavadu) devasthanam at Azhikode where family-tradition Theyyam is performed - exemplifies the tharavadu shrine model in which a single landed family hosts the village's annual Theyyam.
Joining link available on profile →Kalarivathukkal Bhagavathy Temple
Family shrine of the Chirakkal (Kolathiri) royal family and reputed mother-shrine of Kalarippayattu. Hosts the year's final Theyyam (Thirumudi Utsavam in Edavam), concluding the North Malabar Theyyam season. The Bhagavathy's headgear is the tallest Theyyam crown in Kannur.
Joining link available on profile →Kalliasseri Kanithottathil Kathivanoor Veeran Devasthanam
Devasthanam dedicated to Kathivanoor Veeran, the deified Thiyya warrior Mandappan Chekavar of Mangad. The Theyyam is performed at night on a 'Chemmarathi thara' (banana-stalk and fire structure symbolising his wife) and is worshipped by women of North Malabar.
Joining link available on profile →Kalliasseri Kanjiramkunnu Poyyil Bhagavathy Kavu
Bhagavathi kavu in the Pappinisseri-Kalliasseri belt, anchoring a local Theyyam community cluster (also linked to a Mookambika kshetram). Hosts annual Theyyam thira kaliyattam.
Joining link available on profile →Kalliasseri Puthiya Bhagavathy Temple (Kappoth Kavu)
Locally known as Kappoth Kavu, this Kalliasseri shrine hosts a four-day Theyyam Thira Kaliyattam in Kumbham (mid-February) featuring Karan, Nagakanya, Thamburatty, Ilamkolam, Puthiya Bhagavathi, Veeran and Veera Kali Theyyams.
Joining link available on profile →Karivellur Kuniyan Puzhakkara Perumudikkavu
Perumudikkavu (literally 'great-crowned grove') in the Karivellur Theyyam belt, a riverside neighbourhood kavu in the cradle of the Muchilot tradition.
Joining link available on profile →Karivellur Palathara Neelankai Bhagavathy Kshethram
Local Karivellur kavu dedicated to Neelankai Bhagavathy, one of the cluster of Theyyam shrines around the Adi Muchilottu mother-temple. Anchors its own neighbourhood Theyyam kaliyattam.
Joining link available on profile →Koyon Pulitharammal Sree Bhagavathy Temple
Kavu of Pulitharammal Bhagavathy - one of the two 'sister' deities of Cherukunnu Annapoorneswari, who became this goddess after being ostracised for taking water from a lower-caste home. Hosts Darma Deivam, Pollalan, Vishnumoorthy, Gulikan, Aarooda Pottan, Theepottan, Bhagavathy and Puthiya Bhagavathi Theyyams.
Joining link available on profile →Kunnav Sree Muchilottu Bhagavathy Temple, Pallikkunnu
One of the 109 Muchilot kavus, prominent Vaniya-community shrine in Kannur city's edge. Four-day Theyyam Thira Kaliyattam in Dhanu Masam features Muchilottu Bhagavathi, Kannangattu Bhagavathy, Puliyoor Kali and Narambil Bhagavathy.
Joining link available on profile →Madayi Kavu (Thiruvarkkadu Bhagavathi Temple)
Mother shrine of all Bhadrakali kavus in North Malabar; Pulaya community performs the six-Theyyam 'Maaritheyyam' group ritual (Maari/Mamaaya Kaliyan, Kalichi, Kuliyan) on Karkidakam 16. Run by Malabar Devaswom Board.
Joining link available on profile →Morazha Mangattuparamba Neeliyar Kottam (twin grove)
Sister Neeliyar Kottam at Morazha, sustaining the Neeliyar Bhagavathi Theyyam tradition performed by the Vannan caste. Forms part of the wider Neeli-cult cluster around Dharmasala/Mangattuparamba.
Joining link available on profile →Mullakodi Keloth Puthiya Purayil Vayanattu Kulavan Devasthanam
Tharavadu (lineage-house) devasthanam where Vayanattu Kulavan (Thondachan) Theyyam is performed. Thiyya-community Thondachan Theyyam is unusual for being staged primarily at ancestral homes rather than public kavus.
Joining link available on profile →Neeliyar Kottam
Unusual unroofed-sanctum sacred grove (20.18 acres) controlled by the Cheriya Veedu family of the Kulala community. Neeliyar Bhagavathi (Kottathamma) Theyyam, performed by the Vannan caste at sunset, runs throughout the year - rare for a Theyyam shrine.
Joining link available on profile →Padarkulangara Kavu, Kinavur
Base kavu of Padarkulangara Bhagavathy Theyyam, famed for the elaborate face-painting on the koladhari. Performance right is hereditary to the holder of the 'Anjootan' title at Koroth Tharavadu, who also performs at Mannanpurath Kavu's Kalasam.
Joining link available on profile →Parassinikkadavu Sree Muthappan Madappura
Iconic Madappura where Muthappan Theyyam (Thiruvappana and Vellattam) is performed twice daily, year-round - the only Kerala shrine with daily Theyyam. Open to all castes and religions; tutelary deity of the Thiyya community; dogs venerated as divine guardians.
Joining link available on profile →Sree Mannampurathu Kavu (Chathayamangalam)
Renowned Shakthi-worship kavu in Kasaragod set inside a 6-acre protected bio-reserve grove. Its annual Kalasam (May-early June) is the festival that officially closes the North Malabar Theyyam season. Theyyams: Mannam Purathu Kavilamma, Nadayil Bhagavathy, Kshetrapalakan.
Joining link available on profile →Thalikkavu Bhagavathi Temple
Urban Bhagavathi kavu in Kannur town dedicated to Puthiya Bhagavathi (the deity who arose from the homakunda to cure Shiva's smallpox). Four-day Theyyam Thira Kaliyattam in Meda Masam (April 16-19) with Veeran, Ilamkolam, Veerali, Bhadrakali, Nagakanya, Valiya Thamburatti and Gulikan Theyyams.
Joining link available on profile →Thayineri Muchilottu Bhagavathy Temple
Vaniya-community Muchilot kavu near Payyanur, recognised in Kerala Tourism's heritage circuit. Centre of Muchilottu Bhagavathi Theyyam performance during its kaliyattam season.
Joining link available on profile →Thekkumbad Kulom Thayakavu
Sole Theyyam shrine in Kerala where Devakoothu - the only Theyyam performed by a woman - is enacted, once every two years. Unique gender-bending exception in the otherwise male-only Theyyam tradition.
Joining link available on profile →UK Morris Dancing Sides
30Abingdon Traditional Morris Dancers
Cotswold tradition kept alive by the Hemmings family of Ock Street. Linked to the election of the Mock Mayor of Ock Street, a satirical civic tradition dating to the 1700s.
Joining link available on profile →Adderbury Village Morris Men
Revival side carrying on the distinctive Adderbury tradition collected by Janet Blunt from Wm 'Binx' Walton. One of the canonical Cotswold village traditions.
Joining link available on profile →Bampton Traditional Morris Dancers
Cotswold tradition; one of England's oldest continuously dancing sides, only suspended in 1917-18. Bampton actually has three coexisting sides representing the village tradition.
Joining link available on profile →Bedford Morris Men
Cotswold tradition; one of the longest continuously-running revival sides in England and a founding pillar of the Morris Ring era. Predates the Morris Ring (1934) itself.
Joining link available on profile →Beltane Border Morris
Border Morris from the edge of Dartmoor. Famous for dramatic torch-lit performances and dances drawn from Dartmoor myths, fire/earth/water/air elements and 'rebellious women'. Tradfolk award winners.
Joining link available on profile →Boggart's Breakfast
Mixed-gender Border side known for striking blue-patterned face paint, top hats and rag jackets. Formed to bring Border morris back to Sheffield after the earlier Wicked Stix side disbanded.
Joining link available on profile →Britannia Coco-nut Dancers
Singular Lancastrian clog troupe. Eight dancers and a 'whipper-in'. Who dance 7 miles across Bacup every Easter Saturday with concertina and the Stacksteads Silver Band. Unique 'coconut' shells worn on hands, knees and belt.
Joining link available on profile →Cambridge Morris Men
Cotswold tradition; one of the six founder sides of the Morris Ring in 1934 (with Greensleeves, East Surrey, Letchworth, Oxford and Thaxted). Long associated with EFDSS scholarship.
Joining link available on profile →Chingford Morris Men
North-West tradition side from the Essex/London border, also dancing Cotswold and their own 'Chingford' dances. Based at the Friday Hall community centre.
Joining link available on profile →Chipping Campden Morris Men
Cotswold tradition side dancing the unique Campden repertoire. No other side dances Campden by convention. Perform at the Robert Dover's Cotswold Olimpicks and Scuttlebrook Wake.
Joining link available on profile →Flamborough Sword Dancers
Long Sword tradition unique to the fishing village of Flamborough. Dance their own village dance on Boxing Day with wooden swords representing the local fishermen's blades.
Joining link available on profile →Goathland Plough Stots
Long Sword tradition. Probably the oldest village team still dancing its own dance, performed each Plough Monday weekend in Goathland on the North York Moors, accompanied by a plough hauled by 'Stots' (bullocks).
Joining link available on profile →Grenoside Sword Dancers
Long Sword tradition. One of the very few teams still dancing their own village dance in unbroken tradition, performed every Boxing Day at the Old Harrow in Grenoside. The Captain's hat is decapitated as the locked sword 'rose' is raised.
Joining link available on profile →Hammersmith Morris Men
Cotswold tradition west London side; alumni include accordion legend John Kirkpatrick, who began dancing with the team aged 12 in 1959. Self-styled 'World Famous Hammersmith Morris Men'.
Joining link available on profile →Handsworth Traditional Sword Dancers
Long Sword tradition with a distinctive military-style kit derived from mid-19th-century miners' uniforms. Unbroken lineage since the 1880s when the Siddle brothers brought the dance from Woodhouse.
Joining link available on profile →Headington Quarry Morris Men
Cotswold tradition side from the village where Cecil Sharp first saw morris on Boxing Day 1899. The spark of the entire 20th-century English folk revival. One of only four villages with an unbroken Cotswold lineage.
Joining link available on profile →Manchester Morris
North-West / Cotswold side that grew out of 1920s EFDS classes; joined the Morris Ring in 1936. Admitted women dancers in 2019 and dropped 'Men' from the name.
Joining link available on profile →Mepal Molly Men
Molly tradition. Reconstructed their dances from the recollections of two Little Downham dancers from the 1930s. Perform only three times a year: Plough Monday, Whittlesea Straw Bear and the Ouse Washes Day of Dance.
Joining link available on profile →Old Glory Molly
Solemn, agriculturally-rooted Molly side dancing in hobnailed boots with one-row C-melodeons. Strongly tied to Plough Monday rituals in the Waveney Valley.
Joining link available on profile →Pecsaetan Morris
Women's Cotswold side based in Sheffield, named after the Anglo-Saxon 'Pec-saete' people of the Peak District. Tours UK festivals and dances regularly with Boggart's Breakfast in the city.
Joining link available on profile →Pig Dyke Molly
Mixed Molly side from the Fens known for stark black-and-white facepaint, quirky original dances and a deliberately non-historical, theatrical approach to the East Anglian Molly tradition.
Joining link available on profile →Ravensbourne Morris Men
Cotswold tradition; reformed from pre-war Morley College and Balgowan Old Boys sides after WWII. First practice 13 January 1947. A key post-war south London side.
Joining link available on profile →Saddleworth Morris Men
North-West (clog) tradition. Revived the Saddleworth Rushcart in 1975. Now a defining event of the North-West morris calendar, with sides processing from across the country to pull a 10-foot rushcart through the villages.
Joining link available on profile →Seven Champions Molly Dancers
Molly tradition. The seminal modern Molly side, founded by members of Headcorn Morris after Russell Wortley's workshops; reshaped Comberton/Girton material into a uniformed, energetic style that defined the Molly revival.
Joining link available on profile →Shropshire Bedlams
Border Morris founded by John Kirkpatrick and Sue Harris. With Silurian, they pioneered the Border revival and turned a near-extinct tradition into the most-imitated style of modern English morris.
Joining link available on profile →Silurian Morris Men
Border Morris. Founded by the late Dave Jones; emerged at Bromyard Folk Festival 1979 in a costume based on the historical Upton Morris Men. The first Border revival side and the visual template for almost every Border side since.
Joining link available on profile →Thaxted Morris Men
Cotswold tradition. Co-founder of the Morris Ring in 1934 and host of the famous Thaxted Morris Ring Meeting every Spring Bank Holiday. The largest gathering of Morris Ring sides in the calendar.
Joining link available on profile →Westminster Morris Men
Cotswold tradition. London's flagship Morris Ring side; first public dance on Coronation Day 1953. Hosts the biggest annual morris gathering in London on the 2nd Saturday of May at Trafalgar Square.
Joining link available on profile →Whitchurch Morris Men
Cotswold tradition; grew out of the Whitchurch & Princes Risborough country dance group. Joined the Morris Ring at the Thaxted meeting May 1949.
Joining link available on profile →Wild Hunt Bedlam Morris
Mixed Border / Bedlam side blending North-European mythology with their own interpretation of Bedlam Morris. A long-running South London Border fixture.
Joining link available on profile →Toronto Ultimate Club
A member-based nonprofit running adult and youth ultimate leagues in every season, along with tournaments, clinics and touring-team support. Individual and team registration gives newcomers a clear route into recurring play, while volunteers convene leagues, teach youth and serve on club committees.
Joining link available on profile →Vancouver Ultimate League
A nonprofit playing community that organizes year-round adult and youth ultimate leagues across Metro Vancouver. New players can enter through clinics, boot camps and recreational divisions, then join teams and seasonal competition governed by the sport's self-officiated spirit of the game.
Joining link available on profile →Bressay Up Helly Aa
Held the first Friday of March (6 Mar 2026). Around 100 guizers begin at Bressay Hall. Distinctive feature: the procession is open to all. Visitors with a torch can join the march, unique among Shetland fire festivals.
Joining link available on profile →Cullivoe Up Helly Aa
Held the last Friday of February (27 Feb 2026) on the island of Yell. The galley is led from Cullivoe Hall to the marina, then set alight and floated out to sea. Includes a Hop night and a Guizer's Return the following week.
Joining link available on profile →Delting Up Helly Aa
Final festival of the Shetland Up Helly Aa season, held the third Friday of March (20 Mar 2026). Began at Brae High School in 1970, became a senior community festival in 1982. Renamed Delting in 2003 to include Mossbank, Muckle Roe, Vidlin and Voe. Procession finishes at the Delting Boating Club, where the galley is floated into Busta Voe and burned.
Joining link available on profile →Lerwick Junior Up Helly Aa
Junior version of the Lerwick festival, held the last Tuesday in January (same day as senior). Founded in 1956 by Anderson High woodwork teacher Tammie Moncrieff and headteacher GW Blance to train future guizers. The Junior Jarl is elected by first- and second-year Anderson High School pupils each autumn; parents build the squad's suits over winter.
Joining link available on profile →Lerwick Up Helly Aa Jarl Squad
The original and largest Up Helly Aa, held the last Tuesday of January in Shetland's capital. Up to 1,000 guizers march in ~50 squads, but only the Guizer Jarl's Squad dresses as Vikings, embodying a chosen Norse 'Saga' figure. To become Jarl, a man (and since 2022, women) must serve 15 years on the Up Helly Aa Committee.
Joining link available on profile →Nesting and Girlsta Up Helly Aa
Held 10 days after Lerwick (6 Feb 2026). ~300 guizers. The Jarl Squad visits schools and elderly residents during the day, then leads a torchlit procession; the galley is burned at sea. Evening entertainment spans three community halls.
Joining link available on profile →Northmavine Up Helly Aa
Held the third Friday of February (20 Feb 2026). Covers the whole Northmavine peninsula. Procession begins at Hillswick Hall. Unique tradition of building both a burning galley AND a seaworthy sailing galley. The Jarl Squad take to the water in the sailing galley when weather allows.
Joining link available on profile →Norwick Up Helly Aa
Shetland's most northerly fire festival, held in late Feb / early March (7 Mar 2026). About 100 guizers in roughly a dozen squads march down the Floggie road to Norwick beach, where the galley is burned.
Joining link available on profile →Scalloway Fire Festival
First Up Helly Aa of the year, held the second Friday of January (9 Jan 2026) in Shetland's former capital. 200-300 guizers carry torches through the village; the galley is burnt on the sea at Port Arthur rather than on land, a Scalloway signature. Afterparty across five local halls with reestit mutton soup.
Joining link available on profile →South Mainland Up Helly Aa (SMUHA)
Held the second Friday of March (13 Mar 2026). Youngest of the Up Helly Aas. Procession and galley-burning location rotate yearly across five South Mainland districts. Each year a different community hosts the Jarl Squad and the burning.
Joining link available on profile →Uyeasound Up Helly Aa
Held the third Friday of February (13 Feb 2026) in the south of Unst. Just under 200 guizers and two galleys: one decorative for the parade and one for burning on Shalder Taing beach at Uyeasound.
Joining link available on profile →Walls Junior Up Helly Aa
Held the fourth Friday of March (27 Mar 2026). Organised by the local Brownies (and originally Scouts), this is a children's festival where the Jarl Squad is made up of young girls and boys. Families craft costumes from scratch; the wooden galley, built by a local craftsman, is reused yearly. Burning takes place in the kirk-yard.
Joining link available on profile →US Barbershop, Contradance & Community Music Chapters
24Alexandria Harmonizers
Chartered June 19, 1948 as the Alexandria chapter of SPEBSQSA. A flagship East Coast men's chorus known for theatrical staging and Kennedy Center appearances.
Joining link available on profile →Ambassadors of Harmony
Founded in 1963 as the Daniel Boone Chorus and renamed Ambassadors of Harmony in 1990. A 160+ member men's barbershop chorus from St. Charles, MO, beloved for elaborate themed productions like '76 Trombones'.
Joining link available on profile →BIDA (Boston Intergenerational Dance Advocates)
Formed fall 2008 to bridge generations in New England contra dance; pioneered the now-standard Larks/Robins (gender-free) calling. Runs Sunday dances at the Cambridge Masonic Temple.
Joining link available on profile →Country Dance and Song Society of Pittsburgh (CDSSP)
Pittsburgh's CDSS-affiliate contra and English country dance group, running weekly contra dances and English country dances plus the annual Pittsburgh Contra Dance Weekend.
Joining link available on profile →DanceFlurry / Flurry Festival
Conceived in 1987 by Nancy Gretta and Paul Rosenberg car-pooling to a Brattleboro dawn dance, the Flurry first ran in February 1988. The nonprofit DanceFlurry Organization now draws 5,000+ dancers and 400 performers every February to one of the largest contra dance festivals in the US.
Joining link available on profile →Friday Night Dancers (Glen Echo)
The volunteer-run Friday Night Dancers host the largest weekly contra dance in the DC/Maryland/Virginia area at Glen Echo Park's historic Spanish Ballroom and Bumper Car Pavilion.
Joining link available on profile →Gentlemen Songsters
The performing chorus of the Lowell, MA chapter of the Barbershop Harmony Society, formed in 1986 and active across New England with charity sing-outs and Valentine quartets.
Joining link available on profile →Harborlites Chorus
Founded in 1960 as an Anaheim chapter of Sweet Adelines International. A women's barbershop ensemble drawing members from all over Southern California.
Joining link available on profile →Lions Gate Chorus
Founded in 1954, the longest-standing Canadian chapter of Sweet Adelines International. In 2023 it became the first chorus ever to win the SAI championship with a perfect score from the judging panel.
Joining link available on profile →Louisville Thoroughbreds (Thoroughbred Chorus)
Born in 1945 after businessman Fritz Drybrough invited friends to his home for barbershop harmony. Was the first 7-time International Chorus Champion in BHS history, defining the men's chorus sound for two decades.
Joining link available on profile →Masters of Harmony
Chartered in 1985 as the Foothill Cities Chapter, the chorus moved to Santa Fe Springs in 1987. Under longtime director Greg Lyne it became a Southern California powerhouse that incubated the Westminster Chorus.
Joining link available on profile →Melodeers Chorus
Founded in 1960 in Deerfield, IL (the name is a blend of 'Melody' + 'Deerfield'), now based in Wheeling. The most successful Sweet Adelines chorus in history.
Joining link available on profile →North Metro Chorus
Chartered in Canada's centennial year (1967) from the basement of a founding member, North Metro Chorus grew under longtime director June Dale into Canada's most successful Sweet Adelines chapter.
Joining link available on profile →Pinewoods Camp
Founded in 1919 by Helen Osborne Storrow as 'Pine Tree Camp', converted to a dance camp in 1933 when she offered the 25-acre site to the EFDS as a permanent home for summer school. The spiritual home of American contra and English country dance.
Joining link available on profile →Portland Country Dance Community (PCDC)
Volunteer-run CDSS affiliate organizing weekly contra, English country, and waltz dances around Portland, OR since the late 1970s. The backbone of the Pacific Northwest traditional dance scene.
Joining link available on profile →Pride of Baltimore Chorus
Chartered in 1993 as a chapter of Sweet Adelines International, the Pride of Baltimore became a top-10 women's barbershop chorus internationally and hosted the long-running Harmony Harbor educational weekend.
Joining link available on profile →Princeton Country Dancers
Volunteer-run non-profit promoting American and English traditional dance in central New Jersey since the late 1970s. Long-running Wednesday-night contra dance series in Princeton.
Joining link available on profile →Rich-Tone Chorus
Organized October 1967 with 24 women, chartered by Sweet Adelines International on February 13, 1968. An all-female barbershop chorus from north Texas that became a perennial international contender.
Joining link available on profile →Rönninge Show Chorus
Founded in 1983 in the small town of Rönninge near Stockholm, Sweden, this Sweet Adelines chorus became the first non-North American group to win the international gold medal (2013, record 96.8% score).
Joining link available on profile →Scottsdale Chorus
Founded in 1962 as an Arizona chapter of Sweet Adelines International (Region 21), the Scottsdale Chorus is one of the most decorated women's barbershop ensembles, with members traveling from across Arizona to rehearse weekly.
Joining link available on profile →Toronto Northern Lights
Founded in 1997, the Toronto chapter of the Barbershop Harmony Society became the first Canadian chorus in 33 years to win the BHS International gold medal in 2013.
Joining link available on profile →Vocal Majority
Founded December 1971 by Bob Arnold with 12 singers, the Vocal Majority is the Dallas chapter of the Barbershop Harmony Society and the most decorated chorus in BHS history with 14 international championships (most recently 2025). Famous for cinematic showmanship and a deep bass section.
Joining link available on profile →Vocal Revolution (Sounds of Concord)
Chartered in 1970 as Sounds of Concord, rebranded as Vocal Revolution. The highest-ranked men's barbershop chorus in the Northeastern District with 17 district titles.
Joining link available on profile →Westminster Chorus
Formed in 2002 when five young singers (the 'Founding Five') from Masters of Harmony took over the Westminster chapter. Famous for a young, contemporary sound, viral YouTube videos and dominating BHS competition.
Joining link available on profile →Falla Almirante Cadarso - Conde Altea
Founded 1930 in the heart of Ruzafa; in Sección Especial since 2005. Specialized in social-criticism monuments with artist Manolo Algarra for 18 years; multiple Ninot Indultat awards (8 adult, 8 children).
Joining link available on profile →Falla Convento Jerusalén-Matemático Marzal
Most decorated falla in history, founded 1893; competing continuously in Sección Especial since 1957 with 18+ first prizes. Won Sección Especial 2026 with 'Redimonis' (260,000-euro budget, presided by Juan Roig's granddaughters).
Joining link available on profile →Falla Cuba - Literato Azorín
Founded 1948 in Ruzafa at the corner of Calle Cuba and Literato Azorín (also extending to Pintor Gisbert). Won its first Sección Especial first prize in commission history in 2022.
Joining link available on profile →Falla Espartero - Gran Vía Ramón y Cajal ('El Nostre')
Founded 1906; one of the oldest cultural associations in Valencia. Long history in Primera Sección and Sección Especial; won Sección Especial Infantil 2026 with 'Arca. El Viatge de Pepet'.
Joining link available on profile →Falla Exposición - Micer Mascó
Founded 1950 on Naturalista Arévalo Baca street in El Pla del Real (Mestalla). Won Sección Especial first prize 2023 with 'Kromátika' by David Sánchez Llongo - its first top-category victory.
Joining link available on profile →Falla L'Antiga de Campanar (Monestir de Poblet - Aparicio Albiñana)
Historic Campanar commission, the Sección Especial falla furthest from the city center. Won 2nd prize Sección Especial 2026 with 'Sentiment' by Josué Beitia (200,000-euro budget).
Joining link available on profile →Falla Na Jordana
Historic Sección Especial commission, planted at Plaça Portal Nou since 1983 (originally in Plaça Na Jordana). 12 first prizes (1956-2003); in Sección Especial longer than any other falla (since 1954).
Joining link available on profile →Falla Plaza del Pilar
Commission constituted 1953 in the heart of Velluters near the Mercado Central; references to fallas in Plaça del Pilar go back to 1865. Holds 14 first prizes in Sección Especial.
Joining link available on profile →Falla Regne de València - Duc de Calàbria (Falla del Regne)
Founded 1933 in the Ensanche, between Russafa and Gran Vía at Calle Duque de Calabria. Long-running partnership with artist Sergio Musoles Ros; approaching centenary in 2032.
Joining link available on profile →Falla Sueca - Literato Azorín
Founded April 1954 by neighbors at the Centro Cultural Ruzafa, led by president José Saús Canet. Long-running collaboration with Santaeulalia artist saga; nicknamed 'Els Boluts'.
Joining link available on profile →Vietnamese Lion Dance & Folk Troupes
22Câu Lạc Bộ Ca Trù Chanh Thôn
Rural ca trù club in Phú Xuyên district, regularly mentored by Thái Hà club; one of the last village giáo phường keeping the southern-Hanoi ca trù style.
Joining link available on profile →Câu Lạc Bộ Ca Trù Hà Nội
One of the first ca trù clubs revived after decades of decline; performs weekly at temples and venues in the Old Quarter and trains the next generation of ca nương (female singers).
Joining link available on profile →Câu Lạc Bộ Ca Trù Lỗ Khê
Village club in Lỗ Khê, considered the cradle of ca trù, where a professional 'giáo phường' has performed since the 15th century. Currently around 40 members including 15 fully fledged artists.
Joining link available on profile →Câu Lạc Bộ Ca Trù Ngãi Cầu
Village ca trù club kept alive by artisan Chu Trí Cang's lineage; around 40 members including female singers (ca nương) and đàn đáy instrumentalists keeping the Hoài Đức ca trù tradition alive.
Joining link available on profile →Câu Lạc Bộ Ca Trù Thái Hà
Founded by master drummer Nguyễn Văn Mùi (1930-2019), the seven-generation Nguyễn family ca trù house traces back to ca nương Nguyễn Thị Tuyết who was granted Thái Hà hamlet by King Thành Thái. Preserves 30+ ancient melodies and a unique archive of 1927-35 recordings.
Joining link available on profile →Câu Lạc Bộ Ca Trù Thăng Long
Founded and led by ca nương Phạm Thị Huệ; performs at Kim Ngân communal house in the Old Quarter and helped reignite public ca trù performance after UNESCO listing.
Joining link available on profile →Câu Lạc Bộ Quan Họ Đương Xá
One of the earliest village-level quan họ clubs founded after Đổi Mới (initially 18 members) and a key node for transmitting quan họ to younger generations in Bắc Ninh city.
Joining link available on profile →Câu Lạc Bộ Quan Họ Hoài Trung
60-member village club meeting every Thursday and Saturday; includes 5 quan họ folk artists officially recognised by Bắc Ninh province in 2022.
Joining link available on profile →Câu Lạc Bộ Quan Họ Làng Diềm (Viêm Xá)
Village club of Làng Diềm, the only one of the 49 original quan họ villages with a shrine to Vua Bà, the legendary 'mother' of quan họ. Performs at the grand quan họ theatre built by Bắc Ninh province in the village.
Joining link available on profile →Câu Lạc Bộ Quan Họ Lũng Giang
Village club at the heart of the famous Hội Lim festival hill; 60+ members from various trades who perform the boat-singing ('hát thuyền') and hill-singing ('hát đồi') of Lim every spring.
Joining link available on profile →Câu Lạc Bộ Quan Họ Thị Cầu
Ward-level quan họ club officially founded by the Thị Cầu People's Committee in 1997 (initiated 1995); preserves the distinctive Thị Cầu repertoire on the north bank of the Cầu River, including the 'ngủ bọn' overnight singing tradition.
Joining link available on profile →Đoàn Lân Sư Rồng Chung Huy Đường
Thủ Đức-based troupe that won the championship at the 2024 Thủ Đức City Lion-Dragon Dance Competition. Troupes train lion and dragon routines for Tết, openings and competitions, mixing youth athleticism with guild-like team identity.
Joining link available on profile →Đoàn Lân Sư Rồng Hải Nam Liên Hữu
Originally a tiger-dance troupe from the Hainanese (Hải Nam) bang that converted to lion dance for religious reasons. Its hornless 'Hải Nam' lion head is unique among Saigon troupes.
Joining link available on profile →Đoàn Lân Sư Rồng Hào Dũng Đường
One of the top professional lion-dragon troupes in HCMC, regularly performing at openings, groundbreakings and Tết events and competing in national/international tournaments.
Joining link available on profile →Đoàn Lân Sư Rồng Huỳnh Lân Đường
Independent professional troupe offering lion-dragon service across HCMC for openings, weddings and Tết. Troupes train lion and dragon routines for Tết, openings and competitions, mixing youth athleticism with guild-like team identity.
Joining link available on profile →Đoàn Lân Sư Rồng Liên Nghĩa Đường
Considered the oldest lion-dance troupe in Chợ Lớn, predating Nhơn Nghĩa Đường by over a decade. Rooted in the Cantonese diaspora community.
Joining link available on profile →Đoàn Lân Sư Rồng Nhơn Nghĩa Đường
Founded by master Lưu Hào Lương (a disciple of the Chau family Five Tigers lineage), Nhơn Nghĩa Đường is widely regarded as the most prestigious lion-dragon troupe of Saigon's Chợ Lớn Chinese-Vietnamese quarter, blending Cantonese Chau-Ka kung fu with Mai Hoa Thung pole-jumping lion. Multiple international medal winner.
Joining link available on profile →Đoàn Lân Sư Rồng Phước Anh Đường
Professional service-oriented lion-dragon troupe specialised in openings, weddings and Tết. Won joint third in lion category at the 2026 Chợ Lớn Cup - HTV International.
Joining link available on profile →Đoàn Lân Sư Rồng Thắng Nghĩa Đường
Chợ Lớn troupe attached to the Thái Lý Phật (Choy Li Fut) martial arts lineage, also famous as builders of traditional lion heads.
Joining link available on profile →Đoàn Lân Sư Rồng Tinh Anh Đường
District 5 troupe that swept the 2022 District 5 Cup, taking first place in the traditional dragon dance category and the Mai Hoa Thung (plum-blossom pole) lion category at the Chợ Lớn Cup.
Joining link available on profile →Đoàn Nghệ Thuật Lân Sư Rồng Hằng Anh Đường
Founded by folk artisan Lương Tấn Hằng at age 20; debuted publicly in 1987 at the Tinh Võ courtyard. Has grown to nearly 4,000 members across many provinces and joined the International Lion-Dragon Dance Federation in 2015.
Joining link available on profile →Lân Sư Rồng Thọ Phước Đường
Leading lion-dragon troupe of the Nha Trang / Khánh Hòa central coast, performing across the south-central region. Troupes train lion and dragon routines for Tết, openings and competitions, mixing youth athleticism with guild-like team identity.
Joining link available on profile →Welsh Male Voice Choirs
26Beaufort Male Choir
Welsh male voice choir based in the former mining community of Beaufort above Ebbw Vale. Member of the Welsh Association of Male Choirs and part of the still-singing Gwent valleys network.
Joining link available on profile →Bois Goetre Hen
South Wales male voice choir based at Goetre Hen in Pencoed near Bridgend. A Welsh-medium choir affiliated with the Welsh Association of Male Choirs, built as a late-twentieth-century restart of valleys singing culture.
Joining link available on profile →Caerphilly Male Voice Choir (Cor Meibion Caerffili)
Formed in 1906 by Jordan Davies and members of the Caerphilly Cricket Club following a match at St Fagan's. Started with 20 members to raise money for cricket facilities; celebrating 120 years in 2026.
Joining link available on profile →Cardiff Arms Park Male Choir
Welsh male voice choir born on 5 September 1966 in the old skittle alley of Cardiff Rugby Club, after supporters decided post-match singing needed a proper choir. First called the Cardiff Athletic Male Voice Choir, it took the Arms Park name in 2000 and still sings for rugby internationals, tours, and charity concerts.
Joining link available on profile →Cardiff Male Choir
Capital-city male voice choir, member of the Welsh Association of Male Choirs, performing widely in concerts, civic events, and tours from a Cardiff base.
Joining link available on profile →City of Newport Male Choir
Newport-based male voice choir founded near the end of World War II. Member of the Welsh Association of Male Choirs and active in concerts across South Wales and the English border towns.
Joining link available on profile →Côr Meibion Caernarfon
Founded in 1967 by workers at the Ferodo brake-lining factory. Has the world-famous bass-baritone Bryn Terfel as patron; has won the National Eisteddfod nine times.
Joining link available on profile →Côr Meibion De Cymru (South Wales Male Choir)
Pan-South Wales Welsh-language male voice choir that draws singers across county lines rather than from a single pit village. Associated with the Welsh Association of Male Choirs and built for large-scale Welsh-medium repertoire.
Joining link available on profile →Côr Meibion Maelgwn
North Wales male voice choir named after the sixth-century king Maelgwn Gwynedd. Based at Llandudno Junction, it is an active member of the Welsh Association of Male Choirs and represents the Gwynedd/Conwy choral tradition on the national circuit.
Joining link available on profile →Côr Meibion Pontypridd
Welsh male voice choir based in Pontypridd, the market town at the mouth of the Rhondda. Known nationally for competition successes, recordings, and a strong presence on the Welsh Association of Male Choirs circuit.
Joining link available on profile →Cwmbach Male Choir
Formed at a local cricket match in June 1921 when uninterested spectators began singing hymns and part-songs. First Welsh choir to sing behind the Iron Curtain (Bela Bartok Festival, Hungary, 1961).
Joining link available on profile →Dowlais Male Choir
Historic male voice choir from the ironworks community of Dowlais near Merthyr Tydfil. Roots reach into the late nineteenth century when the works town fielded large tenor-bass choirs; the modern choir keeps that industrial heritage sound alive in concerts and competitions.
Joining link available on profile →Dunvant Male Choir
Formed in January 1895 by miners, steelworkers and quarrymen from Ebenezer Chapel in Dunvant near Swansea. Often cited among Wales's longest continuously singing male choirs, it kept rehearsing through both world wars and remains the archetypal west-Glamorgan industrial côr meibion.
Joining link available on profile →Dunvant Male Choir (Cor Meibion Dyfnant)
Formed in January 1895 by miners, steelworkers and quarrymen from Ebenezer Chapel. Holds the distinction of being the oldest Welsh male choir with unbroken continuous history.
Joining link available on profile →Froncysyllte Male Voice Choir (The Fron)
Founded in 1947 to compete at the newly-formed Llangollen International Musical Eisteddfod. Signed to Universal Classics, achieved chart success with 'Voices of the Valley' albums in the 2000s.
Joining link available on profile →London Welsh Male Voice Choir
A Welsh male voice choir in London, formed September 1902 by William 'Cook' Davies at Charing Cross Chapel. Won premier honours at the Mountain Ash Eisteddfod six months after formation; re-established in 1961 and now has over one hundred members.
Joining link available on profile →Morriston Orpheus Choir
Formed on 23 April 1935 by Ivor E. Sims as a breakaway from existing choirs. One of the best-known male voice choirs in the UK, having won the Royal National Eisteddfod seven times.
Joining link available on profile →Pendyrus Male Choir
Founded by two out-of-work miners, Ben Jones and Emlyn Drew, in the Miners' Federation hut on 24 May 1924. Longest-serving male choir in continuous existence in the Rhondda Valley, celebrating its centenary in 2024.
Joining link available on profile →Pontarddulais Male Choir
Established in 1960 under the late Noel Davies MBE, who served as Musical Director for 42 years. Born out of the Pontarddulais Youth Choir, it has become one of Wales's most celebrated competition choirs.
Joining link available on profile →Pontypridd Male Choir / The Gentlemen Songsters
South Wales male voice choir based in Tonyrefail and also known as The Gentlemen Songsters. Active on the Welsh Association of Male Choirs circuit with a local concert and competition calendar.
Joining link available on profile →Rhos Male Voice Choir (Cor Meibion Rhosllannerchrugog)
Formed in 1891 in the mining village of Rhosllannerchrugog (Rhos), five miles south-west of Wrexham. One of the oldest male voice choirs in Wales with deep roots in the North Wales coalfield.
Joining link available on profile →Risca Male Choir
South Wales male voice choir based in Risca on the eastern valleys edge. Member of the Welsh Association of Male Choirs with a regular local concert diary.
Joining link available on profile →Toronto Welsh Male Voice Choir
Established in 1995 by founding president Gwyn Roberts after emigrating from Wales to Canada. Carries the Welsh male voice tradition into North America with members from various backgrounds.
Joining link available on profile →Tredegar Orpheus Male Choir
Historic South Wales valleys male voice choir formed in October 1909 with about thirty members to enter a local eisteddfod. For more than a century the Tredegar Orpheus has been a cultural backbone of the iron-and-coal town, competing, recording, and touring as one of Wales's recognized premier choirs.
Joining link available on profile →Trelawnyd Male Voice Choir
Formed in March 1933 when 35 villagers came together to compete at the village Eisteddfod. With 80+ members, one of the largest male voice choirs in North Wales.
Joining link available on profile →Treorchy Male Choir
One of the most famous Welsh male voice choirs, originally formed in the Red Cow Hotel in 1883 and reformed under John Haydn Davies in 1946. Performed for Queen Victoria at Windsor Castle in 1895 and was the first Welsh choir to appear at the Sydney Opera House.
Joining link available on profile →City of Brighton & Hove Swimming Club
A community swimming club with a sea section that meets on Brighton's shore alongside pool, masters, artistic swimming and water polo groups. Daily open-water practice gives year-round swimmers a long-standing local rhythm, while the broader club creates paths for participants of different ages and disciplines.
Joining link available on profile →The Bluetits Chill Swimmers
An inclusive cold-water swimming network whose local flocks meet for informal social dips in seas, lakes and rivers. Volunteer admins welcome newcomers and share safety guidance, while the free membership model lets people join for a brief dip and conversation without distance or speed requirements.
Joining link available on profile →American Wine Society
A nonprofit network of local chapters whose members gather for monthly educational wine tastings. Volunteer chapter chairs choose themes, invite speakers and lead members through shared flights, while national conferences and courses connect the local tables into a wider community of wine learners.
Joining link available on profile →Confrérie du Sabre d'Or
A volunteer-run Champagne fellowship devoted to the culture of Champagne and the ceremonial art of opening a bottle with a sabre. Members gather through regional embassies, affiliated venues, inductions, tastings and gala chapters that turn a specialized ritual into an international social identity.
Joining link available on profile →The Scotch Malt Whisky Society
An international membership society organized around shared exploration of single-cask whisky. National branches and partner bars host guided tastings, member gatherings and local events, giving enthusiasts a recurring table and a common vocabulary for comparing regions, distilleries and casks.
Joining link available on profile →Citrus Circuits
A student-led FIRST Robotics Competition team bringing together about one hundred students from several Davis schools. Technical and media subteams design, build, program, document and present one shared machine, supported by coaches drawn from teachers, alumni, parents, college students and the community.
Joining link available on profile →Team 254, The Cheesy Poofs
A high-school robotics team whose students work with teachers and industry mentors to design, build, program and compete with robots. The same team also runs outreach, mentors younger programs and hosts Chezy Champs, an annual off-season FIRST Robotics Competition event.
Joining link available on profile →