Chinese Musical and Theatrical Association (CMTA, 紐約中華音樂戲劇研究社)
One of New York City's oldest amateur Cantonese opera clubs, founded in 1931. For laundry and restaurant workers who could not afford professional entertainment, the association became a sanctuary to learn arias, stage full operas, and support one another through mutual aid.
A classic Chinatown music society: weekly rehearsal, shared costumes, and a social safety net wrapped around yueju practice. Continues the pre-war New York Chinese theatre lineage into the present.
External page. Check current meetings, membership, and joining details directly with the group.
Other cantonese opera & chinese music societies
The pre-eminent professional Cantonese opera guild, descended from the Guangzhou Ba-he Association established under Emperor Tongzhi; promotes career welfare and preservation of yueju in Hong Kong.
Hong Kong production society staging large-scale Cantonese opera works in concert halls and theatres. Member of the Cantonese Opera Advancement Association network that links professional and amateur troupes across the city.
One of the top professional Cantonese opera troupes in Hong Kong, founded by Lau Kam Yiu to showcase young opera talent Joyce Koi Ming Fai; performs ~100 shows a year.
Founded by Dr. Ina Ho Chan Un-chan to bring together dedicated Cantonese opera artists for new productions and cross-cultural touring. A young professional company adding original programming to Hong Kong's dense yueju calendar.
Hong Kong's first professional a cappella choral-theatre company, founded by Patrick Chiu, Ng Cheuk-yin and Yuri Ng. Fuses Cantonese vocal traditions with contemporary theatre and full-evening staged works.
Flagship Guangzhou yueju company formed by merging the Guangzhou Cantonese Opera Troupe and the Hongdou (Red Bean) Troupe; runs four venues including the Hung Sin-nui Theatre and Hongdou Theatre.